Martha and the Vandellas were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown.
"Pride and Joy" is a 1963 single by Marvin Gaye, released on the Tamla label. The single, co-written by William "Mickey" Stevenson, Gaye and Norman Whitfield, and produced by Stevenson, was considered to be a tribute to Gaye's then-girlfriend, Anna Gordy. The album version of the single featured on Gaye's second album, That Stubborn Kinda Fellow is different in parts to the single version presenting a more jazz effect than the gospel-emulated version that became a single. The song was also Gaye's first top ten pop single peaking at number ten on the chart and just missed the top spot of the R&B singles chart peaking at number two. The song also helped continue Gaye's successful hit streak as the singer would score another Top 40 pop hit at the end of that year with "Can I Get a Witness".
"Stubborn Kind of Fellow" is a 1962 song recorded by Marvin Gaye for the Tamla label. Co-written by Gaye and produced by William "Mickey" Stevenson, "Stubborn Kind of Fellow" became Gaye's first hit single, reaching the top 10 of the R&B chart and the top 50 of the Billboard Hot 100 in late 1962.
"Heat Wave" is a 1963 song written by the Holland–Dozier–Holland songwriting team. It was first made popular by the Motown vocal group Martha and the Vandellas, who issued it as a single on July 10, 1963, on the Motown subsidiary Gordy label. The single reached number one on the Billboard Hot R&B chart—where it stayed for four weeks—and peaking at number 4 on the Billboard Hot 100.
"Quicksand" is a song recorded by the Motown girl group Martha and the Vandellas. It was written by the songwriting team of Holland-Dozier-Holland and released as a single in November 1963.
"Come and Get These Memories" is an R&B song by Motown girl group Martha and the Vandellas. Their second single released under Motown's Gordy Records subsidiary, "Memories" became the group's first hit single, reaching number 29 on the Billboard Pop Singles Chart, and number-six on the Billboard R&B Singles Chart.
"Wild One" is a dance single by Motown girl group Martha and the Vandellas. Written and produced by William "Mickey" Stevenson and Ivy Jo Hunter. The song was another Top 40 triumph for the group as it reached #34 on Billboard's Hot 100 singles chart and #11 on the Hot R&B singles chart. The backing track for 'Wild one' was an alternative version of the backing track to 'Dancing in the Street'.
Rosalind "Roz" Ashford-Holmes is an American soprano R&B and soul singer, known for her work as an original member of the Motown singing group Martha and the Vandellas.
"I'm Ready for Love" is a 1966 single by Motown girl group Martha and the Vandellas. The song, produced and written by Holland–Dozier–Holland, and was written in a similar style to The Supremes' smash hit, "You Can't Hurry Love".
"Jimmy Mack" is a pop/soul song that in 1967 became a hit single by Martha and the Vandellas for Motown's Gordy imprint. Written and produced by Motown's main creative team, Holland–Dozier–Holland, "Jimmy Mack" was the final Top 10 pop hit for the Vandellas in the United States, peaking at No.10 on the Billboard Hot 100 in 1967 and at No.1 on the Billboard R&B Singles chart. Billboard named the song No.82 on their list of 100 Greatest Girl Group Songs of All Time.
"Love Bug Leave My Heart Alone" is a 1967 single released by Motown girl group Martha and the Vandellas. The song's production was a departure from the Vandellas' repertoire as their label, Motown, was having a harder time staying with the times in the music industry and having a much harder time finding a hit for its acts after several departures including Vandellas collaborators William "Mickey" Stevenson and Holland-Dozier-Holland, who produced the b-side to this single, "One Way Out", one of the trio's final recordings with the Vandellas. Produced by Richard Morris, the song displayed of the narrator wanting "the love bug" to leave her alone so she won't "fall in love". The narrator, lead singer Martha Reeves, was left heart-broken the last time she allowed the man to come back to her but after suffering heartbreak, she expresses her disgust at the man's attempts, with her fellow members Rosalind Ashford and Betty Kelley chanting "get outta there, love bug, leave my heart alone". The song was their second consecutive Top 40 single of 1967 peaking at number twenty-five on the Billboard pop singles chart and number fourteen on the Billboard Hot R&B singles chart. The record was the first track ever played on UK Radio One by DJ John Peel.
"Forget Me Not" is a 1968 single by Motown girl group Martha and the Vandellas. Though the song failed to ignite charts in America, barely hitting the Billboard Hot 100, where it peaked at No. 93, and failing to chart on the US R&B charts, it became a hit on the UK Singles Chart singles chart peaking at No. 11 netting them their biggest UK hit in several years.
"Bless You" is a 1971 hit single by Motown girl group Martha and the Vandellas and was the group's last significant hit before disbanding in 1972.
"I Can't Dance to That Music You're Playin'" is a 1968 funk-soul single by Motown girl group Martha and the Vandellas.
"(We've Got) Honey Love" is a 1967 song by Motown girl group The Velvelettes that later became a 1969 single released by another Motown girl group Martha and the Vandellas from their album Ridin' High released in 1968. The song returned the Vandellas to the top forty of Billboard's R&B singles chart where it peaked at number twenty-seven while it hit the Billboard Hot 100 peaking at number fifty-seven. It was the group's sixth record where they were listed as Martha Reeves and the Vandellas following the successful "Honey Chile" single two years earlier. The song talked of how one woman's lover's charm was like "sugar and spice" adding names of candy and soda adding "a little bit of me, a little bit of you and we've got honey love." The Velvelettes, meanwhile, had recorded two versions of the song, both of which would go unreleased for almost 40 years. All three versions were written by Richard Morris and Sylvia Moy, and produced by Morris. Every version also used the same track with The Andantes as background vocals.
"I Should Be Proud" is a 1970 protest song written by Henry Cosby, Pam Sawyer and Joe Hinton and recorded by Motown girl group Martha and the Vandellas.
"Ridin' High" is a 1968 soul album released by Motown girl group Martha and the Vandellas on the Gordy (Motown) label. This album featured the last Top 40 pop hits scored by the group during their recording tenure, "Love Bug Leave My Heart Alone" and "Honey Chile". It was a series of firsts for the group: it was the first album without the help of since departed producers William "Mickey" Stevenson and Holland–Dozier–Holland, however, Motown included one HDH track on the album, "Leave It In The Hands Of Love." Also on Ridin' High is a cover version of Dionne Warwick's then recent hit "I Say a Little Prayer."
Black Magic is a 1972 soul album released by Martha Reeves and the Vandellas on the Gordy (Motown) label. It is the last studio album issued by the group after ten years with the label. The album is significant for featuring the group's biggest hit of the decade with the Jackson 5-esque "Bless You". The track returned the Vandellas to chart success briefly in the US reaching number fifty-three pop, number twenty-nine R&B and reaching number thirty-three on the UK pop singles chart. It was also a top twenty hit in Canada reaching number sixteen on the chart, and a top ten single in Puerto Rico, where it reached the number two position. Two other subsequent singles, "In and Out of My Life" and "Tear It on Down", were the trio's last Billboard charted hits reaching the top 40 on the R&B charts. "No One There" was released in the UK as a solo single for lead singer Martha Reeves.
"I Promise to Wait My Love" is a 1968 single recorded by girl group Martha and the Vandellas, released on the Gordy label.
Sandra Delores Reeves, better known as Lois Reeves, is an American singer, most notable for being the younger sister of Motown legend Martha Reeves, for having replaced popular Martha and the Vandellas member Betty Kelly as member of her sister's group in 1967, and for later singing background for records by Al Green in the 1970s as a member of the backing group Quiet Elegance. Lois' nickname was "Pee Wee" as she is only 5'1" tall.
