"Nowhere to Run" is a 1965 pop single by Martha and the Vandellas for the Gordy (Motown) label and is one of the group's signature songs. The song, written and produced by Motown's main production team of Holland–Dozier–Holland, depicts the story of a woman trapped in a bad relationship with a man she cannot help but love.
How Sweet It Is to Be Loved by You is the fifth studio album released by American singer and songwriter Marvin Gaye, released in 1965. The album features the successful title track, which at the time was his best-selling single and was famously covered by James Taylor in 1975. Other hits include "Try It Baby" and "Baby Don't You Do It" . Inspired by Jackie Gleason’s trademark expression.
The Supremes Sing Holland–Dozier–Holland is the tenth studio album released by The Supremes for Motown in 1967. It includes the number-one hit singles "You Keep Me Hangin' On" and "Love Is Here and Now You're Gone". As the title states: all songs on the album were written and produced by Motown's main songwriting team of Holland–Dozier–Holland. Most of the album was recorded during the spring and summer of 1966; however several songs date back to the summer of 1964.
More Hits by The Supremes is the sixth studio album by Motown singing group The Supremes, released in 1965. The album includes two number-one hits: "Stop! In the Name of Love" and "Back in My Arms Again", as well as the Top 20 single "Nothing but Heartaches".
"Heat Wave" is a 1963 song written by the Holland–Dozier–Holland songwriting team. It was first made popular by the Motown vocal group Martha and the Vandellas. Released as a 45 rpm single on July 9, 1963, on the Motown subsidiary Gordy label, it hit number one on the Billboard Hot R&B chart—where it stayed for four weeks—and peaking at number 4 on the Billboard Hot 100.
"Quicksand" is a 1963 soul-dance single by Motown girl group Martha and the Vandellas.
"Come and Get These Memories" is an R&B song by Motown girl group Martha and the Vandellas. Their second single released under Motown's Gordy Records subsidiary, "Memories" became the group's first hit single, reaching number 29 on the Billboard Pop Singles Chart, and number-six on the Billboard R&B Singles Chart. The song speaks of heartbreak, as the narrator goes through her things and gives back everything her now ex-boyfriend had given her, including teddy bears, records, and "lingering love".
"Live Wire" is a 1964 dance single released by Motown girl group Martha and the Vandellas.
"Wild One" is a dance single by Motown girl group Martha and the Vandellas. Written and produced by William "Mickey" Stevenson and Ivy Jo Hunter. The song was another Top 40 triumph for the group as it reached #34 on Billboard's Hot 100 singles chart and #11 on the Hot R&B singles chart. The backing track for 'Wild one' was an alternative version of the backing track to 'Dancing in the Street'.
"I'm Ready for Love" is a 1966 single by Motown girl group Martha and the Vandellas. The song, produced and written by Holland–Dozier–Holland,and was written in a similar style to The Supremes' smash hit, "You Can't Hurry Love".
"Jimmy Mack" is a pop/soul song that in 1967 became a hit single by Martha and the Vandellas for Motown's Gordy imprint. Written and produced by Motown's main creative team, Holland–Dozier–Holland, "Jimmy Mack" was the final Top 10 pop hit for the Vandellas in the United States, peaking at number 10 on the Billboard Hot 100 in 1967 and at number-one on the Billboard R&B Singles chart. Billboard named the song #82 on their list of 100 Greatest Girl Group Songs of All Time.
"Love " is a 1965 pop ballad by Motown girl group Martha and the Vandellas. A rare ballad for the group, whose forte was reportedly uptempo soul dance numbers including "Dancing in the Street" and "Nowhere to Run", the b-side to the group's single, "You've Been in Love Too Long", although the song only peaked at #70 on the Billboard Hot 100 singles chart and #22 on the Billboard Hot R&B singles chart, it was number one on many American urban radio playlists.The song, written and produced by Holland–Dozier–Holland, has the narrator explain why love makes her do things she later regrets. Cash Box described it as a "plaintive, slow-shufflin’ heart-throbber with a nostalgic years-back sound."
Heat Wave is the second album released by American Motown girl group Martha and the Vandellas. Released in 1963 on Motown's Gordy imprint, intended to capitalize on the success of the title track, which rose to number four on the pop singles chart and number one on the R&B singles chart. The album was produced by Holland-Dozier-Holland and Mickey Stevenson. This was the last album to feature original Vandella Annette Beard.
Come and Get These Memories is the debut album by the American girl group Martha and the Vandellas, released in 1963. Put out by Gordy after the success of the trio's hit of the same name, the album also contains the group's debut single, "I'll Have to Let Him Go", which was originally intended for Mary Wells, and "A Love Like Yours ". Most of the album was produced by Holland–Dozier–Holland and William "Mickey" Stevenson.
Dance Party is a 1965 album released by American Motown and soul girl group Martha and the Vandellas on the Gordy (Motown) label. The album was the group's third and, much like The Miracles' Mickey's Monkey album, mainly consisted of dance tunes. The singles featured on the album were their 1964 landmark single, "Dancing in the Street", their follow-up smash, "Wild One", and the hit "Nowhere to Run" and its b-side, "Motoring". The album was mostly produced by William "Mickey" Stevenson with several nods from Holland-Dozier-Holland.
I Hear a Symphony is the eighth studio album released by American girl group the Supremes on the Motown label in 1966.
"A Love Like Yours " is a 1963 song issued as the B-side to Motown singing group Martha and the Vandellas' hit single, "Heat Wave", released on the Gordy label.
"When the Lovelight Starts Shining Through His Eyes" is a song written by Holland–Dozier–Holland and recorded in 1963 by Motown singing group The Supremes. It is notable as the Supremes' first Billboard Hot 100 Top 40 recording, following seven previous singles between January 1961 and September 1963 which failed to enter the Top 40. The single is also notable as the first Supremes single written and produced by Holland–Dozier–Holland, who had previously created hits for Martha and the Vandellas and Mary Wells.
"Mickey's Monkey" is a 1963 song recorded by the R&B group The Miracles on Motown Records' Tamla label. It was written and produced by Motown's main songwriting team of Brian Holland, Lamont Dozier, and Eddie Holland, who later went on to write 2 more Miracles hit singles, the Top 40 "I Gotta Dance to Keep From Crying", and the Top 20 "(Come 'Round Here) I'm The One You Need". This was unusual, as most Miracles songs were composed by the group members themselves.
"There He Is " is a 1962 song and B-side single written and composed by all three line-ups of what would soon be Motown's main production team. Credited to the Vells the performers on both sides of the single were an early version of the group that would be better known as Martha and the Vandellas. The single is also notable as the last one the label subsidiary would release under an R&B/soul music format, changing that point onward to a country music subsidiary.
