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Jack Ashford | |
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 Ashford in 2013 | |
| Background information | |
| Born | May 18, 1934 Philadelphia, Pennsylvania, U.S. |
| Occupation | Musician |
| Instruments |
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| Years active | 1960s–1980s |
| Formerly of | The Funk Brothers |
Jack Ashford (born May 18, 1934) is an American musician who was a percussionist for Motown Records' in-house Funk Brothers band during the 1960s and early 1970s. Ashford is most famous for playing the tambourine on hundreds of Motown recordings.
Ashford played tambourine, vibraphone, marimba, maracas, cabasa, bells, chimes, bell tree, finger cymbals, kazoo, triangle, wood block, handclaps, foot stomps and hotel sheet. [1] His definitive performance is on "War" by Edwin Starr. Other notable songs Ashford played tambourine on include "Nowhere to Run" by Martha & the Vandellas, "You Can't Hurry Love" by the Supremes, "Going to a Go-Go" by the Miracles, "I Heard It Through the Grapevine" by Marvin Gaye, and "Don't Leave Me This Way" by Thelma Houston. Influenced by Milt Jackson and Lionel Hampton, he played the vibes on Motown recordings such as the Miracles' "Ooo Baby Baby", the Supremes' "Where Did Our Love Go", and Marvin Gaye's "What's Going On".
In the 1960s and 1970s, Ashford worked closely with singer and songwriter Lorraine Chandler, setting up Pied Piper Productions, and working with her on her own records and those of other musicians in Detroit such as Eddie Parker. [2]
Ashford moved to Los Angeles in the mid-1970s. The early 1980s saw production work from Ashford but it proved to be the end of his career in music. However, in 2014, he made a recent appearance on The Secret Sisters' second album Put Your Needle Down . [3]
With the death of Joe Messina in April 2022, Ashford is the last surviving member of the Funk Brothers. [a]
The Funk Brothers were a group of Detroit-based session musicians who performed the backing to most Motown recordings from 1959 until the company moved to Los Angeles in 1972.
Easy is an album recorded by Marvin Gaye and Tammi Terrell, and released by Motown Records on September 16, 1969 under the Tamla Records label. One song on the album, "Good Lovin' Ain't Easy To Come By", was a hit single and remains popular to this day.
Standing in the Shadows of Motown is a 2002 American documentary film directed by Paul Justman that recounts the story of the Funk Brothers, the uncredited and largely unheralded studio musicians who were the house band that Berry Gordy hand-picked in 1959.
"I Heard It Through the Grapevine" is a song written by Norman Whitfield and Barrett Strong for Motown Records in 1966. The first recording of the song to be released was produced by Whitfield for Gladys Knight & the Pips and released as a single in September 1967. It went to number one on the Billboard R&B Singles chart and number two on the Billboard Pop Singles chart and shortly became the biggest selling Motown single up to that time.
Let's Get It On is the thirteenth studio album by the American soul singer, songwriter, and producer Marvin Gaye. It was released on August 28, 1973, by the Motown subsidiary label Tamla Records on LP.
Motown 25: Yesterday, Today, Forever is a 1983 television special, produced by Suzanne de Passe for Motown, to commemorate its 25th anniversary. The program was taped before a live audience at the Pasadena Civic Auditorium in Pasadena, California on March 25, 1983, and broadcast on NBC on May 16. Among its highlights were Michael Jackson's performance of "Billie Jean", Smokey Robinson's reunion with the Miracles, a Temptations / Four Tops "battle of the bands", Marvin Gaye's inspired speech about black music history and his memorable performance of "What's Going On", a Jackson 5 reunion, and an abbreviated reunion of Diana Ross & the Supremes, who performed their final #1 hit, "Someday We'll Be Together" from 1969. The show was written by Buz Kohan, Ruth Robinson, and de Passe. The broadcast was watched by over 47 million viewers.
"Ain't That Peculiar" is a 1965 song recorded by American soul musician Marvin Gaye for the Tamla (Motown) label.
"Hitch Hike" is a 1962 song by Marvin Gaye, released on the Tamla label. Another song Gaye co-wrote.
"Stubborn Kind of Fellow" is a 1962 song recorded by Marvin Gaye for the Tamla label. Co-written by Gaye and produced by William "Mickey" Stevenson, "Stubborn Kind of Fellow" became Gaye's first hit single, reaching the top 10 of the R&B chart and the top 50 of the Billboard Hot 100 in late 1962.
You're All I Need is the second studio album by soul musicians Marvin Gaye and Tammi Terrell, released in August 1968 on Motown-subsidiary label Tamla Records. Highlighted by three hit singles written by Nickolas Ashford and Valerie Simpson, You're All I Need was recorded throughout 1966 and 1967 and features two Top 10 Billboard Hot 100 hits, "Ain't Nothing Like the Real Thing" and "You're All I Need to Get By". It peaked at #60 on the U.S. Billboard 200 Album Chart. You're All I Need was the two singers' final collaboration effort, as Terrell would become ill following recording, before succumbing to a brain tumor in 1970.
That Stubborn Kinda Fellow is the second studio album by Marvin Gaye, released on the Tamla label in 1963. The second LP Gaye released on the label, it also produced his first batch of successful singles for the label and established Gaye as one of the label's first hit-making acts in its early years.
Joseph Lucian Messina was an American guitarist. Dubbed the "white brother with soul", he was one of the most prolific guitarists in Motown Records' in-house studio band, the Funk Brothers.
Joseph Edward Hunter was an American musician and keyboardist, known for his recording session work with Motown Records' in-house studio band, the Funk Brothers. One of the original Funk Brothers, Hunter served as band director from 1959 until 1964, when he left Motown and was replaced by Earl Van Dyke.
Howard Richard "Pistol" Allen was an American musician, most notable as a Motown session drummer with the Funk Brothers.
Uriel Jones was an American musician. Jones was a recording session drummer for Motown's in-house studio band, the Funk Brothers, during the 1960s and early 1970s.
Edward James "Bongo" Brown was an American percussionist known for his work with The Funk Brothers, Detroit-based session musicians who performed the backing to most Motown recordings from 1959 to 1972.
John Joseph "Jack" Brokensha was an Australian-born American jazz vibraphonist, known for his work with the Australian Jazz Quartet and Motown Records.
Paul Riser is an American trombonist and Motown musical arranger who was responsible for co-writing and arranging dozens of top ten hit records. His legacy as one of the "Funk Brothers" is similar to that of most of the other "Brothers", as his career has been overlooked and overshadowed by the stars of Motown that became household names. Some of the Funk Brothers he worked with include: Earl Van Dyke, Johnny Griffith, Robert White, Eddie Willis, Joe Messina, Dennis Coffey, Wah Wah Watson, James Jamerson, Bob Babbitt, Eddie Watkins, Richard "Pistol" Allen, Uriel Jones, Andrew Smith, Jack Ashford, Valerie Simpson, Eddie "Bongo" Brown, Benny Benjamin, Cornelius Grant, Joe Hunter, Richard "Popcorn" Wylie, Marcus Belgrave, Teddy Buckner and Stevie Wonder.
Art Stewart is an American record producer, audio engineer, and composer who has worked on many Motown recordings. He worked on the Blue album by Diana Ross, and recordings by Teena Marie, including her Wild and Peaceful album, released in 1979. With Marvin Gaye, he has worked on the Let's Get It On album and Gaye's single "Got to Give It Up". He has also worked with Rick James on his Motown debut album Come Get It!, and his second Motown album, Bustin' Out of L Seven.
Andrew Alexander "Mike" Terry was an American saxophonist, songwriter, arranger, producer and musical director. His baritone sax solos feature on the breakthrough hits of Martha and the Vandellas, and The Supremes. As a member of the Funk Brothers he performed on thousands of Motown recordings from 1960 to 1967, including at least seven US #1 hits. As was Motown's policy at the time, none of the studio musicians were credited by name. Terry was the musical arranger of the 1966 hit "Cool Jerk" by The Capitols, and later became a record producer, with partners including George Clinton, Sidney Barnes, and Jack Ashford.
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