Cabasa

Last updated
Cabasa
Cabasa.jpg
A metal afuche-cabasa
Percussion instrument
Classification Percussion
Hornbostel–Sachs classification 112.1
(Shaken idiophones or rattles The player executes a shaking motion)
Inventor(s) Martin Cohen
DevelopedModern version 1960s, based on a traditional instrument of the same name
Builders
Latin Percussion, Meinl Percussion, many others

The cabasa, similar to the shekere, is a percussion instrument that is constructed with loops of steel ball chain wrapped around a wooden cylinder. The cylinder is fixed to a long, wooden or plastic handle.

The metal cabasa was created by Martin Cohen, founder of Latin Percussion. This company has built a more durable cabasa that they call an afuche-cabasa (pictured). It provides a metallic, rattling sound when shaken or twisted, similar to the sound of a rattlesnake. It is often used in Latin jazz, especially in bossa nova pieces. Precise rhythmic effects can be gained by the advanced player. The player places his non-dominant hand on the metal chain, to provide pressure, while holding the wooden handle with the other hand and twisting the instrument back and forth depending on the rhythmic pattern desired. In addition to Latin music, many band and orchestra pieces call for the cabasa.

The African original version of the cabasa is called agbe, and is constructed from dried oval or pear-shaped gourds with beads strung on the outer surface. [1] There are many versions of this instrument, particularly in Latin music. Cabaça is used in Latin American dance. The cabaça is a natural or synthetic round or pear-shaped gourd covered with a network of beads and finishing in a single handle. This is compared to the metal version used in Latin jazz. [2]

The instrument is frequently used in music therapy, particularly with individuals who have physical/neurological disabilities as it requires minimal hand movement to produce a sound. The sound produced by the individual can then be reinforced by the music therapist, which builds neurological connections between hand movement and hearing the sound, in turn encouraging more fluent hand movements. Modern adaptations of this instrument include Meinl Percussion foot pedal.[ citation needed ]

Related Research Articles

<span class="mw-page-title-main">Percussion instrument</span> Type of musical instrument that produces a sound by being hit

A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments. In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone.

<span class="mw-page-title-main">Xylophone</span> Wooden keyboard percussion instrument

The xylophone is a musical instrument in the percussion family that consists of wooden bars struck by mallets. Like the glockenspiel, the xylophone essentially consists of a set of tuned wooden keys arranged in the fashion of the keyboard of a piano. Each bar is an idiophone tuned to a pitch of a musical scale, whether pentatonic or heptatonic in the case of many African and Asian instruments, diatonic in many western children's instruments, or chromatic for orchestral use.

<span class="mw-page-title-main">Marimba</span> Wooden keyboard percussion instrument

The marimba is a musical instrument in the percussion family that consists of wooden bars that are struck by mallets. Below each bar is a resonator pipe that amplifies particular harmonics of its sound. Compared to the xylophone, the timbre of the marimba is warmer, deeper, more resonant, and more pure. It also tends to have a lower range than that of a xylophone. Typically, the bars of a marimba are arranged chromatically, like the keys of a piano. The marimba is a type of idiophone.

<span class="mw-page-title-main">Triangle (musical instrument)</span> Percussion instrument

The triangle is a musical instrument in the percussion family, and is classified as an idiophone in the Hornbostel-Sachs classification system. Triangles are made from a variety of metals including aluminum, beryllium copper, brass, bronze, iron, and steel. The metal is formed into a triangle shape by bending or casting methods. The instrument is usually held by a loop of some form of thread or wire at the top curve. The triangle theoretically has indefinite pitch, and produces a plurality of overtones when struck with an appropriate beater.

<span class="mw-page-title-main">Berimbau</span>

The berimbau is a single-string percussion instrument, a musical bow, originally from Africa, that is now commonly used in Brazil.

<span class="mw-page-title-main">Ganzá</span>

The ganzá is a Brazilian rattle used as a percussion instrument, especially in samba music.

<span class="mw-page-title-main">Cuíca</span> Musical instrument

The cuíca is a Brazilian friction drum with a large pitch range, produced by changing tension on the head of the drum. Cuíca is Portuguese for the gray four-eyed opossum which is known for its high-pitched cry. It is frequently used in carnivals, as well as often in samba music. The tone it produces has a high-pitched squeaky timbre. It has been called a 'laughing gourd' due to this sound. Many also liken its sound to that of a monkey.

<span class="mw-page-title-main">Shekere</span> Percussion instrument from West Africa

The shekere is a West African percussion instrument consisting of a dried gourd with beads or cowries woven into a net covering the gourd. The Shekere originated in a tribe in Nigeria called the Yoruba. The instrument is common in West African and Latin American folkloric traditions as well as some of the popular music styles. In performance it is shaken and/or hit against the hands.

Afro-Caribbean music is a broad term for music styles originating in the Caribbean from the African diaspora. These types of music usually have West African/Central African influence because of the presence and history of African people and their descendants living in the Caribbean, as a result of the trans-Atlantic slave trade. These distinctive musical art forms came about from the cultural mingling of African, Indigenous, and European inhabitants. Characteristically, Afro-Caribbean music incorporates components, instruments and influences from a variety of African cultures, as well as Indigenous and European cultures.

<span class="mw-page-title-main">Igbo music</span> Musical traditions of the Igbo people

Igbo music is the music of the Igbo people, who are indigenous to the southeastern part of Nigeria. The Igbo traditionally rely heavily on percussion instruments such as the drum and the gong, which are popular because of their innate ability to provide a diverse array of tempo, sound, and pitch. Igbo music is generally lively, upbeat, and spontaneous which creates a variety of sounds that enables the Igbo people to incorporate music into almost all the facets of their daily lives. Some very popular Igbo music styles are Igbo highlife, Igbo bongo, Odumodu.

Ewe drumming refers to the drumming ensembles of the Ewe people of Ghana, Togo, and Benin. The Ewe are known for their experience in drumming throughout West Africa. The sophisticated cross rhythms and polyrhythms in Ewe drumming are similar to those in Afro-Caribbean music and late jazz. The original purpose of Ewe drumming were sung or performed by warriors. Now the songs and performed to celebrate or for recreational use. For example, Agbadza was originally used as a warrior dance but is now used to celebrate events.

<span class="mw-page-title-main">Güira</span> Percussion instrument

The güira is a percussion instrument from the Dominican Republic used as a percussion instrument in merengue, bachata, and to a lesser extent, other genres such as cumbia. It is made of a metal sheet and played with a stiff brush, thus being similar to the Haitian graj and the Cuban guayo and güiro. Güira, guayo and güiro all have a function akin to that of the indigenous native maracas or the trap-kit's hi-hat, namely providing a complementary beat.

<span class="mw-page-title-main">Traditional Korean musical instruments</span>

Traditional Korean musical instruments comprise a wide range of string, wind, and percussion instruments. Many traditional Korean musical instruments derive from Chinese musical instruments.

<span class="mw-page-title-main">Traditional Japanese musical instruments</span> Aspect of Japanese music

Traditional Japanese musical instruments, known as wagakki (和楽器) in Japanese, are musical instruments used in the traditional folk music of Japan. They comprise a range of string, wind, and percussion instruments.

<span class="mw-page-title-main">Hand percussion</span>

Hand percussion is a percussion instrument that is held in the hand. They can be made from wood, metal or plastic, bottles stops and are usually shaken, scraped, or tapped with fingers or a stick. It includes all instruments that are not drums or pitched percussion instruments such as the marimba or the xylophone.

Traditional Thai musical instruments are the musical instruments used in the traditional and classical music of Thailand. They comprise a wide range of wind, string, and percussion instruments played by both the Thai majority as well as the nation's ethnic minorities.

<span class="mw-page-title-main">Reco-reco</span>

The reco-reco is a scraper of African origin used as a percussion instrument in Brazilian music, but also in many Latin American countries, where it is known as güiro, güira, guayo and guacharaca.

<span class="mw-page-title-main">Drum stick</span> Type of percussion mallet

A drum stick is a type of percussion mallet used particularly for playing snare drum, drum kit, and some other percussion instruments, and particularly for playing unpitched percussion.

<span class="mw-page-title-main">Egg shaker</span> Hand percussion instrument

An egg shaker or ganzá is a hand percussion instrument, in the idiophone category, that makes a noise when shaken. Functionally it is similar to a maraca. Typically the outer casing or container is ovoidal or egg-shaped. It is partially full of small, loose objects, such as seeds or beads, which create the percussive sounds as they collide, both with each other and with the inside surface of the container. The egg shaker is a Latin American instrument, cheap to buy and relatively simple to play.

References

  1. Beck, John H. (2007). Encyclopedia of Percussion. New York: Routledge Taylor & Francis Group. p. 258. ISBN   978-0-415-97123-2.
  2. Blades, James. "Cabaça". Grove Music Online. Oxford University Press. Retrieved September 15, 2016.