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Percussion instrument | |
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Classification | Percussion |
Hornbostel–Sachs classification | 112.1 (Shaken idiophones or rattles –The player executes a shaking motion) |
Inventor(s) | Martin Cohen |
Developed | Modern version 1960s, based on a traditional instrument of the same name |
Builders | |
Latin Percussion, Meinl Percussion, many others |
The cabasa, similar to the shekere, is a percussion instrument that is constructed with loops of steel ball chain wrapped around a wooden cylinder. The cylinder is fixed to a long, wooden or plastic handle.
The metal cabasa was created by Martin Cohen, founder of Latin Percussion. This company has built a more durable cabasa that they call an afuche-cabasa (pictured). It provides a metallic, rattling sound when shaken or twisted, similar to the sound of a rattlesnake. It is often used in Latin jazz, especially in bossa nova pieces. Precise rhythmic effects can be gained by the advanced player. The player places his non-dominant hand on the metal chain, to provide pressure, while holding the wooden handle with the other hand and twisting the instrument back and forth depending on the rhythmic pattern desired. In addition to Latin music, many band and orchestra pieces call for the cabasa.
The African original version of the cabasa is called agbe, and is constructed from dried oval or pear-shaped gourds with beads strung on the outer surface. [1] There are many versions of this instrument, particularly in Latin music. Cabaça is used in Latin American dance. The cabaça is a natural or synthetic round or pear-shaped gourd covered with a network of beads and finishing in a single handle. This is compared to the metal version used in Latin jazz. [2]
The instrument is frequently used in music therapy, particularly with individuals who have physical/neurological disabilities as it requires minimal hand movement to produce a sound. The sound produced by the individual can then be reinforced by the music therapist, which builds neurological connections between hand movement and hearing the sound, in turn encouraging more fluent hand movements. [3] Modern adaptations of this instrument include Meinl Percussion foot pedal.[ citation needed ]
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments. In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of idiophone, membranophone, aerophone and chordophone.
The snare drum is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often used in orchestras, concert bands, marching bands, parades, drumlines, drum corps, and more. It is one of the central pieces in a drum set, a collection of percussion instruments designed to be played by a seated drummer and used in many genres of music. Because basic rhythms are very easy to learn to play on a snare drum even for children, the instrument is also suitable for the music education for young children and a rhythm band.
The xylophone is a musical instrument in the percussion family that consists of wooden bars struck by mallets. Each bar is an idiophone tuned to a pitch of a musical scale, whether pentatonic or heptatonic in the case of many African and Asian instruments, diatonic in many western children's instruments, or chromatic for orchestral use.
The marimba is a musical instrument in the percussion family that consists of wooden bars that are struck by mallets. Below each bar is a resonator pipe that amplifies particular harmonics of its sound. Compared to the xylophone, the marimba has a lower range. Typically, the bars of a marimba are arranged chromatically, like the keys of a piano. The marimba is a type of idiophone.
The berimbau is a traditional Angolan musical bow that is commonly used in Brazil. It is also known as sekitulege among the Baganda and Busoga.
The ganzá is a Brazilian rattle used as a percussion instrument, especially in samba music.
The cuíca (Portuguese pronunciation:[kuˈikɐ]) is a Brazilian friction drum with a large pitch range, produced by changing tension on the head of the drum. Cuíca is Portuguese for the gray four-eyed opossum (Philander opossum) which is known for its high-pitched cry. The cuíca is frequently used in carnivals, as well as often in samba music. The tone it produces has a high-pitched squeaky timbre. It has been called a 'laughing gourd' due to this sound. Many also liken its sound to that of a monkey. In drum kit list, the mute and open cuíca sound is a F♯5 and G5.
The shekere is a percussion instrument consisting of a dried gourd with beads or cowries woven into a net covering the gourd. There are multiple ways to produce sounds with the instrument. It can be shaken or hit against the hand. The instrument can also rest in the palm of one hand while other hand holds the handle of the gourd. A twisting wrist motion is used so that the gourd moves while beads remain in place causing friction and sound different than when the instrument is simply shaken or struck. The shekere originated in Yorubaland West Africa, which comprises the countries of Nigeria, Benin, and Togo.
Afro-Caribbean music is a broad term for music styles originating in the Caribbean from the African diaspora. These types of music usually have West African/Central African influence because of the presence and history of African people and their descendants living in the Caribbean, as a result of the trans-Atlantic slave trade. These distinctive musical art forms came about from the cultural mingling of African, Indigenous, and European inhabitants. Characteristically, Afro-Caribbean music incorporates components, instruments and influences from a variety of African cultures, as well as Indigenous and European cultures.
Igbo music is the music of the Igbo people, who are indigenous to the southeastern part of Nigeria. The Igbo traditionally rely heavily on percussion instruments such as the drum and the gong, which are popular because of their innate ability to provide a diverse array of tempo, sound, and pitch. Igbo music is generally lively, upbeat, and spontaneous which creates a variety of sounds that enables the Igbo people to incorporate music into almost all the facets of their daily lives. Some very popular Igbo musical styles are Igbo highlife, Ogene, Igbo gospel.
Ewe drumming refers to the drumming ensembles of the Ewe people of Ghana, Togo, and Benin. The Ewe are known for their experience in drumming throughout West Africa. The sophisticated cross rhythms and polyrhythms in Ewe drumming are similar to those in Afro-Caribbean music and late jazz. The original purpose of Ewe drumming were sung or performed by warriors. Now the songs and performed to celebrate or for recreational use. For example, Agbadza was originally used as a warrior dance but is now used to celebrate events.
The güira is a percussion instrument from the Dominican Republic used in merengue, bachata, and to a lesser extent, other genres such as cumbia. It is made of a metal sheet and played with a stiff brush, thus being similar to the Haitian graj and the Cuban guayo and güiro. Güira, guayo and güiro all have a function akin to that of the indigenous native maracas or the trap-kit's hi-hat, namely providing a complementary beat.
Traditional Korean musical instruments comprise a wide range of string, wind, and percussion instruments. Many traditional Korean musical instruments derive from Chinese musical instruments.
Traditional Japanese musical instruments, known as wagakki (和楽器) in Japanese, are musical instruments used in the traditional folk music of Japan. They comprise a range of string, wind, and percussion instruments.
Hand percussion is a percussion instrument that is held in the hand. They can be made from wood, metal or plastic, bottles stops and are usually shaken, scraped, or tapped with fingers or a stick. It includes all instruments that are not drums, or any instrument that is a pitched percussion instrument, such as the marimba or the xylophone.
Traditional Thai musical instruments are the musical instruments used in the traditional and classical music of Thailand. They comprise a wide range of wind, string, and percussion instruments played by both the Thai majority as well as the nation's ethnic minorities.
The reco-reco is a scraper of African origin used as a percussion instrument in Brazilian music, but also in many Latin American countries, where it is known as güiro, güira, guayo and guacharaca.
A drum stick is a type of percussion mallet used particularly for playing snare drum, drum kit, and some other percussion instruments, and particularly for playing unpitched percussion.
Yanga is a composition for choir, percussion quartet, and orchestra written in 2019 by the Mexican composer Gabriela Ortiz with a text by Santiago Martin Bermúdez. The work was commissioned by the Los Angeles Philharmonic for the ensemble's centennial celebrations. Its world premiere was given by the Tambuco Percussion Ensemble, the Los Angeles Master Chorale, and the Los Angeles Philharmonic conducted by Gustavo Dudamel at the Walt Disney Concert Hall on October 27, 2019.