A drum kit – also called a drum set, trap set or simply drums – is a collection of drums, cymbals, and other percussion instruments. Drum kits are set up on stands to be played by a single player, with drumsticks held in both hands; the feet operate pedals that control the hi-hat cymbal and the beater for the bass drum. Sometimes, there may be two bass drum pedals to assist the player in playing faster rhythms. A drum kit consists of a mix of drums and idiophones – most significantly cymbals, but can also include the woodblock and cowbell. In the 2020s, some kits also include electronic instruments. Also, both hybrid and entirely electronic kits are used.
In music, there are two common meanings for tuning:
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.
The glockenspiel or bells is a percussion instrument. It consists of pitched aluminum or steel bars arranged in a keyboard layout. This makes the glockenspiel a type of metallophone, similar to the vibraphone.
Timpani or kettledrums are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettle drums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are pedal timpani and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized drum stick called a timpani stick or timpani mallet. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras, and even in some rock bands.
A drum roll is a technique used by percussionists to produce a sustained sound for the duration of a written note.
All drum figures are based upon three fundamental beats, technically called roll, single stroke, and flam...Sustentation is accomplished upon wind instruments by blowing into the instrument; it is accomplished upon the violin and the allied instruments by drawing the bow across the string; it is accomplished upon the drum and allied percussion instruments by the roll.
THE SNARE DRUM ROLL.
The roll consists of an even reiteration of beats sufficiently rapid to prohibit rhythmic analysis. To produce an impression of sustentation, these beats must be absolutely even both in power and in sequence. Uneven beats in a roll destroy the impression of sustentation. Evenness is then the primary quality to strive for in roll; speed is the secondary quality to strive for.
There are two possible ways of producing an absolutely even sequence: (1) hand alternation of single stroke and (2) hand alternation of double strokes...The snare drum roll is produced by hand alternation of double strokes.
The "open roll" is produced by [initially] slow hand alternation. Two strokes in each hand alternately are produced by wrist movement and each beat should follow its predecessor in clock-like precision.
A percussion mallet or beater is an object used to strike or beat a percussion instrument in order to produce its sound.
Marching percussion instruments are instruments specially designed to be played while moving. This is achieved by attaching the drum(s) to a special harness worn by the drummer, although not all marching bands use such harnesses and instead use traditional baldrics to sling their drums.
In a marching band, drum and bugle corps, or indoor percussion ensemble, the front ensemble or pit is the stationary percussion ensemble. This ensemble is typically placed in front of the football field, though some designers may use atypical layouts. Some high school marching bands opt not to march any percussion instruments but instead have a "full" front ensemble.
Orchestral percussion refers to the various percussion instruments used in an orchestral setting. It may also refer to the act of playing such instruments in an orchestral style. Many music schools and conservatories offer training for musicians interested in developing their skills as an orchestral percussionist. Typically, an orchestral percussionist does not specialize in one particular instrument. Although there is no exhaustive list of all instruments that an orchestral percussionist must be able to play, there are particular instruments that are frequently used in orchestral repertoire. This includes timpani, snare drum, bass drum, xylophone, glockenspiel, triangle, and tambourine.
Síppal, dobbal, nádihegedűvel (2000) is a song cycle in seven movements by the composer György Ligeti based on poetry by Sándor Weöres. The work is scored for mezzo-soprano and an unusual ensemble of percussion and wind instruments. The lyrics are whimsical and often nonsensical, sometimes combining random Hungarian words or parts of words into a nonsense language.
A drumstick is a type of percussion mallet used particularly for playing snare drum, drum kit, and some other percussion instruments, and particularly for playing unpitched percussion.
The Concerto Fantasy for Two Timpanists and Orchestra is a double timpani concerto written by Philip Glass in 2000. It is paired with the Cello Concerto on Vol. I of Glass' Concerto Project, a set of eight concerti by the composer. A typical performance of the work lasts 25–28 minutes. It was written for Jonathan Haas and later recorded by Evelyn Glennie, and was premiered by Haas and Svet Stoyanov with the American Symphony Orchestra in Avery Fisher Hall, Lincoln Center, conducted by Leon Botstein. The work was commissioned jointly by the American Symphony Orchestra, the Peabody Symphony, the Milwaukee Symphony, the St. Louis Symphony and the Phoenix Symphony. In 2004, a transcription for wind ensemble was written by Mark Lortz, which debuted at Peabody Institute in 2005.
The Loh Tarang is a melodic percussion instrument. It consists of a set of iron circular plates, of different sizes, held in a frame. Each plate is pitched to a note and they are struck with sticks on each hand. 'Tarang' literally means waves. Plates sound depends on the different size of plate and hand movement. Theory is based like Jal-Tarang.
A pitched percussion instrument is a percussion instrument used to produce musical notes of one or more pitches, as opposed to an unpitched percussion instrument which is used to produce sounds of indefinite pitch.
This is a partitioned list of percussion instruments showing their usage as tuned or untuned. See pitched percussion instrument for discussion of the differences between tuned and untuned percussion. The term pitched percussion is now preferred to the traditional term tuned percussion:
An unpitched percussion instrument is a percussion instrument played in such a way as to produce sounds of indeterminate pitch, or an instrument normally played in this fashion.
There are several overlapping schemes for the classification of percussion instruments.
