A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments. In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of idiophone, membranophone, aerophone and chordophone.
The glockenspiel or bells is a percussion instrument consisting of pitched aluminum or steel bars arranged in a keyboard layout. This makes the glockenspiel a type of metallophone, similar to the vibraphone.
The celesta or celeste, also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano, albeit with smaller keys and a much smaller cabinet, or a large wooden music box (three-octave). The keys connect to hammers that strike a graduated set of metal plates or bars suspended over wooden resonators. Four- or five-octave models usually have a damper pedal that sustains or damps the sound. The three-octave instruments do not have a pedal because of their small "table-top" design. One of the best-known works that uses the celesta is Pyotr Ilyich Tchaikovsky's "Dance of the Sugar Plum Fairy" from The Nutcracker.
The cor anglais, or English horn, is a double-reed woodwind instrument in the oboe family. It is approximately one and a half times the length of an oboe, making it essentially an alto oboe in F.
The xylorimba is a pitched percussion instrument similar to an extended-range xylophone with a range identical to some 5-octave celestas or 5-octave marimbas, though typically an octave higher than the latter. Despite its name, it is not a combination of a xylophone and a marimba; its name has been a source of confusion, as many composers have called for a 'xylorimba', including Alban Berg, Pierre Boulez and Olivier Messiaen, but for parts requiring only a four-octave xylophone. However, Pierre Boulez wrote for two five-octave xylorimbas in Pli selon pli.
Tubular bells (also known as chimes) are musical instruments in the percussion family. Their sound resembles that of church bells, carillons, or a bell tower; the original tubular bells were made to duplicate the sound of church bells within an ensemble. Each bell is a metal tube, 30–38 mm (1+1⁄4–1+1⁄2 in) in diameter, tuned by altering its length. Its standard range is C4–F5, though many professional instruments reach G5. Tubular bells are often replaced by studio chimes, which are a smaller and usually less expensive instrument. Studio chimes are similar in appearance to tubular bells, but each bell has a smaller diameter than the corresponding bell on tubular bells.
The flexatone or fleximetal is a modern percussion instrument consisting of a small flexible metal sheet suspended in a wire frame ending in a handle. Used in classic cartoons for its glissando effect, its sound is comparable to the musical saw.
Miroirs is a five-movement suite for solo piano written by French composer Maurice Ravel between 1904 and 1905. First performed by Ricardo Viñes in 1906, Miroirs contains five movements, each dedicated to a fellow member of the French avant-garde artist group Les Apaches.
The wind machine is a friction idiophone used to produce the sound of wind for orchestral compositions and musical theater productions.
A clapper is a basic form of percussion instrument. It consists of two long solid pieces that are struck together producing sound. They exist in many forms in many different cultures around the world. Clappers can take a number of forms and be made of a wide variety of material. Wood is most common, but metal and ivory have also been used. The plastic thundersticks that have recently come to be popular at sporting events can be considered a form of inflated plastic clapper.
Emmanuel Villaume is a French orchestra conductor. He is currently music director of the Dallas Opera and chief conductor of the Prague Philharmonia.
The percussion section is one of the main divisions of the orchestra and the concert band. It includes most percussion instruments and all unpitched instruments.
Adriano Guarnieri is an Italian composer of contemporary classical music.
A keyboard percussion instrument, also known as a bar or mallet percussion instrument, is a pitched percussion instrument arranged in the same pattern as a piano keyboard and most often played using mallets. While most keyboard percussion instruments are fully chromatic, keyboard instruments for children, such as ones used in the Orff Schulwerk, may be diatonic or pentatonic.
A pitched percussion instrument is a percussion instrument used to produce musical notes of one or more pitches, as opposed to an unpitched percussion instrument which is used to produce sounds of indefinite pitch.
This is a partitioned list of percussion instruments showing their usage as tuned or untuned. See pitched percussion instrument for discussion of the differences between tuned and untuned percussion. The term pitched percussion is now preferred to the traditional term tuned percussion:
The keyboard section of an orchestra or concert band includes keyboard instruments. Keyboard instruments are not usually a standard members of a 2010-era orchestra or concert band, but they are included occasionally. In orchestras from the 1600s to the mid-1750s, a keyboard instrument such as the pipe organ or harpsichord was normally played with an orchestra, with the performer improvising chords from a figured bass part. This practice, called basso continuo, was phased out after 1750.
The orchestral Dance Suite from Keyboard Pieces by François Couperin, TrV 245 was composed by Richard Strauss in 1923 and consists of eight movements, each one based on a selection of pieces from François Couperin's Pièces de Clavecin written for the solo harpsichord over the period 1713 to 1730. It is also sometimes referred to as simply The Couperin Suite.
Carillons was composed by Grace Williams for oboe and symphony orchestra in 1965 in response to a request from the BBC for a light, entertaining piece. Carillons originally included three movements but Williams revised the work in 1973, adding a fourth movement.
