A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments. In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of idiophone, membranophone, aerophone and chordophone.
The xylophone is a musical instrument in the percussion family that consists of wooden bars struck by mallets. Like the glockenspiel, the xylophone essentially consists of a set of tuned wooden keys arranged in the fashion of the keyboard of a piano. Each bar is an idiophone tuned to a pitch of a musical scale, whether pentatonic or heptatonic in the case of many African and Asian instruments, diatonic in many western children's instruments, or chromatic for orchestral use.
The marimba is a musical instrument in the percussion family that consists of wooden bars that are struck by mallets. Below each bar is a resonator pipe that amplifies particular harmonics of its sound. Compared to the xylophone, the marimba has a lower range. Typically, the bars of a marimba are arranged chromatically, like the keys of a piano. The marimba is a type of idiophone.
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a vibraphonist,vibraharpist, or vibist.
The glockenspiel or bells is a percussion instrument consisting of pitched aluminum or steel bars arranged in a keyboard layout. This makes the glockenspiel a type of metallophone, similar to the vibraphone.
A percussion mallet or beater is an object used to strike or beat a percussion instrument to produce its sound.
Marching percussion instruments are percussion instruments specially designed to be played while moving. This is achieved by attaching the drum(s) to a special harness worn by the drummer, although not all marching bands use such harnesses and instead use traditional baldrics to sling their drums.
An indoor percussion ensemble or indoor drumline is a type of marching ensemble consisting of battery and front ensemble instruments. It differs itself from a traditional percussion ensemble by not only on musical performance, but on theatrics and marching. Although most indoor percussion ensembles are affiliated with high schools, there are also many independent groups that draw participants from a large area and are independently funded. Independent groups typically start rehearsing in October, while high school groups typically start after their fall marching band season ends. Because of this, the activity is often called winter percussion or winterline.
Sextet is a composition by American composer Steve Reich. The piece was written and first performed in 1984, and slightly revised in 1985.
Steve Reich and Musicians, sometimes credited as the Steve Reich Ensemble, is a musical ensemble founded and led by the American composer Steve Reich. The group has premiered and performed many of Reich's works both nationally and internationally. In 1999, Reich received a Grammy Award for "Best Small Ensemble Performance " for the ensemble's performance of Music for 18 Musicians.
Orchestral percussion refers to the various percussion instruments used in an orchestral setting. It may also refer to the act of playing such instruments in an orchestral style. Many music schools and conservatories offer training for musicians interested in developing their skills as orchestral percussionists. Typically, an orchestral percussionist does not specialize in one particular instrument. Although there is no exhaustive list of all instruments that an orchestral percussionist must be able to play, there are particular instruments that are frequently used in the orchestral repertoire. This includes timpani, snare drum, bass drum, xylophone, glockenspiel, triangle, and tambourine.
Síppal, dobbal, nádihegedűvel (2000) is a song cycle in seven movements by the composer György Ligeti based on poetry by Sándor Weöres. The work is scored for mezzo-soprano and an unusual ensemble of percussion and wind instruments. The lyrics are whimsical and often nonsensical, sometimes combining random Hungarian words or parts of words into a nonsense language.
Clair Omar Musser (1901–1998) was a marimba virtuoso, a conductor and promoter of marimba orchestras, a composer, a teacher, a designer of keyboard percussion instruments, an inventor, and an engineer for Hughes Aircraft.
The percussion section is one of the main divisions of the orchestra and the concert band. It includes most percussion instruments and all unpitched instruments.
A Corps style band is a type of marching band based on those of Drum Corps International. Notable differences include the introduction of the roll step, backwards marching and sliding, and the "8 to 5" step size.
A keyboard percussion instrument, also known as a bar or mallet percussion instrument, is a pitched percussion instrument arranged in the same pattern as a piano keyboard and played with hands or percussion mallets. While most keyboard percussion instruments are fully chromatic, keyboard instruments for children, such as ones used in the Orff Schulwerk, may be diatonic or pentatonic.
This is a partitioned list of percussion instruments showing their usage as tuned or untuned. See pitched percussion instrument for discussion of the differences between tuned and untuned percussion. The term pitched percussion is now preferred to the traditional term tuned percussion:
Tambuco is a percussion-ensemble work for six players, written by the Mexican composer Carlos Chávez in 1964. The score is dedicated to Clare Boothe Luce, and a performance of it lasts approximately thirteen minutes.
The implementation of sound technology by Drum Corps International is a phenomenon in the twenty-first century marching arts. Since 2004, many corps have used electronics to amplify, alter, and add to the sound of their ensembles.
