Percussion Creativ

Last updated
Percussion Creativ
Percussion Creativ e.V.
PredecessorAssociation for the Promotion and Maintenance of Percussion
FormationDecember 11, 1986;37 years ago (1986-12-11)
FounderHermann Schwander
VR 700661
PurposeDrums and Percussion Instruments Network
Location
Current President
Claus Hessler
Managing Director
Michael Zöller
Second Chairman
Jörg Fabig
Treasurer
Stefan G. Schmid
Domenico Russo, Johannes Fischer , Stefan Schwarzenberger, Ellen Meyer, Patrick Metzger, Stefan Landes
Website percussion-creativ.de

Percussion Creativ is a non-profit organization founded as a network for German-speaking drummers and percussionists, based in Freiburg im Breisgau. [1] Their goal is to promote the music for percussion instruments and their interpreters through exchange, and networking, regardless of stylistic orientation. The association currently has around 1,000 members who come mostly from Germany. Percussion Creativ is the only association of its kind based in the German-speaking area and is similar to the Percussive Arts Society in the United States.

History

Hermann Schwander founded the "Association for the Promotion and Maintenance of Percussion" in Nuremberg in 1986 in order to create a forum for exchanging views and encounters [2] and to have an official sponsor for funding, donations and grants. [1] The founding members were beside Hermann Schwander director of the Nuremberg Meistersinger Conservatory Wolfgang Graetschel, Hans-Günter Brodmann, Tilo Heider, Sandor, the marimbist Mari Honda, and Renate Schwander. During a conference on December 11, 1986 in the Bavarian Music Academy in Hammelburg, "Percussion Creativ" was chosen as the new name for the association. Werner Thärichen, a former first solo timpanist of the Berlin Philharmonic, was elected the club's first president.

Claus Hessler has been President since 2016. In addition, Jörg Fabig as second chairman, Stefan G. Schmid as treasurer, Florian Alexandru-Zorn for marketing and Cord Radke as secretary are currently on the board. The managing director is Michael Zöller. The association's advisory board currently consists of Domenico Russo, Johannes Fischer, Stefan Schwarzenberger, Ellen Meyer, Patrick Metzger, and Stefan Landes. [3]

Percussion Creativ, under the direction of Claus Hessler, released a set of drum rudiments called the Rudimental Codex in order to challenge the Percussive Arts Society interpretation of many rudiments of European origin, as well as promote the cultural heritage of French, German, and Swiss rudimental drumming. [4] The Codex consists of 42 rudimental patterns, some of which are present in the American rudimental vocabulary (but with a guide for ancient interpretation) and some of which are unique to French or Swiss drumming. [5] The Codex has been submitted to UNESCO as a vital piece of Europe's musical cultural heritage. [6]

Related Research Articles

<span class="mw-page-title-main">Snare drum</span> Type of percussion instrument

The snare drum is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often used in orchestras, concert bands, marching bands, parades, drumlines, drum corps, and more. It is one of the central pieces in a drum set, a collection of percussion instruments designed to be played by a seated drummer and used in many genres of music. Because basic rhythms are very easy to learn to play on a snare drum even for children, the instrument is also suitable for the music education for young children and a rhythm band.

<span class="mw-page-title-main">Drum roll</span> Percussion technique

A drum roll is a technique used by percussionists to produce a sustained sound for the duration of a written note.

All drum figures are based upon three fundamental beats, technically called roll, single stroke, and flam...Sustentation is accomplished upon wind instruments by blowing into the instrument; it is accomplished upon the violin and the allied instruments by drawing the bow across the string; it is accomplished upon the drum and allied percussion instruments by the roll.

THE SNARE DRUM ROLL.

The roll consists of an even reiteration of beats sufficiently rapid to prohibit rhythmic analysis. To produce an impression of sustentation, these beats must be absolutely even both in power and in sequence. Uneven beats in a roll destroy the impression of sustentation. Evenness is then the primary quality to strive for in roll; speed is the secondary quality to strive for.

There are two possible ways of producing an absolutely even sequence: (1) hand alternation of single stroke and (2) hand alternation of double strokes...The snare drum roll is produced by hand alternation of double strokes.

The "open roll" is produced by [initially] slow hand alternation. Two strokes in each hand alternately are produced by wrist movement and each beat should follow its predecessor in clock-like precision.

<span class="mw-page-title-main">Drum rudiment</span> Rhythm exercise

In rudimental drumming, a form of percussion music, a drum rudiment is one of a number of relatively small patterns which form the foundation for more extended and complex drumming patterns. The term "drum rudiment" is most closely associated with various forms of field drumming, where the snare drum plays a prominent role. In this context "rudiment" means not only "basic", but also fundamental. This tradition of drumming originates in military drumming and it is a central component of martial music.

Open, closed, open is a technique of playing snare drum rudiments, especially used during auditions or classical practice routines.

Konnakol is the art of performing percussion syllables vocally in South Indian Carnatic music. Konnakol is the spoken component of solkattu, which refers to a combination of konnakol syllables spoken while simultaneously counting the tala (meter) with the hand. It is comparable in some respects to bol in Hindustani music, but allows the composition, performance or communication of rhythms. A similar concept in Hindustani classical music is called padhant.

Sanford Augustus Moeller (1878–1960) was an American rudimental drummer, national champion, educator, and author. He was born in Albany, New York on February 16, 1878, and he began his music education by studying the piano.

George B. Bruce was an American Army drum major during the Civil War. Bruce is best known for co-writing The Drummer's and Fifer's Guide with Daniel Decatur Emmett.

Arnold F. Riedhammer is a German-American musician, composer, and songwriter. He is Principal Percussionist of the Munich Philharmonic Orchestra and the group Blechschaden.

Mitch Markovich is an American percussionist, composer, educator, and clinician in the areas of rudimental drumming, marching percussion, drum and bugle corps, and marching band. He is best known for his intensive marching snare drum solo compositions and record-setting performances, entitled "Tornado" and "Stamina", and for his percussion quartet composition entitled "Four Horsemen". Markovich's contributions to the style, notation, composition, and performance of percussion have endured over the last five decades.

<span class="mw-page-title-main">Frank Arsenault</span> American percussionist, teacher

Frank Arsenault was an internationally known American percussionist, teacher, and clinician in the areas of marching percussion, rudimental drumming, drum and bugle corps, and marching band. He was a full-time Staff Clinician and Educational Field Representative for the Ludwig Drum Company. He is also well known in his field for his signature playing style, for his many championship titles, and for his recording of The 26 Standard American Drum Rudiments and Selected Solos.

Ryan Alexander Bloom is an American drummer, author, and teacher. He is known for being a former member of the Colorado-based thrash metal band Havok, member of death metal band Bloodstrike, and the author of several books including Double Bass Drumming Explained, Thrash Metal DrummingEncyclopedia Rudimentia, and Rudimental Grand Tour

<span class="mw-page-title-main">Percussive Arts Society</span> US-based non-profit organization

The Percussive Arts Society (PAS) is a non-profit organization for professional percussionists and percussion educators. It was founded in 1961 in the United States and has over 5,000 members in 40 American chapters, with another 28 chapters abroad. It is headquartered in Indianapolis, Indiana. Since 1976, the organization hosts the annual Percussive Arts Society International Convention (PASIC) which is the largest convention for drummers and percussionists in the world.

Fritz Berger was a Swiss drum teacher and drum method book author. He wrote several influential books on Swiss rudimental drumming, or Basler Trommeln, that are still thought of as the authoritative sources for Swiss drumming in America.

<span class="mw-page-title-main">William F. Ludwig Sr.</span> American musician

William F. Ludwig was an American percussionist, drum-maker, and founder of Ludwig Drums. He helped to create the National Association of Rudimental Drummers and is a member of the Percussive Arts Society Hall of Fame.

<span class="mw-page-title-main">Claus Hessler</span> Musical artist

Claus Hessler, also spelled Claus Heßler, is a German drummer, author, and teacher. He is a clinician who specializes in Open-handed drumming and rudimental drumming, especially Basel Drumming and Moeller method.

Gardiner A. Strube was an American drum major in the New York National Guard and the author of a fife and drum manual.

The National Association of Rudimental Drummers is an organization created to encourage the study of rudimental drumming. NARD is responsible for the creation of the Standard 26 American Rudiments.

Alfons Grieder was a Swiss rudimental drummer who spread awareness of the Basel Drumming style in America during the mid to late 20th century through his traveling, teaching, and publications.

John Sterling "Jack" Pratt (1931–2020) was an American Army drum instructor at West Point as well as a celebrated rudimental book author. Pratt produced several volumes of rudimental solos and instructional materials and was also the founder of the International Association of Traditional Drummers (IATD), a member of the National Association of Rudimental Drummers (NARD), a member of the United States Association of Rudimental Drummers (USARD), and was inducted into the Percussive Arts Society (PAS) Hall of Fame and the World Drum Corps Hall of Fame.

Edward B. Straight was an American drummer, founding member of the National Association of Rudimental Drummers, and author of several instructional drum books in the early days of drum kit playing.

References

  1. "Percussion Creativ e.V. :: Germany :: OpenCorporates".
  2. Schwander, Hermann. Offbeat. Issue 3, Hamburg: 2008.
  3. "Percussion Creativ e.V. - der Vorstand".
  4. "Percussion Creativ e.V. - Rudimental Codex". Archived from the original on 2020-02-06. Retrieved 2020-02-04.
  5. Hessler, Claus. "The Ancient European Rudimental Codex." Modern Drummer. November, 2019.
  6. Hessler, Claus. "The Rudimental Codex Part 1." DRUMscene. Issue 27.