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The washboard and frottoir (from Cajun French "frotter", to rub) are used as a percussion instrument, employing the ribbed metal surface of the cleaning device as a rhythm instrument. As traditionally used in jazz, zydeco, skiffle, jug band, and old-time music, the washboard remained in its wooden frame and is played primarily by tapping, but also scraping the washboard with thimbles. Often the washboard has additional traps, such as a wood block, a cowbell, and even small cymbals.
Conversely, the frottoir (zydeco rubboard) dispenses with the frame and consists simply of the metal ribbing hung around the neck. It is played primarily with spoon handles or bottle openers in a combination of strumming, scratching, tapping and rolling.
The frottoir or vest frottoir is played as a stroked percussion instrument, often in a band with a drummer, while the washboard generally is a replacement for drums.
There is a Polish traditional jazz festival and music award named "Złota Tarka" (Golden Washboard). Washboards, called "zatulas", are also occasionally used in Ukrainian folk music.
There are three general ways of deploying the washboard for use as an instrument. The first, mainly used by American players like Washboard Chaz of the Washboard Chaz Blues Trio and Ralf Reynolds of the Reynolds Brothers Rhythm Rascals, is to drape it vertically down the chest. The second, used by European players like David Langlois of the Blue Vipers of Brooklyn, Ben Turner of Piedmont Bluz, and Stephane Seva of Paris Washboard, is to hold it horizontally across the lap, or, for more complex setups, to mount it horizontally on a purpose-built stand. The third (and least common) method, used by Washboard Sam, Súle Greg Wilson of the Carolina Chocolate Drops and Sankofa Strings, and Deryck Guyler, is to hold it in a perpendicular orientation between the legs while seated, so that both sides of the board might be played at the same time.
In a jug band, the washboard can also be stroked with a single whisk broom and functions as the drums for the band, playing only on the back-beat for most songs, a substitute for a snare drum.
In Zydeco bands, the frottoir is usually played with bottle openers, to make a louder sound. It tends to play counter-rhythms to the drummer.
In a four-beat measure, the washboard will stroke on the 2-beat and the 4-beat. Its best sound is achieved using a single steel-wire snare-brush or whisk broom. However, in a jazz setting, the washboard can also be played with thimbles on all fingers, tapping out much more complex rhythms, as in The Washboard Rhythm Kings, a full-sized band, and Newman Taylor Baker.
A frottoir is played with a stroking instrument (usually with spoon handles or a pair of bottle-openers) in each hand. In a 4-beat measure, the frottoir will be stroked 8 to 16 times. It plays more like a Latin percussion instrument, rather than as a drum. The rhythms used are often similar to those played on Guiro. [1]
The washboard as a percussion instrument ultimately derives from the practice of hamboning as practiced in West Africa and brought to the new world by enslaved Africans. This led to the development of Jug bands which used jugs, spoons, and washboards to provide the rhythm. [2] Jug bands became popular in the 1920s. Washboard Doc, Washboard Willie, and Washboard Sam were famous players. [3]
The frottoir, also called a Zydeco rub-board, is a mid-20th century invention designed specifically for Zydeco music. It is one of the few musical instruments invented entirely in the United States and represents a distillation of the washboard into essential elements (percussive surface with shoulder straps). It was designed in 1946 by Clifton Chenier and fashioned by Willie Landry, a friend and metalworker at the Texaco refinery in Port Arthur, Texas. Clifton's brother Cleveland Chenier famously played this newly designed rubboard using bottle openers. Likewise, Willie's son, Tee Don Landry, continues the traditional hand manufacturing of rubboards in his small shop in Sunset, Louisiana, between Lafayette and Opelousas. [4]
In 2010 Saint Blues Guitar Workshop launched an electric washboard percussion instrument called the Woogie Board. [5]
In 1941, Spike Jones, known for playing the drums during the 1930s, started to perform with his washboard which would be his icon for his City Slickers that formed that same year.
In British Columbia, Canada, Tony McBride, known as "Mad Fingers McBride", performs with a group called The Genuine Jug Band. Tony is referred to as "The Canadian Washboard King". His percussion set-up was created by Douglas Fraser, of the same band. The washboard set-up was seen in Modern Drummer magazine, August 2014 edition. Also from Canada, Washboard Hank toured with Fred Eaglesmith. [6]
Musician Steve Katz famously played washboard with the Even Dozen Jug Band. His playing can be heard on the group's legendary self-titled Elektra recording from 1964. Katz reprised his washboard playing on Played a Little Fiddle, a 2007 recording featuring Steve Katz, [6] Stefan Grossman [6] and Danny Kalb. [6] Katz's washboard approach is notable as he plays the instrument horizontally. Additionally, Katz uses fingerpicks instead of thimbles.
In Belgium, Luc Brughmans uses it in te "La planche à jazz" plays horizontally, with attachment to à snare harness.
In their earliest incarnations as The Quarrymen, The Beatles were a skiffle band, featuring Pete Shotton on washboard.
During their early years, Mungo Jerry frequently featured washboard on stage and on record, played by Joe Rush.
Tim "Thumper" Hogan, plays the washboard for the twice Grammy-nominated band, The Muddy Basin Ramblers, based out of Taipei, Taiwan.
Jim "Dandy" Mangrum, lead singer of Southern rock band Black Oak Arkansas, is well known for incorporating the washboard into many of the band's songs, notably "When Electricity Came to Arkansas".
Self-taught Elizabeth Bougerol has made the washboard a key element of The Hot Sardines jazz band. [6]
Cody Dickinson, a member of hill country blues bands the North Mississippi Allstars and Country Hill Revue plays an electrified washboard on a self-written track, "Psychedelic Sex Machine". [6] [7] The song is almost entirely centered around the sound of the washboard, captured by a small clip-on microphone. The sound is then sent through a wah-wah and other effects pedals to create a fresher, more innovative and up-to-date sound for the washboard.
Robin Rapuzzi is the washboard player for New Orleans old-time jazz band Tuba Skinny. [8]
English actor Deryck Guyler was well known for his washboard-playing skills.
At least one player has twice appeared at Carnegie Hall. [6]
Meagan Michelle plays the washboard for folk punk group Days N' Daze.
Bender, a fictional robot from Futurama, a science fiction animated sitcom, becomes a washboard player in Bendin' in the Wind (Series 3: Episode 13), performing alongside real life musician and guest star Beck.
A drum kit is a collection of drums, cymbals, and sometimes other auxiliary percussion instruments set up to be played by one person. The drummer typically holds a pair of matching drumsticks or special wire or nylon brushes; and uses their feet to operate hi-hat and bass drum pedals.
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments. In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of idiophone, membranophone, aerophone and chordophone.
The snare drum is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often used in orchestras, concert bands, marching bands, parades, drumlines, drum corps, and more. It is one of the central pieces in a drum set, a collection of percussion instruments designed to be played by a seated drummer and used in many genres of music. Because basic rhythms are very easy to learn to play on a snare drum even for children, the instrument is also suitable for the music education for young children and a rhythm band.
The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, though some variants may not have a head. Tambourines are often used with regular percussion sets. They can be mounted, for example on a stand as part of a drum kit, or they can be held in the hand and played by tapping, hitting, or shaking the instrument.
The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter much greater than the drum's depth, with a struck head at both ends of the cylinder. The heads may be made of calfskin or plastic and there is normally a means of adjusting the tension either by threaded taps or by strings. Bass drums are built in a variety of sizes, but size does not dictate the volume produced by the drum. The pitch and the sound can vary much with different sizes, but the size is also chosen based on convenience and aesthetics. Bass drums are percussion instruments and vary in size and are used in several musical genres. Three major types of bass drums can be distinguished.
A jug band is a band employing a jug player and a mix of conventional and homemade instruments. These homemade instruments are ordinary objects adapted to or modified for making sound, like the washtub bass, washboard, spoons, bones, stovepipe, jew's harp, and comb and tissue paper. The term jug band is loosely used in referring to ensembles that also incorporate homemade instruments but that are more accurately called skiffle bands, spasm bands, or juke bands because they do not include a jug player.
Zydeco is a music genre that was created in rural Southwest Louisiana by Afro-Americans of Creole heritage. It blends blues and rhythm and blues with music indigenous to the Louisiana Creoles such as la la and juré, using the French accordion and a creole washboard instrument called the frottoir.
The music of Louisiana can be divided into three general regions: rural south Louisiana, home to Creole Zydeco and Old French, New Orleans, and north Louisiana. The region in and around Greater New Orleans has a unique musical heritage tied to Dixieland jazz, blues, and Afro-Caribbean rhythms. The music of the northern portion of the state starting at Baton Rouge and reaching Shreveport has similarities to that of the rest of the US South.
Clifton Chenier, was an American musician known as a pioneer of zydeco, a style of music which arose from Creole music, with R&B, blues, and Cajun influences. He sang and played the accordion and won a Grammy Award in 1983.
A rhythm section is a group of musicians within a music ensemble or band that provides the underlying rhythm, harmony and pulse of the accompaniment, providing a rhythmic and harmonic reference and "beat" for the rest of the band. The rhythm section is often contrasted with the roles of other musicians in the band, such as the lead guitarist or lead vocals whose primary job is to carry the melody.
A vest frottoir or rubboard is a percussion instrument used in zydeco music similar to a washboard. It is usually made from pressed, corrugated stainless steel and is worn over the shoulders.
One drop rhythm is a reggae style drum beat.
Jazz drumming is the art of playing percussion in jazz styles ranging from 1910s-style Dixieland jazz to 1970s-era jazz fusion and 1980s-era Latin jazz. The techniques and instrumentation of this type of performance have evolved over several periods, influenced by jazz at large and the individual drummers within it. Stylistically, this aspect of performance was shaped by its starting place, New Orleans, as well as numerous other regions of the world, including other parts of the United States, the Caribbean, and Africa.
In music, the term swing has two main uses. Colloquially, it is used to describe the propulsive quality or "feel" of a rhythm, especially when the music prompts a visceral response such as foot-tapping or head-nodding. This sense can also be called "groove".
In music, notably in jazz, a ghost note is a musical note with a rhythmic value, but no discernible pitch when played. In musical notation, this is represented by an "X" for a note head instead of an oval, or parentheses around the note head. It should not be confused with the X-shaped notation that raises a note to a double sharp.
The Garbage-Men is an American musical group of youths from Sarasota, Florida teaching sustainability through music. The band promotes recycling, a green eco-friendly message, by playing music on instruments they make from garbage and recycled materials. The Garbage-Men perform their instrumental interpretations of classic hits for audiences large and small at various venues including street festivals, science museums, and charity events. They can often be seen busking on street corners, including a show in Times Square, NYC.
In percussion, grip refers to the manner in which the player holds the sticks or mallets, whether drum sticks or other mallets.
Tuba Skinny is a traditional jazz street band based in New Orleans, Louisiana. The band's instrumentation includes cornet, clarinet, trombone, tuba, tenor banjo, guitar, frottoir, and vocals. The ensemble draws its inspiration from the early jazz, ragtime, and blues music of the 1920s and 1930s. The group began as an itinerant busking band and has performed around the world, including at music festivals in Mexico, Sweden, Australia, Italy, France, Switzerland, and Spain.
Heavy metal drumming is a style of rock music drum kit playing that developed in the late 1960s and early 1970s, largely in the United States and the United Kingdom. With roots in blues rock and psychedelic/acid rock drum playing, heavy metal drummers play with emphatic beats, and overall loudness using an aggressive performing style. Heavy metal drumming is traditionally characterized by emphatic rhythms and dense bass guitar-and-drum sound.
Mojo & The Bayou Gypsies is a band led by Mojo from Breaux Bridge Louisiana. Their music is a blend of zydeco, Cajun and their particular style which he calls Red Hot Mojo Music. Circa 2018, they consist of Mojo on vocals and Cajun accordion, Zydeco T Carrier on Frottoir, Greg Hirte on Cajun fiddle, Tee John Moser on drums, and Beau Brian Burke on bass.