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Timbales or pailas are shallow single-headed drums with metal casing. They are shallower than single-headed tom-toms and usually tuned much higher, especially for their size. They were developed as an alternative to classical timpani in Cuba in the early 20th century and later spread across Latin America and the United States.
Bongos are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. The pair consists of the larger hembra and the smaller macho, which are joined by a wooden bridge. They are played with both hands and usually held between the legs, although in some cases, as in classical music, they may be played with sticks or mounted on stands.
A descarga is an improvised jam session consisting of variations on Cuban music themes, primarily son montuno, but also guajira, bolero, guaracha and rumba. The genre is strongly influenced by jazz and it was developed in Havana during the 1950s. Important figures in the emergence of the genre were Cachao, Julio Gutiérrez, Bebo Valdés, Peruchín and Niño Rivera in Cuba, and Tito Puente, Machito and Mario Bauzá in New York. Originally, descargas were promoted by record companies such as Panart, Maype and Gema under the label Cuban jam sessions. From the 1960s, the descarga format was usually adapted by large salsa ensembles, most notably the Fania All-Stars.
Machito was a Latin jazz musician who helped refine Afro-Cuban jazz and create both Cubop and salsa music. He was raised in Havana with the singer Graciela, his foster sister.
Latin Percussion, also known as LP, is a brand of percussion instruments, specializing in ethnic instruments and Latin percussion.
Cándido Camero Guerra, known simply as Cándido, was a Cuban conga and bongo player. He is considered a pioneer of Afro-Cuban jazz and an innovator in conga drumming. He was responsible for the embracing of the tuneable conga drum, the first to play multiple congas developing the techniques that all players use today, as well as the combination of congas, bongos, and other instruments such as the foot-operated cowbell, an attached guiro, all played by just one person. Thus he is the creator of the multiple percussion set-up.
"Oye Cómo Va" is a 1962 cha-cha-chá by Tito Puente, originally released on El Rey Bravo. The song achieved worldwide popularity in 1970, when it was recorded by American rock group Santana for their album Abraxas. This version was released as a single in 1971, reaching number 13 on the Billboard Hot 100, number 11 on the Billboard Easy Listening survey, and number 32 on the R&B chart. The block chord ostinato pattern that repeats throughout the song was most likely borrowed by Puente from Cachao's 1957 mambo "Chanchullo", which was recorded by Puente in 1959.
Carlos Valdés Galán, better known as Patato, was a Cuban conga player. In 1954, he emigrated from La Habana to New York City where he continued his prolific career as a sideman for several jazz and Latin music ensembles, and occasionally as a bandleader. He contributed to the development of the tunable conga drum which revolutionized the use of the instrument in the US. His experimental descarga albums recorded for Latin Percussion are considered the counterpart to the commercial salsa boom of the 1970s. Tito Puente once called him "the greatest conguero alive today".
Rebeca Mauleón is an American pianist, composer, arranger and writer, specializing in salsa and other Latin American and Afro-Caribbean music.
Manny Oquendo was an American percussionist of Puerto Rican ancestry. His main instruments were the timbales and the bongos.
The International Latin Music Hall of Fame (ILMHF) was an annual event established in 1999 and held in New York City to honor artists who have largely contributed to the Latin music genre.
Roger Dawson is a jazz percussionist, conga drummer, bandleader, and jazz composer. He was a leading jazz and salsa disc jockey in the US and was acknowledged as being at the forefront of New York's salsa music explosion of the seventies and early eighties. He was the creator of the long-running "Salsa Meets Jazz" concert series at New York's Village Gate club.
John Rodríguez Jr., better known as Johnny "Dandy" Rodríguez, is an American bongo player of Puerto Rican descent. He was the long-time bongosero for Tito Puente, and also played with Tito Rodríguez, Ray Barretto and Alfredo de la Fe. He belonged to several popular bands of the salsa era such as Tico All-Stars, Fania All-Stars and Típica 73.
El Rey is a 1984 Latin jazz album on the Concord Picante label by musician, band and orchestra leader, Tito Puente. Puente's move towards jazz came at the same time as Eddie Palmieri's albums. It includes performances by Tito Puente not only on timbales, but on vibraharp playing a medley of "Stella by Starlight" and "(Tu, Mi) Delirio", as well as "Autumn Leaves" and "Rainfall". There are also excellent, inventive, driving performances of two works by John Coltrane: "Giant Steps" and "Equinox", as well as Puente's own hit songs "Oye Como Va" and "Linda Chicana".
Soul Burst is an album by Latin jazz vibraphonist Cal Tjader recorded in early 1966 and released on the Verve label.
Flautista! is a live album by American jazz flautist Herbie Mann recorded in 1959 for the Verve label.
Latin Mann is an album by American jazz flautist Herbie Mann recorded for the Columbia label and released in 1965. Mann's contract with Atlantic Records allowed him to record the album for another label.
José Mangual Jr. is an American Salsa percussionist of Puerto Rican Descent, singer and composer best known for his recordings with Willie Colón and Héctor Lavoe during the 1960s and 1970s salsa boom in New York.
Jose Mangual, Sr. was a Puerto Rican percussionist world renowned for his bongo drum performances and recordings during the 1940s and 1950s with groups such as Machito Orchestra, Charlie Parker, Buddy Rich, Flip Philips, Abbie Lane and Nancy Ames. "He set a standard in bongo playing and was considered by many to have the greatest sound on the instrument." He is the father of Jose Mangual, Jr. and Luis Mangaul who are both well-known Salsa singers and percussionists. Both were born and raised in East Harlem.
Edwin "Eddie" Montalvo is an American percussionist and bandleader of Puerto Rican descent. Born and raised in the Bronx, he best known for playing the Congas for Hector Lavoe, Rubén Blades as well as with the Fania All-Stars.
References
- 1 2 "Martin Cohen patents".
- 1 2 Contreras, Felix. "The Best Unknown Music Photographer". NPR.
- 1 2 "Latin Percussion Ventures, Inc. Label | Releases | Discogs".
- 1 2 3 4 5 Mattingly, Rick. "Hall of Fame - Martin Cohen". Percussion Arts Society.
- 1 2 Gonzalez, David. "Bongos, Congas and Cameras". New York TImes.
- ↑ "About". Latin Percussion. Latin Percussion. Retrieved 2023-03-16.
- ↑ Levin, Eric. "What's a Nice Jewish Boy Doing as King of the Bongos?". People Magazine.
- ↑ "Oral History - Martin Cohen". National Association of Music Merchants .
- ↑ Horwitz, Murray. "Latin Percussion Jazz Ensemble: 'Live at the Montreux Jazz Festival 1980'". NPR.
- ↑ "KAMAN MUSIC WELCOMES LATIN PERCUSSION (LP) TO THE FAMILY". KMC Music.
- ↑ "DW acquires KMC Music's percussion brands". ModernDrummer.
- ↑ "Latin Music Legends". US Postal Service. Retrieved 2017-04-30.
