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Holland–Dozier–Holland was a songwriting and production team consisting of Lamont Dozier and brothers Brian and Eddie Holland. The trio wrote, arranged and produced many songs that helped define the Motown sound in the 1960s. During their tenure at Motown Records from 1962 to 1967, Dozier and Brian Holland were the composers and producers for each song, and Eddie Holland wrote the lyrics and arranged the vocals. Their most celebrated productions were singles for the Four Tops and the Supremes, including 10 out of the Supremes' 12 US No. 1 singles, such as "Baby Love", "Stop! In the Name of Love", and "You Keep Me Hangin' On".
"I Can't Help Myself " is a 1965 hit song recorded by the Four Tops for the Motown label.
"Baby I Need Your Loving" is a 1964 hit single recorded by the Four Tops for the Motown label. Written and produced by Motown's main production team Holland–Dozier–Holland, the song was the group's first Motown single and their first pop Top 20 hit, making it to number 11 on the US Billboard Hot 100 and number four in Canada in the fall of 1964. It was also their first million-selling hit single.
"It's the Same Old Song" is a song recorded by the Four Tops for the Motown label. It was released in 1965 as the second single from their second album. Written and produced by Motown's main production team Holland–Dozier–Holland, the song is today one of The Tops' signature songs, and was reportedly created—from initial concept to commercial release—in 24 hours. It reached No. 5 on the Billboard Hot 100 and No. 2 on the Billboard R&B chart. It also reached number 34 in the UK.
"Bernadette" is a 1967 hit song recorded by the Four Tops for the Motown label. The song was written and composed by Holland–Dozier–Holland, Motown's main songwriting team, and produced by Brian Holland and Lamont Dozier.
"Can I Get a Witness" is a song composed by Brian Holland, Lamont Dozier, and Eddie Holland and produced by Brian Holland and Lamont Dozier as a non-album single for American recording vocalist Marvin Gaye, who issued the record on Motown's Tamla imprint in September 1963.
"Nowhere to Run" is a 1965 pop single by Martha and the Vandellas for the Gordy (Motown) label and is one of the group's signature songs. The song, written and produced by Motown's main production team of Holland–Dozier–Holland, depicts the story of a woman trapped in a bad relationship with a man she cannot help but love.
"Love Is Here and Now You're Gone" is a 1967 song recorded by the Supremes for the Motown label.
"Heat Wave" is a 1963 song written by the Holland–Dozier–Holland songwriting team. It was first made popular by the Motown vocal group Martha and the Vandellas. Released as a 45 rpm single on July 9, 1963, on the Motown subsidiary Gordy label, it hit number one on the Billboard Hot R&B chart—where it stayed for four weeks—and peaking at number 4 on the Billboard Hot 100.
"Quicksand" is a 1963 soul-dance single by Motown girl group Martha and the Vandellas.
"Come and Get These Memories" is an R&B song by Motown girl group Martha and the Vandellas. Their second single released under Motown's Gordy Records subsidiary, "Memories" became the group's first hit single, reaching number 29 on the Billboard Pop Singles Chart, and number-six on the Billboard R&B Singles Chart.
"Love " is a 1965 pop ballad by Motown girl group Martha and the Vandellas. A rare ballad for the group, whose forte was reportedly uptempo soul dance numbers including "Dancing in the Street" and "Nowhere to Run", the b-side to the group's single, "You've Been in Love Too Long", although the song only peaked at #70 on the Billboard Hot 100 singles chart and #22 on the Billboard Hot R&B singles chart, it was number one on many American urban radio playlists.The song, written and produced by Holland–Dozier–Holland, has the narrator explain why love makes her do things she later regrets. Cash Box described it as a "plaintive, slow-shufflin’ heart-throbber with a nostalgic years-back sound."
"Beechwood 4-5789" is a song written by Marvin Gaye, William "Mickey" Stevenson and George Gordy. It was a 1962 hit single for the Motown girl group The Marvelettes on Motown's Tamla subsidiary record label. The song became a hit again when it was covered by the pop duo The Carpenters in 1982.
"Patches" is a country soul song written by General Johnson and Ron Dunbar and best known in the 1970 hit version by Clarence Carter. It won the 1971 Grammy Award for Best Rhythm & Blues Song.
"Forever Came Today" is a 1967 song written and produced by the Motown collective of Holland–Dozier–Holland, and was first made into a hit as a single for Diana Ross & the Supremes in early 1968. A disco version of the song was released as a single seven years later by Motown group the Jackson 5.
"Take Me in Your Arms " is a song written by the premier Motown songwriting/production team of the 1960s Holland–Dozier–Holland. The first hit recording was sung by Kim Weston in 1965. It was most popular in 1975 when it was recorded by the Doobie Brothers.
"When the Lovelight Starts Shining Through His Eyes" is a song written by Holland–Dozier–Holland and recorded in 1963 by Motown singing group The Supremes. It is notable as the Supremes' first Billboard Hot 100 Top 40 recording, following seven previous singles between January 1961 and September 1963 which failed to enter the Top 40. The single is also notable as the first Supremes single written and produced by Holland–Dozier–Holland, who had previously created hits for Martha and the Vandellas and Mary Wells.
"I'm In a Different World" is a song written and produced by Brian Holland, Lamont Dozier, and Edward Holland Jr. Billboard described the single as a "smooth swinger that moves and grooves throughout" which "should fast prove a sales topper."
"Heaven Must Have Sent You" is a song written by Brian Holland, Lamont Dozier, and Eddie Holland when at Motown, and first recorded by The Elgins in 1966. It was also a 1979 disco hit single by Bonnie Pointer.
"(I'm a) Road Runner" is a hit song by Junior Walker & the Allstars, and was the title track of the successful 1966 album Road Runner. Written by the team of Holland–Dozier–Holland, it was released on the Tamla (Motown) label in 1966 and reached the top twenty in the U.S. and the UK.
References
- 1 2 3 4 5 6 Songs written by Brian Holland, MusicVF.com. Retrieved 2 September 2014
- 1 2 3 4 Whitburn, Joel (2003). Top Pop Singles 1955-2002 (1st ed.). Menomonee Falls, Wisconsin: Record Research Inc. ISBN 0-89820-155-1.
- 1 2 3 4 Whitburn, Joel (1996). Top R&B/Hip-Hop Singles: 1942-1995. Record Research.
- 1 2 3 4 Betts, Graham (2004). Complete UK Hit Singles 1952-2004 (1st ed.). London: Collins. ISBN 0-00-717931-6.
- 1 2 Gilliland, John (1969). "The Soul Reformation: Phase two, the Motown story" (audio). Pop Chronicles . University of North Texas Libraries.
- ↑ "1-2-3" at Songfacts.com
- 1 2 3 Songs written by Lamont Dozier, MusicVF.com. Retrieved 2 September 2014
- 1 2 3 Songs written by Eddie Holland Jr., MusicVF.com. Retrieved 2 September 2014