Related Research Articles
The Andantes were an American female session group for the Motown record label during the 1960s. Composed of Jackie Hicks, Marlene Barrow, and Louvain Demps, the group sang background vocals on numerous Motown recordings, including songs by Martha Reeves & the Vandellas, the Temptations, Stevie Wonder, the Four Tops, Jimmy Ruffin, Edwin Starr, the Supremes, the Marvelettes, Marvin Gaye and the Isley Brothers, among others.
"Too Busy Thinking About My Baby" is a Motown song written by Norman Whitfield, Barrett Strong, and Janie Bradford. The song was first recorded by The Temptations as a track on their 1966 album Gettin' Ready. Eddie Kendricks sings lead on the recording, which was produced by Whitfield. Jimmy Ruffin also recorded a version with The Temptations providing background vocals in 1966. It remained unreleased until 1997.
"That's the Way Love Is" is a 1967 Tamla (Motown) single recorded by The Isley Brothers and produced by Norman Whitfield.
Gettin' Ready is the fourth studio album by The Temptations for the Gordy (Motown) label released in 1966. It marks the transition of the group from having Smokey Robinson as its main producer, with new producer Norman Whitfield taking over Robinson's position. Two #1 R&B hit singles, one from each producer, are included: "Get Ready" from Robinson with Eddie Kendricks on lead, and "Ain't Too Proud to Beg" from Whitfield with David Ruffin on lead. Also included is the original version of "Too Busy Thinking About My Baby", which would be rerecorded as a hit for Marvin Gaye in 1969. The album was also one of the last albums to contain tracks co-authored by members of the group until the release of The Temptations Do The Temptations (1976). As with previous Temptations albums, several songs are written by members of The Miracles: Smokey Robinson, Bobby Rogers, Pete Moore, Ronnie White, and Marv Tarplin.
Lost and Found: You've Got To Earn It (1962–1968) is a compilation album by The Temptations. Released by Motown Records in 1999, it includes twenty unreleased Temptations records alongside unreleased mixes of "Ain't Too Proud to Beg" and "You've Got to Earn It". Most of the songs were recorded during the group's "Classic 5" era with David Ruffin and Eddie Kendricks as lead singers, although there are some tracks present which were recorded with Ruffin's predecessor, Elbridge Bryant, in the lineup. There's also one track that was recorded with Ruffin's successor, Dennis Edwards.
"A Breathtaking Guy" is a 1963 song written and produced by Smokey Robinson and released first by Motown singing group The Supremes (1963) and later by The Marvelettes (1972). The single was originally released under the title "A Breath Taking, First Sight Soul Shaking, One Night Love Making, Next Day Heartbreaking Guy" by The Supremes, but was shortened after its official release. All three Supremes members - Diana Ross, Florence Ballard and Mary Wilson - sang the chorus with the original title together.
"All I Need" is a 1967 hit single recorded by The Temptations for the Gordy (Motown) label. It is the group's first single to be produced by Norman Whitfield's protégé Frank Wilson. Written by Wilson, Edward Holland, Jr. and R. Dean Taylor, the single was a Top 10 hit on the Billboard Hot 100, peaking at number 8; it was also a number-two hit on the Billboard R&B singles chart.
"It's Growing" is a 1965 hit single by The Temptations for the Gordy (Motown) label. Written by Miracles members Smokey Robinson and Pete Moore and produced by Robinson, the song was a top 20 pop single on the Billboard Hot 100 in the United States, on which it peaked at number 18. On Billboard's R&B singles chart, "It's Growing" peaked at number 3.
"What's Easy for Two Is Hard for One" is a song written and produced by Smokey Robinson and released as a single by singer Mary Wells for the Motown label.
"I Couldn't Cry If I Wanted To" is a 1962 Motown song written by Edward Holland, Jr. and Norman Whitfield. It would later be released as B-sides for singles by The Temptations and Holland himself, both of which were produced by Whitfield.
"Gonna Give Her All the Love I've Got" is a 1967 Soul song, originally recorded and made a hit by Jimmy Ruffin on Motown's Soul Label imprint. Ruffin's 1967 original version, from his album Jimmy Ruffin Sings Top Ten, reached the Pop Top 30, peaking at #29, and was a Top 20 R&B Hit as well, peaking at #14. It was also a hit in Britain, reaching #26 on the UK Singles Chart. The song has a social context: it depicts a man anticipating his release from prison on the morrow, when he'll return home on a train to "the girl that I left behind," promising himself that he will reward her steadfast love for him by "giv[ing] her all the love [he's] got." The song was written by Norman Whitfield and Barrett Strong and produced by Whitfield.
"Still Water (Love)" is a 1970 hit single written by Smokey Robinson and Frank Wilson for the Motown singing group Four Tops. The B-side was "Still Water (Peace)" and both songs appear on the 1970 album Still Waters Run Deep.
"I'll Keep Holding On" is a song composed by Mickey Stevenson and Ivy Jo Hunter and recorded by Motown singing group The Marvelettes, who released the single on the Tamla imprint in 1965. Peaking at #34 on the Billboard Hot 100, the single returned the group to the top forty after a year recording songs that performed below the top forty. This was among the first A-side singles that longtime Marvelettes member Wanda Young sung lead on. Before 1965, the majority of the leads in Marvelettes songs had belonged to original member Gladys Horton. The single features a woman determined to win the love of an unknowingly conquest telling him that she'll convince him to love her "until my will to resist is gone". Her Marvelettes band mates Gladys Horton and Katherine Anderson egg her on with her ad-libbing "oh yeah/sho' nuff" in the bridge leading up to the chorus. The single was covered by British mod-pop act, The Action in 1966. It then returned across the Atlantic in 1998 to be released on Mink Rat or Rabbit by the Detroit Cobras.
"My Baby Must Be a Magician" is the title of a 1967 single release by the Marvelettes which was written and produced by Smokey Robinson.
Love Supreme is a 1988 compilation album by The Supremes, released on the Motown label. The album peaked at number ten in the UK and was awarded a silver disc for sales in excess of 60,000 copies.
"Just One Last Look" is a 1966 song written and produced by Motown's main production team Holland–Dozier–Holland, and recorded by The Temptations for the Gordy (Motown) label, and The Four Tops for the main Motown label. Intended for release as a single for both, it was blocked from doing so and shelved.
"Truly Yours" is a 1966 song and single by The Spinners for the Motown label. Co-written and produced by William "Mickey" Stevenson and Ivy Jo Hunter, the single became the Detroit-reared group's second to chart on the company label, and the fourth to chart altogether. It was also the last to chart in the 1960s and last to chart for the group until "It's a Shame". The single peaked at 11 on the BillboardBubbling Under Hot 100 charts. However, on the Billboard R&B singles chart, "Truly Yours" was a Top 20 hit, peaking at number 16.
"Just Another Lonely Night" is a 1965 song co-written and co-produced by William "Mickey" Stevenson and Ivy Jo Hunter. It was recorded by four Motown acts: The Temptations, Brenda Holloway, The Four Tops, and The Fantastic Four.
"Too Hurt to Cry, Too Much in Love to Say Goodbye" is a 1963 song and single written and composed by Motown's main production team Holland–Dozier–Holland. Credited to the Darnells the performers on both sides of the single were in fact the Andantes, Holland–Dozier–Holland, Mary Wilson of the Supremes (B-side), and members of the Marvelettes, the Four Tops, and the Temptations. Nobody involved with the production on either side was pleased with the false credit. Whatever the reason it was done, it didn't work as the single only peaked at 17 on the Billboard Bubbling Under Hot 100 charts.
"Say You" is a 1965 soul song, written by Robert Dobyne, Robert Staunton and Charles Jones, and recorded by both The Monitors, who had a charting R&B Hit with the song, and The Temptations.
References
- ↑ Cub Koda. "The Temptin' Temptations - The Temptations | Songs, Reviews, Credits". AllMusic . Retrieved 2016-09-30.CS1 maint: discouraged parameter (link)
- ↑ The Complete Motown Singles Vol. 7: 1967 [liner notes]. New York: Hip-O Select/Motown/Universal Records
- ↑ "Vintage Stock - Mary Wells | Songs, Reviews, Credits". AllMusic . Retrieved 2016-09-30.CS1 maint: discouraged parameter (link)
- ↑ "Don't Forget the Motor City". Dftmc.info. Retrieved 2016-09-30.CS1 maint: discouraged parameter (link)
 | This 1960s R&B/soul music song-related article is a stub. You can help Wikipedia by expanding it. |