I Hear a Symphony

Last updated

We will release nothing less than Top Ten product on any artist; and because the Supremes' world-wide acceptance is greater than the other artists, on them we will only release number-one records.

Holland-Dozier-Holland therefore set about breaking their formula and trying something new. The result was "I Hear a Symphony," a song with a more complex musical structure than previous Supremes releases. "Symphony" was released as a single in place of another Holland-Dozier-Holland Supremes song, "Mother Dear", which had been recorded in the same style as their earlier hits.

In a 1968 interview, [3] Diana Ross said that this was one of her favorite songs to perform, even though its key register posed some challenges. [4]

Billboard called the song a "blockbuster" as well as a "well-written rhythm ballad with pulsating beat and top vocal work." [5] Cash Box described it as a "rhythmic, medium-paced romancer about a lucky gal who’s head-over-heels in love with the special guy of her dreams." [6] Record World said that "The Supremes will hear a symphony of coin for 'I Hear a Symphony.'" [7]

"I Hear a Symphony", later issued on an album of the same name, became the Supremes' sixth number-one hit in the United States. After the number-five hit "My World Is Empty Without You" and the number-nine hit "Love Is Like an Itching in My Heart," the Supremes began a run of four more number-one hits: "You Can't Hurry Love," "You Keep Me Hangin' On," "Love Is Here and Now You're Gone," and "The Happening." The group performed the hit song on The Mike Douglas Show on November 3, 1965. [8]

Personnel

"I Hear a Symphony"
I Hear a Symphony 1966.png
Single by the Supremes
from the album I Hear a Symphony
B-side "Who Could Ever Doubt My Love"
ReleasedOctober 6, 1965
RecordedSeptember 22, 28–30, 1965
Studio Hitsville U.S.A. (Studio A)
Genre Pop, R&B
Length2:38
Label Motown
M 1083
Songwriter(s) Holland–Dozier–Holland
Producer(s)
The Supremes singles chronology
"Nothing but Heartaches"
(1965)
"I Hear a Symphony"
(1965)
"My World Is Empty Without You"
(1965)
Audio sample
"I Hear a Symphony"
"I Hear a Symphony"
Single by Jackson 5
from the album ABC
B-side "Love Gone Bad"
ReleasedOctober 6, 1965
RecordedSeptember 22, 28–30, 1965
Studio Motown Recording Studio
(Los Angeles, California)
Genre Pop, R&B
Length2:38
Label Motown
M 1083
Songwriter(s) Holland–Dozier–Holland

Charts

Certifications

RegionCertification Certified units/sales
United States1,000,000 [23] [24] [25]
Summaries
Worldwide2,000,000 [26]

See also

Related Research Articles

<span class="mw-page-title-main">Stop! In the Name of Love</span> 1965 single by the Supremes

"Stop! In the Name of Love" is a 1965 song recorded by the Supremes for the Motown label.

<span class="mw-page-title-main">Reflections (The Supremes song)</span> 1967 single by Diana Ross & the Supremes

"Reflections" is a 1967 song recorded by The Supremes for the Motown label. It was the first Supremes record credited to "Diana Ross and the Supremes", and among their last hit singles to be written and produced by Holland–Dozier–Holland (H–D–H), Motown's main production team.

<span class="mw-page-title-main">Baby Love</span> 1964 single by the Supremes

"Baby Love" is a song by American music group the Supremes from their second studio album, Where Did Our Love Go. It was written and produced by Motown's main production team Holland–Dozier–Holland and was released on September 17, 1964.

<span class="mw-page-title-main">Come See About Me</span> 1964 single by The Supremes

"Come See About Me" is a 1964 song recorded by the Supremes for the Motown label. The track opens with a fade-in, marking one of the first times the technique had been used on a studio recording.

<span class="mw-page-title-main">Back in My Arms Again</span> 1965 single by The Supremes

"Back in My Arms Again" is a 1965 song recorded by The Supremes for the Motown label.

<span class="mw-page-title-main">You Can't Hurry Love</span> 1966 single by the Supremes

"You Can't Hurry Love" is a 1966 song originally recorded by the Supremes on the Motown label. It was released on July 25 of 1966 as the second single from their studio album The Supremes A' Go-Go (1966).

<span class="mw-page-title-main">It's the Same Old Song</span> 1965 single by the Four Tops

"It's the Same Old Song" was recorded by the Four Tops for the Motown label. It was released in 1965 as the second single from their second album. Written and produced by Motown's main production team Holland–Dozier–Holland, the song is today one of The Tops' signatures, and was reportedly created—from initial concept to commercial release—in 24 hours. It reached #5 on the Billboard Hot 100 and #2 on the Billboard R&B chart. It also reached #34 in the UK.

<span class="mw-page-title-main">Love Is Here and Now You're Gone</span> 1967 single by the Supremes

"Love Is Here and Now You're Gone" is a 1967 song recorded by the Supremes for the Motown label.

<i>I Hear a Symphony</i> (The Supremes album) 1966 studio album by the Supremes

I Hear a Symphony is the eighth studio album released by American girl group the Supremes on the Motown label in 1966.

<i>Greatest Hits</i> (The Supremes album) 1967 greatest hits album by The Supremes

Diana Ross & the Supremes: Greatest Hits is a two-LP collection of singles and b-sides recorded by The Supremes, released by Motown in August 1967. The collection was the first LP to credit the group under the new billing Diana Ross & the Supremes. Although founding member Florence Ballard is pictured on all album artwork and sings on all the tracks, by the time the set was released, she had been fired from the group and replaced by Cindy Birdsong.

<span class="mw-page-title-main">My World Is Empty Without You</span> 1965 single by the Supremes

"My World Is Empty Without You" is a 1965 song recorded and released as a single by the Supremes for the Motown label.

<span class="mw-page-title-main">Love Is Like an Itching in My Heart</span> 1966 single by The Supremes

"Love Is Like an Itching in My Heart" is a 1966 song recorded by the Supremes for the Motown label.

<span class="mw-page-title-main">The Happening (song)</span> 1967 single by The Supremes

"The Happening" is a 1967 song recorded by Motown artists The Supremes. It served as the theme song of the 1967 Columbia Pictures film The Happening, and was released as a single by Motown at the time of the film's release that spring. While the movie flopped, the song peaked at number 1 on the Billboard Hot 100 pop singles chart in May, becoming The Supremes' tenth number 1 single in the United States, peaking in the top 10 on the UK Singles Chart at number 6, and in the top 5 in the Australian Pop Chart and in the Dutch Pop Chart.

<span class="mw-page-title-main">Forever Came Today</span> 1968 single by the Supremes

"Forever Came Today" is a 1968 song written and produced by the Motown collective of Holland–Dozier–Holland, and was first made into a hit as a single for Diana Ross & the Supremes in early 1968. A disco version of the song was released as a single seven years later by Motown group the Jackson 5.

<span class="mw-page-title-main">When the Lovelight Starts Shining Through His Eyes</span> 1963 single by The Supremes

"When the Lovelight Starts Shining Through His Eyes" is a song written by Holland–Dozier–Holland and recorded in 1963 by Motown singing group The Supremes. It is notable as the Supremes' first Billboard Hot 100 Top 40 recording, following seven previous singles between January 1961 and September 1963 which failed to enter the Top 40. The single is also notable as the first Supremes single written and produced by Holland–Dozier–Holland, who had previously created hits for Martha and the Vandellas and Mary Wells.

"Run, Run, Run" is a 1964 song written by Holland–Dozier–Holland and released as a single by Motown singing group The Supremes. After a couple of years of unsuccessful singles, the Supremes had finally broken through with a Top 40 single (23) in December 1963 with "When the Lovelight Starts Shining Through His Eyes". On the heels of its release, Motown rush-released a second HDH single titled "Run, Run, Run". Inspired by the sounds of Phil Spector and his Wall of Sound, it was an attempt to give the Supremes a poppier sound compared to their earlier heavy R&B recordings. Billboard described the song as a "strong follow up" to "When the Lovelight Starts Shining Through His Eyes," stating that it "has tough beat in a middle up groove that's great for dancing." Cash Box described it as "a pulsating, big sounding rocker with some torrid triplet keyboard work backing up."

<span class="mw-page-title-main">Nothing but Heartaches</span> 1965 single by The Supremes

"Nothing but Heartaches" is a 1965 song recorded by The Supremes for the Motown label.

<span class="mw-page-title-main">In and Out of Love (The Supremes song)</span> 1967 single by Diana Ross & the Supremes

"In and Out of Love" is a 1967 song recorded by The Supremes for the Motown label. It was the second single issued with the group's new billing of Diana Ross & the Supremes, the penultimate Supremes single written and produced by Motown production team Holland–Dozier–Holland, and the last single to feature the vocals of original member Florence Ballard.

<span class="mw-page-title-main">Some Things You Never Get Used To</span> 1968 single by Diana Ross & the Supremes

"Some Things You Never Get Used To" is a song released in 1968 by Diana Ross & the Supremes on the Motown label. The single stalled for three weeks at number 30 on the U.S. Billboard pop chart in July 1968. It became the lowest-charting Supremes single since 1963 and became the catalyst for Berry Gordy to revamp songwriting for The Supremes since the loss of Motown's premier production team Holland–Dozier–Holland, whom Gordy had assigned as the group's sole producers after the success of "When the Lovelight Starts Shining Through His Eyes."

<span class="mw-page-title-main">Where Did Our Love Go</span> 1964 song by the Supremes

"Where Did Our Love Go" is a 1964 song recorded by American music group the Supremes for the Motown label.

References

  1. "Billboard Hot 100". Billboard . Vol. 77, no. 47. Nielsen Company. 1965. p. 22. Retrieved 10 May 2011.
  2. "Billboard Hot 100". Billboard . Vol. 77, no. 48. Nielsen Company. 1965. p. 20. Retrieved 10 May 2011.
  3. Gilliland, John (1969). "O-S interview index" (audio). Pop Chronicles . University of North Texas Libraries.
  4. Diana Ross interviewed on the Pop Chronicles (1969)
  5. "Spotlight Singles" (PDF). Billboard. October 23, 1965. p. 16. Retrieved 2021-03-09.
  6. "CashBox Record Reviews" (PDF). Cash Box. October 23, 1965. p. 14. Retrieved 2022-01-12.
  7. "Single Picks of the Week" (PDF). Record World. October 23, 1965. p. 1. Retrieved 2023-07-19.
  8. Guest co-host: Zsa Zsa Gabor (3 November 1965). "November 3, 1965". The Mike Douglas Show . Season 4. Episode 43. Cleveland. CBS. KYW-TV.
  9. Liner notes. The Complete Motown Singles Vol. 5: 1965, Hip-O Select – B0006775-02, USA, 04 Aug 2006
  10. "Every Unique AMR Top 100 Single of the 1965". Top 100 Singles. Retrieved 31 December 2020.
  11. "Billboard HITS OF THE WORLD". Billboard . 4 December 1965. p. 30.
  12. "Top RPM Singles: Issue 5581." RPM . Library and Archives Canada.
  13. "Nederlandse Top 40 – Supremes The" (in Dutch). Dutch Top 40.
  14. "flavour of new zealand - search lever". Flavour of New Zealand.
  15. "Supremes: Artist Chart History". Official Charts Company.
  16. "The Supremes Chart History (Hot 100)". Billboard.
  17. "The Supremes Chart History (Hot R&B/Hip-Hop Songs)". Billboard.
  18. "CASH BOX Top 100 Singles". Cashbox . November 1, 1965. Retrieved 31 December 2020.
  19. "The CASH BOX Top 50 In R&B Locations". Cashbox . November 27, 1965. Retrieved 31 December 2020.
  20. "100 TOP POPS: Week of November 27, 1965" (PDF). Record World . worldradiohistory.com. November 27, 1965. Retrieved 29 January 2021.
  21. "TOP 40 R&B: Week of December 11, 1965" (PDF). Record World . worldradiohistory.com. December 11, 1965. p. 20. Retrieved 29 January 2021.
  22. "The CASH BOX Year-End Charts: 1966". Cashbox . Retrieved 31 December 2020.
  23. Joseph Murrells (1984). Million Selling Records from the 1900s to the 1980s: An Illustrated Directory. B.T. Batsford. p. 215. ISBN   9780713438437 . Retrieved 24 January 2020.
  24. Barry Lazell, ed. (1989). Rock Movers & Shakers. Billboard Publications, Incorporated. p. 495. ISBN   9780874366617 . Retrieved 23 January 2020.
  25. UNKNOWN MILLIONAIRES continued. Vol. 35. Johnson Publishing Company. April 1980. p. 136. ISSN   0012-9011 . Retrieved 24 January 2020.{{cite book}}: |work= ignored (help)
  26. Joseph Murrells (1984). Million Selling Records from the 1900s to the 1980s: An Illustrated Directory. London: B.T. Batsford. p. 215. ISBN   0-7134-3843-6.