The Supremes | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | May 1975 | |||
Recorded | 1974–75 | |||
Genre | Soul, disco, R&B | |||
Length | 29:14 | |||
Label | Motown | |||
Producer | Terry Woodford, Clayton Ivey, Brian Holland, Hal Davis, Greg Wright, Michael Lloyd, Mark Davis | |||
The Supremes chronology | ||||
| ||||
Singles from The Supremes | ||||
|
The Supremes is the twenty-seventh studio album by The Supremes, released in 1975 on Motown Records. This is the first album to feature newest Supremes member Scherrie Payne, who had joined the group in late 1973.
In a 1974 fan club newsletter an unnamed spokesman for Motown acknowledged that the downturn in popularity The Supremes had experienced was due to the fact that the company had not always been fair with the ladies...and that they had not always been fair with the company. No specifics were given. He also said the first lp with Scherrie Payne and the returning Cindy Birdsong would be a "test" release just to gauge how much of a public the group had left. In a characteristically desperate act (for Motown) to find a new commercial sound the trio was paired with five different producers for ten tracks on an album barely running 30 minutes in time. (Unreleased tracks from this period were released more than 30 years later.) The result was a modest showing on the pop and soul charts but the album made enough noise for Motown to authorize future album releases. It did quite well with the disco crowd which Motown was trying to break into.
Superscripts denote lead singers for each track: (a) Scherrie Payne, (b) Mary Wilson.
Chart (1975) | Peak position |
---|---|
US Billboard 200 [1] | 152 |
US Top R&B/Hip-Hop Albums (Billboard) [2] | 25 |
US Cashbox [3] | 183 |
US Record World [4] | 179 |