The Supremes were an American female singing group and a premier act of Motown Records during the 1960s. Founded as The Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and are, to date, America's most successful vocal group with 12 number one singles on the Billboard Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. At their peak in the mid-1960s, the Supremes rivaled the Beatles in worldwide popularity, and it is said that their success made it possible for future African American R&B and soul musicians to find mainstream success.
Florence Glenda Chapman was an American singer, a founding member of the popular Motown vocal female group the Supremes. She sang on 16 top 40 singles with the group, including ten number-one hits. After being removed from the Supremes in 1967, Ballard tried an unsuccessful solo career with ABC Records before she was dropped from the label at the end of the decade. Ballard struggled with alcoholism, depression, and poverty for three years. She was making an attempt at a musical comeback when she died of a heart attack in February 1976 at the age of 32. Ballard's death was considered by one critic as "one of rock's greatest tragedies". Ballard was posthumously inducted to the Rock and Roll Hall of Fame as a member of the Supremes in 1988.
Mary Wilson is an American vocalist, concert performer, music rights activist, motivational speaker, author and former U.S. Cultural Ambassador. Wilson is best known as a founding member and longest member of the Supremes, who during the 1960s became Motown's most successful act, and are the best-charting female group in US history, as well as one of the world's best-selling girl groups of all time. The group released a record-setting twelve number-one hit singles on the US Billboard Hot 100: "Where Did Our Love Go", "Baby Love", "Come See About Me", "Stop! In the Name of Love", "Back in My Arms Again", "I Hear a Symphony", "You Can't Hurry Love", "You Keep Me Hangin' On", "Love is Here and Now You're Gone", "The Happening", "Love Child", and "Someday We'll Be Together". However, Wilson did not sing background on "Love Child" or "Someday We'll Be Together". Wilson remained with the group following the departures of other original members, Florence Ballard in 1967 and Diana Ross in 1970. Following Wilson's own departure in 1977, the group disbanded. Wilson later became a New York Times Best Seller in 1986 with the release of her autobiography, Dreamgirl: My Life As a Supreme, a record setter for sales in its genre, and later Supreme Faith: Someday We'll Be Together; both books later were released as an updated combination. Continuing a successful career as a concert performer, Wilson also became a musicians' rights activist as well as a musical theater performer and organizer of various museum displays of the Supremes' famed costumes. Wilson was inducted along with Ross and Ballard into the Rock and Roll Hall of Fame in 1988.
Lu Pine Records was a small local record label in Detroit, Michigan, active during the late-1950s and 1960s. The label released records by a number of artists, including Joe Stubbs, Eddie Floyd, The Falcons and The Ohio Untouchables.
The Supremes is a 2000 box set compilation of the material by Motown's most popular act of the 1960s, The Supremes. The set covers The Supremes' entire recording history, from its first recordings as The Primettes in 1960 to its final recordings in 1976.
Betty McGlown-Travis was an American singer, a member of The Primettes, later better known as The Supremes.
Barbara Diane Martin Richardson was an American singer, best known as one of the original members of Motown group The Supremes. She was born in Detroit.
Meet the Supremes is the debut studio album by The Supremes, released in late 1962 on Motown.
The Supremes at the Copa is a live album by Motown singing group The Supremes, recorded during their debut engagement at the prestigious Copacabana nightclub in New York City. Released in the late fall of 1965, At the Copa was the first live album issued by The Supremes, and the only live album issued by the group's best-known lineup of Diana Ross, Florence Ballard and Mary Wilson.
"Your Heart Belongs to Me" is a 1962 song written and composed by The Miracles' William "Smokey" Robinson and released as a single by Motown singing group The Supremes during their early years with the label. The song is about a woman whose lover is in the armed forces and has "Gone to a far-away land"; its narration has her tell him to always remember their love for each other if he ever gets lonely.
"Let Me Go the Right Way" is a 1962 song written and produced by then Motown president Berry Gordy and released as a single by Motown singing group The Supremes. It was the group's fourth single and their second charted record following the dismal reception of their first charted single, "Your Heart Belongs to Me".
"A Breathtaking Guy" is a 1963 song written and produced by Smokey Robinson and released first by Motown singing group The Supremes (1963) and later by The Marvelettes (1972). The single was originally released under the title "A Breath Taking, First Sight Soul Shaking, One Night Love Making, Next Day Heartbreaking Guy" by The Supremes, but was shortened after its official release. All three Supremes members - Diana Ross, Florence Ballard and Mary Wilson - sang the chorus with the original title together.
"Buttered Popcorn" is a 1961 song written by Motown president Berry Gordy and songwriter Barney Ales, produced by Gordy, and released as a Tamla label single by Motown singing group The Supremes. It was the group's second single after signing with Motown Records as well as their second, and last, single for the Tamla label, before moving to the Motown label.
"I Want a Guy" is a song written by Freddie Gorman, Berry Gordy and Brian Holland and was the debuting single for Motown girl group The Supremes in 1961. It was also recorded by The Marvelettes on their album Please Mr. Postman. Featuring Diana Ross, going by her given name, Diane Ross, in lead, the song was a doo-wop ballad similar to what the Supremes had been recording since forming as "The Primettes" two years earlier.
Let the Music Play: Supreme Rarities 1960-1969 is a 2-CD set of The Supremes music released by Hip-O Records on March 25, 2008.
"After All" is a 1960 song written by Smokey Robinson and originally recorded and released by The Miracles on the Tamla label. It was first recorded as an unreleased single by The Supremes for Tamla; it was supposed to be their first single but it was canceled in favor of "I Want a Guy", and their cover wasn't released until it appeared on the 2000 box set, The Supremes. The song is noted for both groups' unusual choices for leads. For the Miracles' version it serves as a rare lead for Claudette Rogers Robinson, instead of the group’s main lead, Claudette's husband, Smokey Robinson. In the Supremes' case it is their only single to feature Barbara Martin singing on lead vocals. Florence Ballard, Mary Wilson, and Diana Ross sing verses, and Martin sings the bridge. "After All" was also later covered by The Marvelettes, in the early 1970s, with group member Wanda Young Rogers as lead. Their version appears on the album The Return of the Marvelettes, and later became the group's belated final single.
"Mother Dear" is a 1965 song recorded by The Supremes for the Motown label.
Diana Ross & the Supremes – 50th Anniversary: The Singles Collection 1961–1969 is a three disc box set consisting of The Supremes' original-released singles as released by Motown from 1961-1969.
"Too Hurt to Cry, Too Much in Love to Say Goodbye" is a 1963 song and single written and composed by Motown's main production team Holland–Dozier–Holland. Credited to the Darnells the performers on both sides of the single were in fact the Andantes, Holland–Dozier–Holland, Mary Wilson of the Supremes (B-side), and members of the Marvelettes, the Four Tops, and the Temptations. Nobody involved with the production on either side was pleased with the false credit. Whatever the reason it was done, it didn't work as the single only peaked at 17 on the Billboard Bubbling Under Hot 100 charts.
