"Someday We'll Be Together" is a song written by Johnny Bristol, Jackey Beavers, and Harvey Fuqua. It was the last of twelve American number-one pop singles for Diana Ross & the Supremes on the Motown label. Although it was released as the final Supremes song featuring Diana Ross, who left the group for a solo career in January 1970, it was recorded as Ross' first solo single and Supremes members Mary Wilson and Cindy Birdsong do not sing on the recording. Both appear on the B-side, "He's My Sunny Boy".
"Stoned Love" is a 1970 hit single recorded by The Supremes for the Motown label. It was the last Billboard Pop Top Ten hit for the group, peaking at number seven, and their last Billboard number-one R&B hit as well, although the trio continued to score top ten hits in the UK into 1972. In the UK, it was the post-Ross Supremes' biggest hit, reaching number 3 in the singles chart. The single spent six weeks in the UK top ten and five weeks in the US top ten. The BBC ranked "Stoned Love" at number 99 on The Top 100 Digital Motown Chart, which ranks Motown releases solely on their all time UK downloads and streams.
"Up the Ladder to the Roof" is a 1970 hit single recorded by The Supremes for the Motown label. It was the first Supremes single to feature new lead singer Jean Terrell in place of Diana Ross, who officially left the group for a solo career two weeks before the recording of this song in January 1970. This song also marks a number of other firsts: it is the first Supremes single since "The Happening" in 1967 to be released under the name "The Supremes" instead of "Diana Ross & The Supremes", the first Supremes single solely produced by Norman Whitfield associate Frank Wilson, and the first Supremes single to make the United Kingdom Top 10 since "Reflections" in 1967.
Right On is the nineteenth studio album by The Supremes, released in 1970 for the Motown label. It was the group's first album not to feature former lead singer Diana Ross. Her replacement, Jean Terrell, began recording Right On with Mary Wilson and Cindy Birdsong in mid-1969, while Wilson and Birdsong were still touring with Ross.
New Ways But Love Stays is the second studio album by the Jean Terrell-led Supremes. Building on the foundation of the group's first LP, Right On, New Ways was produced by Frank Wilson and features The Supremes' most successful single with Terrell, "Stoned Love".
"Nathan Jones" is a song by American girl group the Supremes from their twenty-third studio album, Touch (1971). It was released on April 15, 1971, as the album's lead single. Produced by Frank Wilson and written by Kathy Wakefield and Leonard Caston, "Nathan Jones" was one of eight top-40 entries the Supremes recorded after its original frontwoman, Diana Ross, left the group for a solo career.
The Supremes is the twenty-seventh studio album by The Supremes, released in 1975 on Motown Records.
The Supremes Produced and Arranged by Jimmy Webb is the twenty-sixth studio album released by the Supremes on the Motown label in 1972. It was the only Supremes LP produced by a non-Motown artist, successful songwriter and producer Jimmy Webb, and was the last album to feature early-1970s Supremes lead singer Jean Terrell. Only one single from the album was released in the United States, the ballad "I Guess I'll Miss the Man" from the musical Pippin. Other non-Webb tracks included Joni Mitchell's "All I Want", Harry Nilsson's "Paradise" and covers of hits by Bobby Lewis and Mina, respectively "Tossin' and Turnin'" and "La voce del silenzio".
Floy Joy is the twenty-fifth studio album released by The Supremes on the Motown label. This was the only Supremes album solely produced and arranged by Smokey Robinson and included the U.S. top 20 hit, "Floy Joy" and the U.S. top 40 hit, "Automatically Sunshine", both of which were top 10 hits in the U.K.
The Magnificent 7 is a collaborative album combining Motown's premier vocal groups, The Supremes and The Four Tops. Issued by Motown in 1970, it followed two collaborative albums the group did with The Temptations in the late 1960s. The album featured their hit cover of Ike & Tina Turner's "River Deep – Mountain High", which reached number 14 on the US Billboard Hot 100 singles chart. In December 1971, Billboard reported UK album sales of 30,000 copies.
The Return of the Magnificent Seven is the second collaborative album between Motown label-mates The Supremes and Four Tops, released in 1971. The production only featured two covers compared to their first album together, The Magnificent 7, that included more than eight. Although the three albums the Supremes recorded with the Four Tops did not match the commercial success of the Supremes/Temptations duet albums, what they did have instead were original tunes, soulful lead vocals by Jean Terrell and Levi Stubbs and high production values in terms of arrangements and orchestration.
"Floy Joy" is a song written by Smokey Robinson and released as a single in December 1971 by popular Motown female singing group The Supremes.
"Automatically Sunshine" is a song written by Smokey Robinson and released as a single by Motown singing group The Supremes as the second single from their popular album Floy Joy in 1972.
"Bad Weather" is a song recorded and released as a single by Motown vocal group The Supremes in 1973. It was composed by Stevie Wonder and Lynda Laurence's brother Ira Tucker Jr., and produced by Wonder. The song was then-lead singer Jean Terrell's last charted single as a member of the Supremes and the second and last time Laurence was featured on a Supremes single.
"Everybody's Got the Right to Love" is a socially conscious–inspired pop song written by Lou Stallman, produced by Frank Wilson and released as a single in 1970 by Motown group The Supremes, who took the song into the top forty in mid-1970 following the release of "Up the Ladder to the Roof".
"Touch" is a soft ballad written by Pamela Sawyer and Frank Wilson, who also produced it as a single for Motown recording group The Supremes, who issued it as a single in 1971.
“You Gotta Have Love in Your Heart” is a duet single between Motown singing groups The Supremes and the Four Tops, released as a single from their The Return of the Magnificent 7 album in 1971. The single became a modest charter peaking at #55 on the U.S. Billboard Hot 100 chart and #41 on the U.S. Billboard R&B Singles Chart. The single fared better in the UK, where it reached #25 in the official top 50 single chart. Lead vocals were by the groups' respective lead singers Jean Terrell and Levi Stubbs.
Promises Kept is an unreleased album by The Supremes, recorded during the latter half of 1971 with multiple producers. Ultimately, the project was shelved by Motown in favor of a different set, Floy Joy, produced entirely by Smokey Robinson the following year. The idea for the title came from Supreme Mary Wilson who said that "I'd heard the phrase and loved it. I wanted to use it on the next album."
"Your Wonderful, Sweet Sweet Love" is a song written by Smokey Robinson, recorded in October 1966 by Kim Weston. Her recording was not issued at the time as she left the label over a dispute over royalties in 1967. Weston's original version was first released in 2005.
"I Guess I'll Miss the Man" is a song written by Stephen Schwartz and released as a single by Motown singing group The Supremes in 1972 from their album The Supremes Produced and Arranged by Jimmy Webb. Contrary to the album's title, the song was produced by Sherlie Matthews and Deke Richards. It peaked at 17 on Billboard's Adult Contemporary chart and 85 on the Hot 100.
