Jean Terrell | |
---|---|
Birth name | Velma Jean Terrell |
Born | Belzoni, Mississippi, U.S. | November 26, 1944
Origin | Chicago, Illinois, U.S. |
Genres | |
Occupation | Singer |
Labels | A&M |
Velma Jean Terrell (born November 26, 1944) is an American R&B and jazz singer. She replaced Diana Ross as the lead singer of The Supremes in 1970. [1]
She is the sister of the former WBA heavyweight boxing champion Ernie Terrell, who fought Muhammad Ali. [2] [1]
Before her career with the Supremes, she sang with her brother Ernie in the group Ernie Terrell and the Knockouts (sometimes the Heavyweights). [3]
Motown president Berry Gordy discovered Terrell in 1969 in Miami, where she was performing with her brother at a club. [4] Looking for a replacement for Diana Ross, who was leaving the group she had fronted during most of the 1960s, the Supremes, for a solo career, Gordy first signed Terrell to Motown as a solo artist, but decided to join her with the Supremes as Ross's replacement alongside Mary Wilson and Cindy Birdsong, as announced in 1969. [5]
After Ross's farewell show with the group at the Frontier Hotel in Las Vegas on January 14, 1970, Terrell joined the group on stage to be presented to the press and public. After this introduction, according to Mary Wilson, Gordy changed his mind about Terrell leading the group and suggested replacing her with Syreeta Wright. [6] Gordy said:
I don't like Jean. I want to replace her with Syreeta. [6]
Wilson vetoed this move, instead wanting to continue the group with Terrell. [7]
The group scored more chart success at the beginning of the new decade, scoring hits in the United Kingdom, while having several pop and soul hits in the United States, including "Up the Ladder to the Roof", "Everybody's Got the Right to Love", "Stoned Love", "River Deep – Mountain High" (with the Four Tops), "Nathan Jones", and "Floy Joy". [8] [3]
After the success of "Floy Joy," Birdsong quit after getting pregnant and was replaced by Lynda Laurence. [9] Despite the success towards the end of 1973, Terrell and Laurence decided that it would be best for the Supremes to leave Motown and seek another record label, however, Motown owned the name "Supremes", and both Terrell and Laurence left the group that year. [9] All three Supremes were not interested with Motown's seeming lack of interest in promoting this line-up of the group, in addition, Laurence was expecting a child at the time. [9] Scherrie Payne, sister of Freda Payne, replaced Terrell [10] [11] and Cindy Birdsong returned to replace Laurence in 1973. [12]
Signing a contract with A&M Records, A&M issued a solo album by Terrell, I Had to Fall in Love , in 1978, which did not make impact on any charts, although promoting the title track on the Dinah! show in July 1978. [3] [13] She did have a minor hit with "Don't Stop Reaching for the Top", which peaked at #72 on the R&B charts. [14] [15] [10] In the early 1980s, Terrell put together a one-woman show, and did limited touring throughout the United States, and her act consisted of several Supremes songs, songs from her solo album and cover versions of songs by Bette Midler and Lionel Richie. [16] Laurence would often perform background vocals for Terrell throughout the shows in the tour. [13] [16] Another who performed backing vocals for Terrell during these tours was Freddi Poole, later a member of Payne and Laurence's group the Former Ladies of the Supremes. [16] [13]
In 1985, eight years after the Supremes officially broke up in 1977, Payne was signed to SuperStar International Records, a Los Angeles-based record label. [17] Her then-partner Ronnie Phillips approached her with the idea of reforming the Supremes, to which she agreed, and asked Wilson and Birdsong to join the group. [17] Wilson declined, instead opting to continue her solo career, while Birdsong agreed and persuaded Terrell to join the new group.
The grouping of Terrell, Payne and Birdsong set about forming a spinoff group of the Supremes, although due to contractual difficulties over the ownership of the name. [17] They decided to create an entirely new group using the abbreviation "FLOS", for the name the Former Ladies of the Supremes. [17] Before the group began their career, Birdsong left for a solo career, and Laurence joined the lineup alongside Terrell and Payne, replacing Birdsong just as she had in 1972, and the group released the song "We're Back", released on SuperStar International Records. [17] However, the label did not have national distribution, the song failed to chart and the label folded after. The group began touring and performing in shows around this time, making their debut at the Wilshire Ebell Theatre in Los Angeles in 1987. [18] By then, they recorded several singles for the United Kingdom-based Motorcity Records label for Ian Levine throughout 1989 and 1990, joining a roster of former Motown artists. [3]
In December 1992, Terrell left the group and was replaced by Sundray Tucker. [19] [20] Terrell released a biographical DVD, "Through the Eyes of a Supreme", and today she has continued to sing onstage with various jazz musicians. [13] She made an occasional appearance onstage (along with Poole and Mary Flowers), singing Supremes hits. [21]
Jean was married to Juan Thompson. [22] The union produced two sons, Jason and Jonathan.
Title | Album details | Peak chart positions | Sales | Certifications | ||||||
---|---|---|---|---|---|---|---|---|---|---|
US [23] | US R&B /HH [24] | US Record World [25] | CAN [26] | GER [27] | NOR [28] | UK [29] | ||||
Right On | 25 | 4 | 24 | 41 | — | — | — | |||
The Magnificent 7 (with the Four Tops) | 113 | 18 | 102 | 73 | — | — | 6 |
| ||
New Ways but Love Stays | 68 | 12 | 43 | — | — | — | — | |||
The Return of the Magnificent Seven (with the Four Tops) | 154 | 18 | 72 | — | — | — | — | |||
Touch | 85 | 6 | 66 | — | — | — | 40 | |||
Dynamite (with the Four Tops) |
| 160 | 21 | – | — | — | — | — | ||
Floy Joy |
| 54 | 12 | 44 | – | — | — | — | ||
The Supremes Produced and Arranged by Jimmy Webb | 129 | 27 | 104 | — | — | — | — | |||
"—" denotes the album failed to chart or was not released |
A-side title B-side title | Year | Peak chart positions | Sales | Certifications | Album | ||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
US [45] | US R&B /HH [46] | AUS [47] | BEL (WA) [48] | BGK [49] | CAN [50] | IRE [51] | ISL [52] | NLD [53] | UK [29] | ||||||||||
The Supremes | |||||||||||||||||||
"Up the Ladder to the Roof" "Bill, When Are You Coming Back" | 1970 | 10 | 5 | 43 | — | — | 8 | — | 10 | — [B] | 6 |
| Right On | ||||||
"Everybody's Got the Right to Love" "But I Love You More" | 21 | 11 | — | — | — | 14 | — | — | — [D] | — | |||||||||
"Stoned Love" "Shine on Me" | 7 | 1 | 99 | 37 | — | 9 | 19 | 6 | — | 3 | New Ways but Love Stays | ||||||||
"River Deep, Mountain High" "Together We Can Make Such Sweet Music" (with the Four Tops) | 14 | 7 | — | 35 | — | 20 | 12 | — | 25 | 11 | The Magnificent 7 | ||||||||
"Reach Out and Touch (Somebody's Hand)" "Where Would I Be Without You Baby" (with the Four Tops) | — | — | 56 | — | — | — | — | — | — | — | |||||||||
"A Taste of Honey" [I] "Knock on My Door" (with the Four Tops) | 1971 | — | — | — | — | — | — | — | — | — [G] | — | ||||||||
"Nathan Jones" "Happy (Is a Bumpy Road)" | 16 | 8 | — | 42 | — | 15 | — | — | 27 | 5 |
| Touch | |||||||
"You Gotta Have Love in Your Heart" "I'm Glad About It" (with the Four Tops) | 55 | 41 | — | — | — | — | — | — | — | 25 | The Return of the Magnificent Seven | ||||||||
"Touch" "It's So Hard for Me to Say Good-bye" | 71 | — | — | — | — | 71 | — | — | — | — | Touch | ||||||||
"Floy Joy" "This Is the Story" (from Touch) | 16 | 5 | — | — | — | 31 | — | — | — | 9 |
| Floy Joy | |||||||
"Automatically Sunshine" "Precious Little Things" | 1972 | 37 | 21 | — | — | 3 | 49 | — | 10 | — | 10 | ||||||||
"Without the One You Love" "Let's Make Love Now" (with the Four Tops) | — | — | — | — | 17 | — | — | — | — | — | The Magnificent 7 | ||||||||
"Your Wonderful, Sweet Sweet Love" "The Wisdom of Time" | 59 | 22 | — | — | — | 81 | — | — | — | — | Floy Joy | ||||||||
"I Guess I'll Miss the Man" "Over and Over" (from Floy Joy) | 85 | — | — | — | — | — | — | — | — | — | The Supremes Produced and Arranged by Jimmy Webb | ||||||||
"Bad Weather" "Oh Be My Love" (from Floy Joy) | 1973 | 87 | 74 | — | — | — | — | — | — | — | 37 | Non-album single | |||||||
"Tossin' and Turnin'" "Oh Be My Love" (from Floy Joy) | — | — | — | — | — | — | — | — | — | — | The Supremes Produced and Arranged by Jimmy Webb |
The Supremes were an American girl group formed in Detroit, Michigan in 1959 as the Primettes. A premier act of Motown Records during the 1960s, the Supremes were the most commercially successful of Motown's acts and the most successful American vocal band, with 12 number-one singles on the Billboard Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. Their breakthrough is considered to have made it possible for future African-American R&B and soul musicians to find mainstream success. Billboard ranked the Supremes as the 16th greatest Hot 100 artist of all time.
Scherrie Ann Payne is an American singer. Payne is best known as a member and the final lead singer of the R&B/Soul vocal group the Supremes from 1973 until 1977. Payne is the younger sister of singer Freda Payne. Payne continues to perform, both as a solo act and as a part of the "Former Ladies of the Supremes" (FLOS).
Cynthia Ann Birdsong is an American singer who became famous as a member of The Supremes in 1967, when she replaced co-founding member Florence Ballard. Birdsong had previously been a member of Patti LaBelle & The Bluebelles.
"Someday We'll Be Together" is a song written by Johnny Bristol, Jackey Beavers, and Harvey Fuqua. It was the last of twelve American number-one pop singles for Diana Ross & the Supremes on the Motown label. Although it was released as the final Supremes song featuring Diana Ross, who left the group for a solo career in January 1970, it was recorded as Ross' first solo single and Supremes members Mary Wilson and Cindy Birdsong do not sing on the recording. Both appear on the B-side, "He's My Sunny Boy".
"Stoned Love" is a 1970 hit single recorded by The Supremes for the Motown label. It was the last Billboard Pop Top Ten hit for the group, peaking at number seven, and their last Billboard number-one R&B hit as well, although the trio continued to score top ten hits in the UK into 1972. In the UK, it was the post-Ross Supremes' biggest hit, reaching number 3 in the singles chart. The single spent six weeks in the UK top ten and five weeks in the US top ten. The BBC ranked "Stoned Love" at number 99 on The Top 100 Digital Motown Chart, which ranks Motown releases solely on their all time UK downloads and streams.
American girl group The Supremes has released 29 studio albums, four live albums, two soundtrack albums, 32 compilation albums, four box sets, 66 singles and three promotional singles. The Supremes are the most successful American group of all time, and the 26th greatest artist of all time on the US Billboard charts; with 12 number-one songs on the Billboard Hot 100 and three number-one albums on the Billboard 200. The Supremes were the first artist to accumulate five consecutive number-one singles on the US Hot 100 and the first female group to top the Billboard 200 albums chart with The Supremes A' Go-Go (1966). In 2017, Billboard ranked The Supremes as the number-one girl group of all time, publishing, 'although there have been many girl group smashes in the decades since the Supremes ruled the Billboard charts, no collective has yet to challenge their, for lack of a better word, supremacy.' In 2019, the UK Official Charts Company placed 7 Supremes songs—"You Can't Hurry Love" (16), "Baby Love" (23), "Stop! In the Name of Love" (56), "Where Did Our Love Go?" (59), "You Keep Me Hangin' On" (78), "Come See About Me" (94) and "Stoned Love" (99)—on The Official Top 100 Motown songs of the Millennium chart, which ranks Motown releases by their all-time UK downloads and streams.
"Up the Ladder to the Roof" is a 1970 hit single recorded first by The Supremes for the Motown label. It was the first Supremes single to feature new lead singer Jean Terrell in place of Diana Ross, who officially left the group for a solo career two weeks before the recording of this song in January 1970. This song also marks a number of other firsts: it is the first Supremes single since "The Happening" in 1967 to be released under the name "The Supremes" instead of "Diana Ross & The Supremes", the first Supremes single solely produced by Norman Whitfield associate Frank Wilson, and the first Supremes single to make the United Kingdom Top 10 since "Reflections" in 1967.
Together, released by Motown in 1969, was the second and final duets studio album combining Diana Ross & the Supremes and The Temptations into an eight-person Motown act. Like the first duets LP, Diana Ross & the Supremes Join The Temptations, it is composed almost entirely of covers, including versions of The Band's "The Weight", Sly & the Family Stone's "Sing a Simple Song", Frankie Valli's "Can't Take My Eyes Off You" and Motown songs like "Ain't Nothing Like the Real Thing" and "Uptight ". "The Weight" was the only single in the US, and failed to make it into the American Top 40. "Why ", a UK exclusive single, was a Top 40 hit on the UK singles charts.
Right On is the nineteenth studio album by The Supremes, released in 1970 for the Motown label. It was the group's first album not to feature former lead singer Diana Ross. Her replacement, Jean Terrell, began recording Right On with Mary Wilson and Cindy Birdsong in mid-1969, while Wilson and Birdsong were still touring with Ross.
"Nathan Jones" is a song by American girl group the Supremes from their twenty-third studio album, Touch (1971). It was released on April 15, 1971, as the album's lead single. Produced by Frank Wilson and written by Kathy Wakefield and Leonard Caston, "Nathan Jones" was one of eight top-40 entries the Supremes recorded after its original frontwoman, Diana Ross, left the group for a solo career.
Touch is the twenty-third studio album by The Supremes, released in the summer of 1971 on the Motown label. It was the third and final LP under the supervision of Frank Wilson, who had been the group's main producer since 1970, when Jean Terrell joined as lead singer. The album also marked the first Motown contributions by composer-producer Leonard Caston, Jr. and writer-lyricist Kathleen Wakefield: "Nathan Jones", a hit single sung by all three members, which was later recorded by Bananarama, and "Love It Came to Me This Time".
Floy Joy is the twenty-fifth studio album released by The Supremes on the Motown label. This was the only Supremes album solely produced and arranged by Smokey Robinson and included the U.S. top 20 hit, "Floy Joy" and the U.S. top 40 hit, "Automatically Sunshine", both of which were top 10 hits in the U.K.
The Magnificent 7 is a collaborative album combining Motown's premier vocal groups, the Supremes and the Four Tops. Issued by Motown in 1970, it followed two collaborative albums the Supremes did with the Temptations in the late 1960s. The album featured their hit cover of Ike & Tina Turner's "River Deep – Mountain High", which reached number 14 on the US Billboard Hot 100 singles chart. In the UK, the album peaked at number 6. In December 1971, Billboard reported UK album sales of 30,000 copies.
Dynamite is the third and last collaborative album between labelmates The Supremes and The Four Tops, released on the Motown label in 1971. In the US, Dynamite peaked at the lower hundreds of the Billboard Top 200. The album fared better on the Billboard R&B charts, peaking at 21. It includes several covers of previous hits and a few Motown originals.
"Floy Joy" is a song written by Smokey Robinson and released as a single in December 1971 by popular Motown female singing group The Supremes.
"Automatically Sunshine" is a song written by Smokey Robinson and released as a single by Motown singing group The Supremes as the second single from their popular album Floy Joy in 1972.
"Everybody's Got the Right to Love" is a socially conscious–inspired pop song written by Lou Stallman, produced by Frank Wilson and released as a single in 1970 by Motown group The Supremes, who took the song into the top forty in mid-1970 following the release of "Up the Ladder to the Roof".
"Touch" is a soft ballad written by Pamela Sawyer and Frank Wilson, who also produced it as a single for Motown recording group The Supremes, who issued it as a single in 1971.
“You Gotta Have Love in Your Heart” is a duet single between Motown singing groups The Supremes and the Four Tops, released as a single from their The Return of the Magnificent 7 album in 1971. The single became a modest charter peaking at #55 on the U.S. Billboard Hot 100 chart and #41 on the U.S. Billboard R&B Singles Chart. The single fared better in the UK, where it reached #25 in the official top 50 single chart. Lead vocals were by the groups' respective lead singers Jean Terrell and Levi Stubbs.
"Your Wonderful, Sweet Sweet Love" is a song written by Smokey Robinson, recorded in October 1966 by Kim Weston. Her recording was not issued at the time as she left the label over a dispute over royalties in 1967. Weston's original version was first released in 2005.
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