This article needs additional citations for verification .(December 2014) |
The Supremes Sing Country, Western & Pop | ||||
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Studio album by | ||||
Released | February 22, 1965 | |||
Recorded | 1962 – 1965 | |||
Studio | Hitsville U.S.A., Detroit | |||
Genre | ||||
Length | 31:42 | |||
Label | Motown | |||
Producer | Clarence Paul | |||
The Supremes chronology | ||||
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Singles from The Supremes Sing Country, Western & Pop | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
The Encyclopedia of Popular Music | [2] |
The Rolling Stone Album Guide | [3] |
The Supremes Sing Country, Western & Pop is the fourth studio album recorded by the Supremes, issued by Motown in February 1965. The album was presented as a covers/tribute album of country songs, as Ray Charles had done with his album Modern Sounds in Country and Western Music . However, over half of the selections on The Supremes Sing Country, Western & Pop were written in-house by Motown staffer Clarence Paul. One of the songs on the album is "My Heart Can't Take It No More", which the Supremes had recorded in 1962 and released in 1963 as a single.
One of Paul's songwriting partners on the album was his fourteen-year-old charge Stevie Wonder, making the Supremes the first act besides Wonder himself to record Wonder's songs.
Motown's session group, the Andantes, appear on all but two of the tracks. They accompany Ross completely above Wilson and Ballard on "Baby Doll".[ citation needed ][ clarification needed ]
The album was a modest success peaking at number 79 on the US Billboard Top LPs chart, with sales exceeding 38,000 copies. [4]
Side One
Side Two
Chart (1965) | Peak position |
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US Billboard 200 [5] | 79 |
The Supremes was an American girl group and a premier act of Motown Records during the 1960s. Founded as the Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and the most successful American vocal band, with 12 number-one singles on the Billboard Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. It is said that their breakthrough made it possible for future African-American R&B and soul musicians to find mainstream success. Billboard ranked the Supremes as the 16th greatest Hot 100 artist of all time.
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The Andantes were an American female session group for the Motown record label during the 1960s. Composed of Jackie Hicks, Marlene Barrow, and Louvain Demps, the group sang background vocals on numerous Motown recordings, including songs by Martha Reeves & the Vandellas, the Temptations, Stevie Wonder, the Four Tops, Jimmy Ruffin, Edwin Starr, the Supremes, the Marvelettes, Marvin Gaye and the Isley Brothers, among others. It is estimated they appeared on 20,000 recordings.
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Motown 25: Yesterday, Today, Forever is a 1983 television special, produced by Suzanne de Passe for Motown Records, to commemorate Motown's 25th year. The program was taped before a live audience at the Pasadena Civic Auditorium in Pasadena, California on March 25, 1983, and broadcast on NBC on May 16. Among its highlights were Michael Jackson's performance of "Billie Jean", Smokey Robinson's long-awaited reunion with The Miracles, a Temptations / Four Tops "battle of the bands", Marvin Gaye's inspired speech about black music history and his memorable performance of "What's Going On", a Jackson 5 reunion, and an abbreviated reunion of Diana Ross & the Supremes, who performed their final #1 hit, "Someday We'll Be Together" from 1969. The show was co-written by de Passe with Ruth Adkins Robinson who would go on to write shows with de Passe for the next 25 years, including the follow-up label tributes—through "Motown 40", Buz Kohan was the head writer.
The Supremes is a 2000 box set compilation of the material by Motown's most popular act of the 1960s, The Supremes. The set covers The Supremes' entire recording history, from its first recordings as The Primettes in 1960 to its final recordings in 1976.
Diana Ross & the Supremes Join the Temptations is, as the title implies, a collaborative album combining Motown's two best selling groups, Diana Ross & the Supremes and the Temptations. Issued by Motown in late 1968 to coincide with the broadcast of the Supremes/Temptations TCB television special, the album was a success, reaching #2 on the Billboard 200. Diana Ross & the Supremes Join the Temptations spent four weeks at number one on the UK Albums Chart.
Reflections is the twelfth studio album recorded for Motown by Diana Ross & the Supremes. Released in 1968, it was the first regular studio LP to display the new billing of the group formerly known as "The Supremes." It contains the singles "Reflections", "In and Out of Love" and "Forever Came Today". Also included are covers of songs made famous by Martha and the Vandellas and The 5th Dimension. Also present are songs written by other famous names, including "Bah-Bah-Bah" co-written by Motown singer Brenda Holloway with her younger sister, Patrice, an original Smokey Robinson composition titled "Then", and "What the World Needs Now Is Love" by Burt Bacharach and Hal David, which Motown planned to release as a single in the spring of 1968, but cancelled. It also contains a cover of Bobbie Gentry's "Ode to Billie Joe," whose original recording kept the single #2 "Reflections" from peaking at the top spot on the Billboard Hot 100 in September 1967, and it hit #2 on Cashbox.
Where Did Our Love Go is the second studio album by Motown singing group the Supremes, released in 1964. The album includes several of the group's singles and B-sides from 1963 and 1964. Included are the group's first Billboard Pop Singles number-one hits, "Where Did Our Love Go", "Baby Love", and "Come See About Me", as well as their first Top 40 hit, "When the Lovelight Starts Shining Through His Eyes", and the singles "A Breathtaking Guy" and "Run, Run, Run".
The Supremes Sing Holland–Dozier–Holland is the tenth studio album released by The Supremes for Motown in 1967. It includes the number-one hit singles "You Keep Me Hangin' On" and "Love Is Here and Now You're Gone". As the title states: all songs on the album were written and produced by Motown's main songwriting team of Holland–Dozier–Holland. Most of the album was recorded during the spring and summer of 1966; however several songs date back to the summer of 1964.
More Hits by The Supremes is the sixth studio album by Motown singing group the Supremes, released in 1965. The album includes two number-one hits: "Stop! In the Name of Love" and "Back in My Arms Again", as well as the Top 20 single "Nothing but Heartaches".
Cream of the Crop is the eighteenth studio album released by Diana Ross & the Supremes for the Motown label. It was the final regular Supremes studio album to feature lead singer Diana Ross. The album was released in November 1969, after the release and rising success of the hit single "Someday We'll Be Together."
Meet the Supremes is the debut studio album by The Supremes, released in late 1962 on Motown.
"A Place in the Sun" is a 1966 soul single by American and Motown musician Stevie Wonder. Written by Ronald Miller and Bryan Wells, it was one of Wonder's first songs to contain social commentary. "A Place in the Sun" was his third Top Ten hit since 1963, hitting number 9 on the Billboard pop singles chart and number 3 on the R&B charts. Billboard described the song as a "folk-oriented release" to which Wonder gives an "exciting treatment." The Originals and The Andantes sang background vocals on the recording. Stevie Wonder also recorded a version of the song in Italian titled "Il Sole è di Tutti".
"For Once in My Life" is a song written by Ron Miller and Orlando Murden for Motown Records' Stein & Van Stock publishing company, and first recorded in 1965.
Up-Tight is a 1966 album by American singer Stevie Wonder, released by Motown on the Tamla label. It was his fifth studio release.
Diana Ross & the Supremes: Greatest Hits is a two-LP collection of singles and b-sides recorded by The Supremes, released by Motown in August 1967. The collection was the first LP to credit the group under the new billing Diana Ross & the Supremes. Although founding member Florence Ballard is pictured on all album artwork and sings on all the tracks, by the time the set was released, she had been fired from the group and replaced by Cindy Birdsong.
Blue, originally titled The Blue Album, is a studio album by American singer Diana Ross. Initially recorded between late 1971 and early 1972, it was released as Ross' twenty-third studio album by Motown Records on June 20, 2006. Overseen by Ross' musical director Gil Askey, the jazz-flavoured album was originally conceived as a follow-up to her soundtrack to the 1972 American biographical drama film Lady Sings the Blues in which Ross starred. Berry Gordy and Motown subsequently decided to shelve the album, and Ross' next release was the more pop-oriented Touch Me in the Morning (1973) album.
Anthology, also known as Anthology: The Best of The Supremes, first released in May 1974, is a series of same or similarly titled compilation albums by The Supremes. Motown released revised versions in 1986, 1995 and 2001. In its initial version, a 35-track triple record collection of hits and rare material, the album charted at #24 on Billboard's "Black Albums" and #66 on "Pop Albums".
"In and Out of Love" is a 1967 song recorded by The Supremes for the Motown label. It was the second single issued with the group's new billing of Diana Ross & the Supremes, the penultimate Supremes single written and produced by Motown production team Holland–Dozier–Holland, and the last single to feature the vocals of original member Florence Ballard.