Let The Sunshine In | ||||
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Studio album by | ||||
Released | May 26, 1969 | |||
Recorded | 1966-1969 | |||
Genre | Pop-soul [1] | |||
Length | 34:00 | |||
Label | Motown MS 689 | |||
Producer | Berry Gordy, Frank Wilson, R. Dean Taylor, Deke Richards, Henry Cosby, Smokey Robinson, Nickolas Ashford & Valerie Simpson, Pete Moore, George Gordy, Harvey Fuqua, Johnny Bristol, William Weatherspoon, Brian Holland and Lamont Dozier | |||
Diana Ross & the Supremes chronology | ||||
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Singles from Let the Sunshine In | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Let The Sunshine In is the sixteenth studio album by Diana Ross & the Supremes recorded and released by Motown in 1969. It contains the hit single "I'm Livin' in Shame" (the sequel to 1968's number-one hit "Love Child"), "The Composer," a Smokey Robinson composition that peaked at number 27, and "No Matter What Sign You Are," - a single produced by Motown chief Berry Gordy that failed to crack to Top 30 (peaking at number 31). Motown had titled the album “No Matter What Sign You Are” originally; going as far as creating the front cover art with the title in it, but when the single didn’t chart as expected the album was retitled “Let The Sunshine In.” Though the album was released when the group consisted of Diana Ross, Mary Wilson and Cindy Birdsong, original founding member Florence Ballard (whom Birdsong replaced) appears on two songs.
One track from this album, "Let the Music Play" was an outtake from the I Hear a Symphony (1966) album recording sessions and therefore features backing by Ballard, who was fired in 1967, two years prior to the release of this album. The other track, "What Becomes of the Broken Hearted", was recorded by the Supremes in 1966.
Chart (1969) | Peak position |
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Canada Top Albums/CDs ( RPM ) [2] | 27 |
UK R&B Albums ( Record Mirror ) [3] | 1 |
US Billboard 200 [4] | 24 |
US Top R&B/Hip-Hop Albums (Billboard) [5] | 7 |
The Supremes were an American girl group and a premier act of Motown Records during the 1960s. Founded as the Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and the most successful American vocal band, with 12 number-one singles on the Billboard Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. It is said that their breakthrough made it possible for future African-American R&B and soul musicians to find mainstream success. Billboard ranked the Supremes as the 16th greatest Hot 100 artist of all time.
Mary Wilson was an American singer. She gained worldwide recognition as a founding member of the Supremes, the most successful Motown act of the 1960s and the best-charting female group in U.S. chart history, as well as one of the best-selling girl groups of all-time. The trio reached number one on Billboard's Hot 100 with 12 of their singles, ten of which feature Wilson on backing vocals.
Farewell is a 1970 live album by Diana Ross & the Supremes. The album was recorded over the course of the group's final engagement together at the New Frontier Hotel and Casino in Las Vegas, Nevada, including the final night on January 14, 1970. The show marked Diana Ross' penultimate performance with fellow Supremes members Mary Wilson and Cindy Birdsong. At the conclusion of the show, new Supremes lead singer Jean Terrell was brought onstage and introduced to the audience.
Motown 25: Yesterday, Today, Forever is a 1983 television special, produced by Suzanne de Passe for Motown Records, to commemorate Motown's 25th year. The program was taped before a live audience at the Pasadena Civic Auditorium in Pasadena, California on March 25, 1983, and broadcast on NBC on May 16. Among its highlights were Michael Jackson's performance of "Billie Jean", Smokey Robinson's reunion with the Miracles, a Temptations / Four Tops "battle of the bands", Marvin Gaye's inspired speech about black music history and his memorable performance of "What's Going On", a Jackson 5 reunion, and an abbreviated reunion of Diana Ross & the Supremes, who performed their final #1 hit, "Someday We'll Be Together" from 1969. The show was co-written by de Passe with Ruth Adkins Robinson, who would go on to write shows with de Passe for the next 25 years, including the follow-up label tributes—through "Motown 40", Buz Kohan was the head writer.
The Supremes is a 2000 box set compilation of the material by Motown's most popular act of the 1960s, The Supremes. The set covers The Supremes' entire recording history, from its first recordings as The Primettes in 1960 to its final recordings in 1976.
Diana Ross & the Supremes Join the Temptations is a collaborative album combining Motown's two best selling groups, Diana Ross & the Supremes and the Temptations. Issued by Motown in late 1968 to coincide with the broadcast of the Supremes/Temptations TCB television special, the album was a success, reaching #2 on the Billboard 200. Diana Ross & the Supremes Join the Temptations spent four weeks at number one on the UK Albums Chart.
Love Child is the fifteenth studio album released by Diana Ross & the Supremes for the Motown label in 1968. The LP was the group's first studio LP not to include any songs written or produced by any member of the Holland–Dozier–Holland production team, who had previously overseen most of the Supremes' releases.
Reflections is the twelfth studio album recorded for Motown by Diana Ross & the Supremes. Released in 1968, it was the first regular studio LP to display the new billing of the group formerly known as "The Supremes." It contains the singles "Reflections", "In and Out of Love" and "Forever Came Today". Also included are covers of songs made famous by Martha and the Vandellas and The 5th Dimension. Also present are songs written by other famous names, including "Bah-Bah-Bah" co-written by Motown singer Brenda Holloway with her younger sister, Patrice, an original Smokey Robinson composition titled "Then", and "What the World Needs Now Is Love" by Burt Bacharach and Hal David, which Motown planned to release as a single in the spring of 1968, but cancelled. It also contains a cover of Bobbie Gentry's "Ode to Billie Joe," whose original recording kept the single #2 "Reflections" from peaking at the top spot on the Billboard Hot 100 in September 1967, and it hit #2 on Cashbox.
Right On is the nineteenth studio album by The Supremes, released in 1970 for the Motown label. It was the group's first album not to feature former lead singer Diana Ross. Her replacement, Jean Terrell, began recording Right On with Mary Wilson and Cindy Birdsong in mid-1969, while Wilson and Birdsong were still touring with Ross.
Cream of the Crop is the eighteenth studio album released by Diana Ross & the Supremes for the Motown label. It was the final regular Supremes studio album to feature lead singer Diana Ross. The album was released in November 1969, after the release and rising success of the hit single "Someday We'll Be Together."
Meet the Supremes is the debut studio album by The Supremes, released in late 1962 on Motown.
A Bit of Liverpool, released as With Love (From Us to You) in the UK, is the third studio album by the Supremes, released in the fall of 1964 on the Motown label. It was produced by Berry Gordy with Hal Davis and Marc Gordon doing the mixing.
Diana Ross & the Supremes: Greatest Hits Vol. 3 is a 1969 compilation album by Diana Ross & the Supremes, released on the Motown label. It features all of the hits released by the group between 1967 and 1969 save for the Supremes/Temptations duet singles. After Florence Ballard's mid-1967 departure from the group, Supremes singles were recorded by Diana Ross with session singers The Andantes on backgrounds instead of new Supreme Cindy Birdsong and founding member Mary Wilson, including "Love Child" and "Someday We'll Be Together".
Anthology, also known as Anthology: The Best of The Supremes, first released in May 1974, is a series of same or similarly titled compilation albums by The Supremes. Motown released revised versions in 1986, 1995 and 2001. In its initial version, a 35-track triple record collection of hits and rare material, the album charted at No. 24 on Billboard's "Black Albums" and No. 66 on "Pop Albums".
"Your Heart Belongs to Me" is a 1962 song written and composed by The Miracles' William "Smokey" Robinson and released as a single by Motown singing group The Supremes during their early years with the label. The song is about a woman whose lover is in the armed forces and has "Gone to a far-away land"; its narration has her tell him to always remember their love for each other if he ever gets lonely.
"The Composer" is a 1969 song released for Diana Ross & the Supremes by the Motown label.
"I'll Try Something New" is a song written by Smokey Robinson and originally released in 1962 by The Miracles on Motown Records' Tamla subsidiary label. Their version was a Billboard Top 40 hit, peaking at #39, and just missed the Top 10 of its R&B chart, peaking at #11. The song was released later as a joint single by Diana Ross & the Supremes and The Temptations, also becoming a charting version on the Billboard 100 pop singles chart, peaking for two weeks in April 1969 at number 25.
Let the Music Play: Supreme Rarities 1960-1969 is a 2-CD set of The Supremes music released by Hip-O Records on March 25, 2008.
"No Matter What Sign You Are" is a song released for Diana Ross & the Supremes by the Motown label.
20 Golden Greats is a 1977 compilation album by Diana Ross & the Supremes, released on the Motown label in the United Kingdom. The release spent seven weeks at number one on the UK Albums Chart, selling over 1,000,000 copies. Despite the album's title and that Ross & the Supremes had scored 21 UK chart hit singles, the compilation included two tracks that had never been hit singles in the UK: "My World Is Empty Without You" and "Love Is Like an Itching in My Heart", which were top 10 hits on the US Hot 100. All the other 18 tracks had made the UK singles chart. The three other hits scored by the group in partnership with The Temptations, were all excluded.