More Hits by The Supremes | ||||
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Studio album by | ||||
Released | July 23, 1965 | |||
Recorded | 1964–1965 | |||
Studio | Hitsville U.S.A., Detroit | |||
Genre | ||||
Length | 32:37 | |||
Label | Motown MT 627 | |||
Producer | ||||
The Supremes chronology | ||||
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Singles from More Hits by The Supremes | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
The Encyclopedia of Popular Music | [2] |
More Hits by The Supremes is the sixth studio album by Motown singing group the Supremes, released in 1965. The album includes two number-one hits: "Stop! In the Name of Love" and "Back in My Arms Again", as well as the Top 20 single "Nothing but Heartaches".
The album opens up with the B-side "Ask Any Girl" from their Where Did Our Love Go album, which ironically ended side two of their previous album of new material. It was once planned for single release with this new mix.
Barney Ales, then an executive vice-president of Motown Records, reported in the August 14, 1965 issue of Billboard magazine the album had advance orders estimated at 300,000. [3] More Hits by The Supremes peaked at number six on the U.S. Billboard Top LPs album chart and remained on that chart for 37 weeks. It reached number two on Billboard's R&B album chart. To further underscore their popularity, each girl's signature was autographed on the album cover.
The opening track was to have been "Always In My Heart," the back side of "Come See About Me," but then "Ask Any Girl" was remixed as a possible A-side single and the remix opened this album. "Always In My Heart" surfaced later as "You're Gone (But Always In My Heart)" on the "Supremes Sing Holland-Dozier-Holland" album (at the suggestion of a fan!). The problem with the title "Always In My Heart" was the royalties were being misreported to the standard tune "Always In My Heart."[ citation needed ]
"Mother Dear" originally was to follow-up "Back In My Arms Again," however Motown decided the follow-up should be a similar vibe and chose "Nothing But Heartaches" instead as the single. When "Heartaches" missed making number one, it caused the label to seek another musical direction for the next single.[ citation needed ] "Mother Dear" was rearranged with a stop beat and re-recorded but again rejected for single release.
The songs were all released in stereo mixes on the stereo version of the vinyl album except "He Holds His Own," which remained unreleased until the 2011 expanded edition.
All songs written by Holland–Dozier–Holland and produced by Brian Holland and Lamont Dozier.
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The Supremes was an American girl group and a premier act of Motown Records during the 1960s. Founded as the Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and the most successful American vocal band, with 12 number-one singles on the Billboard Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. It is said that their breakthrough made it possible for future African-American R&B and soul musicians to find mainstream success. Billboard ranked the Supremes as the 16th greatest Hot 100 artist of all time.
"Back in My Arms Again" is a 1965 song recorded by The Supremes for the Motown label.
"I Hear a Symphony" is a 1965 song recorded by the Supremes for the Motown label.
The Andantes were an American female session group for the Motown record label during the 1960s. Composed of Jackie Hicks, Marlene Barrow, and Louvain Demps, the group sang background vocals on numerous Motown recordings, including songs by Martha Reeves & the Vandellas, the Temptations, Stevie Wonder, the Four Tops, Jimmy Ruffin, Edwin Starr, the Supremes, the Marvelettes, Marvin Gaye and the Isley Brothers, among others. It is estimated they appeared on 20,000 recordings.
American girl group The Supremes have released 29 studio albums, four live albums, two soundtrack albums, 32 compilation albums, four box sets, 66 singles and three promotional singles. The Supremes are the most successful American group of all-time, and the 26th greatest artist of all time on the US Billboard charts; with 12 number-one songs on the Billboard Hot 100 and three number-one albums on the Billboard 200. The Supremes were the first artist to accumulate five consecutive number-one singles on the US Hot 100 and the first female group to top the Billboard 200 albums chart with The Supremes A' Go-Go (1966). In 2017, Billboard ranked The Supremes as the number-one girl group of all-time, publishing, 'although there have been many girl group smashes in the decades since the Supremes ruled the Billboard charts, no collective has yet to challenge their, for lack of a better word, supremacy.' In 2019, the Official Charts Company placed 7 Supremes songs—"You Can't Hurry Love" (16), "Baby Love" (23), "Stop! In the Name of Love" (56), "Where Did Our Love Go?" (59), "You Keep Me Hangin' On" (78), "Come See About Me" (94) and "Stoned Love" (99)—on The Official Top 100 Motown songs of the Millennium chart, which ranks Motown releases by their all-time UK downloads and streams.
Released in 1966 The Supremes A' Go-Go is the ninth studio album released by Motown singing group the Supremes. It was the first album by an all-female group to reach number-one on the Billboard 200 album charts in the United States.
TCB is a 1968 television special produced by Motown Productions and George Schlatter–Ed Friendly Productions of Laugh-In fame. The special is a musical revue starring Motown's two most popular groups at the time, Diana Ross & the Supremes and The Temptations. Containing a combination of showtunes, specially prepared numbers, and popular Motown hits, the special was taped before a live studio audience in September 1968 and originally broadcast December 9, 1968 on NBC, sponsored by the Timex watch corporation. The title of the program uses a then-popular acronym, "TCB", which stands for "Taking Care of Business".
The Supremes is a 2000 box set compilation of the material by Motown's most popular act of the 1960s, The Supremes. The set covers The Supremes' entire recording history, from its first recordings as The Primettes in 1960 to its final recordings in 1976.
Reflections is the twelfth studio album recorded for Motown by Diana Ross & the Supremes. Released in 1968, it was the first regular studio LP to display the new billing of the group formerly known as "The Supremes." It contains the singles "Reflections", "In and Out of Love" and "Forever Came Today". Also included are covers of songs made famous by Martha and the Vandellas and The 5th Dimension. Also present are songs written by other famous names, including "Bah-Bah-Bah" co-written by Motown singer Brenda Holloway with her younger sister, Patrice, an original Smokey Robinson composition titled "Then", and "What the World Needs Now Is Love" by Burt Bacharach and Hal David, which Motown planned to release as a single in the spring of 1968, but cancelled. It also contains a cover of Bobbie Gentry's "Ode to Billie Joe," whose original recording kept the single #2 "Reflections" from peaking at the top spot on the Billboard Hot 100 in September 1967, and it hit #2 on Cashbox.
Where Did Our Love Go is the second studio album by Motown singing group the Supremes, released in 1964. The album includes several of the group's singles and B-sides from 1963 and 1964. Included are the group's first Billboard Pop Singles number-one hits, "Where Did Our Love Go", "Baby Love", and "Come See About Me", as well as their first Top 40 hit, "When the Lovelight Starts Shining Through His Eyes", and the singles "A Breathtaking Guy" and "Run, Run, Run".
The Supremes Sing Holland–Dozier–Holland is the tenth studio album released by The Supremes for Motown in 1967. It includes the number-one hit singles "You Keep Me Hangin' On" and "Love Is Here and Now You're Gone". As the title states: all songs on the album were written and produced by Motown's main songwriting team of Holland–Dozier–Holland. Most of the album was recorded during the spring and summer of 1966; however several songs date back to the summer of 1964.
Meet the Supremes is the debut studio album by The Supremes, released in late 1962 on Motown.
The Supremes at the Copa is a live album by Motown singing group the Supremes, recorded during their debut engagement at the prestigious Copacabana nightclub in New York City. Released in the late fall of 1965, At the Copa was the first live album issued by the Supremes, and the only live album issued by the group's best-known lineup of Diana Ross, Florence Ballard and Mary Wilson.
Diana Ross & the Supremes: Greatest Hits is a two-LP collection of singles and b-sides recorded by The Supremes, released by Motown in August 1967. The collection was the first LP to credit the group under the new billing Diana Ross & the Supremes. Although founding member Florence Ballard is pictured on all album artwork and sings on all the tracks, by the time the set was released, she had been fired from the group and replaced by Cindy Birdsong.
Forever Diana: Musical Memoirs is a four-CD box set of recordings by American singer Diana Ross released on October 5, 1993 by Motown Records.
Anthology, also known as Anthology: The Best of The Supremes, first released in May 1974, is a series of same or similarly titled compilation albums by The Supremes. Motown released revised versions in 1986, 1995 and 2001. In its initial version, a 35-track triple record collection of hits and rare material, the album charted at #24 on Billboard's "Black Albums" and #66 on "Pop Albums".
"Nothing but Heartaches" is a 1965 song recorded by The Supremes for the Motown label.
"Whisper You Love Me Boy" is a song written and composed by Holland–Dozier–Holland and recorded by at least three Motown female acts: early Motown star Mary Wells, popular Motown singing group The Supremes and blue-eyed soul Motown label mate Chris Clark in 1964, 1965 and 1967 respectively.
Diana Ross & the Supremes: The No. 1s is a 2003 compact disc collection of the number-one singles achieved by The Supremes led by Diana Ross and Jean Terrell in addition to solo Diana Ross singles on the American and United Kingdom pop charts. The album features 23 tracks and a bonus remix.
"Mother Dear" is a 1965 song recorded by the Supremes for the Motown label.