The Supremes were an American female singing group and a premier act of Motown Records during the 1960s. Founded as The Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and the most successful American vocal group, with 12 number one singles on the Billboard Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. At their peak in the mid-1960s, the Supremes rivaled the Beatles in worldwide popularity, and it is said that their breakthrough made it possible for future African American R&B and soul musicians to find mainstream success. Billboard ranked The Supremes as the 16th greatest Hot 100 artist of all time.
"Someday We'll Be Together" is a song written by Johnny Bristol, Jackey Beavers, and Harvey Fuqua. It was the last of twelve American number-one pop singles for Diana Ross & the Supremes on the Motown label. Although it was released as the final Supremes song featuring Diana Ross, who left the group for a solo career in January 1970, it was recorded as Ross' first solo single and Supremes members Mary Wilson and Cindy Birdsong do not sing on the recording. Both appear on the B-side, "He's My Sunny Boy".
"Who's Lovin' You" is a Motown soul song, written in 1960 by William "Smokey" Robinson. The song has been recorded by many different artists including The Miracles, who recorded the 1960 original version, The Temptations, The Supremes, Terence Trent D'arby, Brenda and The Tabulations, John Farnham, Human Nature, En Vogue, Michael Bublé and Giorgia Todrani and Jessica Mauboy. The most famous version is attributed to The Jackson 5. Shaheen Jafargholi, then twelve years old, performed the song at Michael Jackson's public memorial service in July 2009.
Let The Sunshine In is the sixteenth studio album by Diana Ross & the Supremes recorded and released by Motown in 1969. It contains the hit single "I'm Livin' in Shame", "The Composer," a Smokey Robinson composition that peaked at number 27, and "No Matter What Sign You Are," - a single produced by Motown chief Berry Gordy that failed to crack to Top 30. Motown had titled the album “No Matter What Sign You Are” originally; going as far as creating the front cover art with the title in it, but when the single didn’t chart as expected the album was retitled “Let The Sunshine In.” Though the album was released when the group consisted of Diana Ross, Mary Wilson and Cindy Birdsong, original founding member Florence Ballard appears on two songs.
Reflections is the twelfth studio album recorded for Motown by Diana Ross & the Supremes. Released in 1968, it was the first regular studio LP to display the new billing of the group formerly known as "The Supremes." It contains the singles "Reflections", "In and Out of Love" and "Forever Came Today". Also included are covers of songs made famous by Martha and the Vandellas and The 5th Dimension. Also present are songs written by other famous names, including "Bah-Bah-Bah" co-written by Motown singer Brenda Holloway with her younger sister, Patrice, an original Smokey Robinson composition titled "Then", and "What the World Needs Now Is Love" by Burt Bacharach and Hal David, which Motown planned to release as a single in the spring of 1968, but cancelled. It also contains a cover of Bobbie Gentry's "Ode to Billie Joe," whose original recording kept the single #2 "Reflections" from peaking at the top spot on the Billboard Hot 100 in September 1967, and it hit #2 on Cashbox.
Cream of the Crop is the eighteenth studio album released by Diana Ross & the Supremes for the Motown label. It was the final regular Supremes studio album to feature lead singer Diana Ross. The album was released in November 1969, after the release and rising success of the hit single "Someday We'll Be Together."
Meet the Supremes is the debut studio album by The Supremes, released in late 1962 on Motown.
The Supremes at the Copa is a live album by Motown singing group The Supremes, recorded during their debut engagement at the prestigious Copacabana nightclub in New York City. Released in the late fall of 1965, At the Copa was the first live album issued by The Supremes, and the only live album issued by the group's best-known lineup of Diana Ross, Florence Ballard and Mary Wilson.
"Love Is Like an Itching in My Heart" is a 1966 song recorded by the Supremes for the Motown label.
"Let Me Go the Right Way" is a 1962 song written and produced by then Motown president Berry Gordy and released as a single by Motown singing group The Supremes. It was the group's fourth single and their second charted record following the dismal reception of their first charted single, "Your Heart Belongs to Me".
"A Breathtaking Guy" is a 1963 song written and produced by Smokey Robinson and released first by Motown singing group The Supremes (1963) and later by The Marvelettes (1972). The single was originally released under the title "A Breath Taking, First Sight Soul Shaking, One Night Love Making, Next Day Heartbreaking Guy" by The Supremes, but was shortened after its official release. All three Supremes members - Diana Ross, Florence Ballard and Mary Wilson - sang the chorus with the original title together.
"When the Lovelight Starts Shining Through His Eyes" is a song written by Holland–Dozier–Holland and recorded in 1963 by Motown singing group The Supremes. It is notable as the Supremes' first Billboard Hot 100 Top 40 recording, following seven previous singles between January 1961 and September 1963 which failed to enter the Top 40. The single is also notable as the first Supremes single written and produced by Holland–Dozier–Holland, who had previously created hits for Martha and the Vandellas and Mary Wells.
"In and Out of Love" is a 1967 song recorded by The Supremes for the Motown label. It was the second single issued with the group's new billing of Diana Ross & the Supremes, the penultimate Supremes single written and produced by Motown production team Holland–Dozier–Holland, and the last single to feature the vocals of original member Florence Ballard.
"You Lost the Sweetest Boy" is a song written by Holland–Dozier–Holland and released as a single by Motown star Mary Wells. The song is most noted for the background vocals by The Supremes and The Temptations.
"Buttered Popcorn" is a 1961 song written by Motown president Berry Gordy and songwriter Barney Ales, produced by Gordy, and released as a Tamla label single by Motown singing group The Supremes. It was the group's second single after signing with Motown Records as well as their second, and last, single for the Tamla label, before moving to the Motown label.
"My Heart Can't Take It No More" is a 1963 song recorded by The Supremes for the Motown label. Written and produced by Clarence Paul, "My Heart Can't Take It No More" charted at 29 on the Billboard Bubbling Under Hot 100 Singles chart. The group would not miss charting a single again on the Billboard Hot 100 chart for another 12 years.
"I Want a Guy" is a song written by Freddie Gorman, Berry Gordy and Brian Holland and was the debuting single for Motown girl group The Supremes in 1961. It was also recorded by The Marvelettes on their album Please Mr. Postman. Featuring Diana Ross in lead, the song was a doo-wop ballad similar to what the Supremes had been recording since forming as "The Primettes" two years earlier.
"After All" is a 1960 song written by Smokey Robinson and originally recorded and released by The Miracles on the Tamla label. It was first recorded as an unreleased single by The Supremes for Tamla; it was supposed to be their first single but it was canceled in favor of "I Want a Guy", and their cover wasn't released until it appeared on the 2000 box set, The Supremes. The song is noted for both groups' unusual choices for leads. For the Miracles' version it serves as a rare lead for Claudette Rogers Robinson, instead of the group’s main lead, Claudette's husband, Smokey Robinson. In the Supremes' case it is their only single to feature Barbara Martin singing on lead vocals. Florence Ballard, Mary Wilson, and Diana Ross sing verses, and Martin sings the bridge. "After All" was also later covered by The Marvelettes, in the early 1970s, with group member Wanda Young Rogers as lead. Their version appears on the album The Return of the Marvelettes, and later became the group's belated final single.
"Mother Dear" is a 1965 song recorded by The Supremes for the Motown label.
"Where Did Our Love Go" is a 1964 song recorded by American music group the Supremes for the Motown label.
