"Together We Can Make Such Sweet Music" | ||||
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Single by The Spinners | ||||
from the album 2nd Time Around | ||||
A-side | "It's a Shame" (1st single) | |||
B-side | "Bad, Bad Weather (Till You Come Home)" (2nd single) | |||
Released | June 11, 1970(1st single) April, 1973 (2nd single) | |||
Recorded | 1969-1970, Golden World (Studio B) (Detroit, Michigan) | |||
Genre | Soul | |||
Length | 2:53 (1st Version-1970) 3:06 (2nd & Hit Version-1973) | |||
Label | V.I.P. (1970) V-25057 Motown (1973) M-1235 | |||
Songwriter(s) | Richard Drapkin, Marty Coleman | |||
Producer(s) | Clay McMurray | |||
The Spinners singles chronology | ||||
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"Together We Can Make Such Sweet Music" is a 1967 song co-written by Richard Drapkin and Marty Coleman. In 1968 it was assigned to Artie Fields' Top Dog label in Detroit and issued as a 45 by rhythm and blues singer Joe Towns (Top Dog 105).
When Top Dog was bought and then absorbed into the Motown stable the song was reissued with production duties from Clay McMurray as two singles for The Spinners, initially as the B-side of "It's a Shame" on Motown's V.I.P. Records. [1]
Three years later it appeared as a reworked single for the main Motown label itself. The later release was to cash in on the success of The Spinners since signing for Atlantic Records (and leaving Motown) over a year prior. The song's narrator tells his love that there's no need for them to argue and fight due to how strong their love is when they're together. Two versions of this song were released, both of which were led by one of the group's front man Bobby Smith, with very notable changes.
The first Spinners version was more soulful, and featured the group's former front man G.C. Cameron with a lead part on the bridge; this version also appears on their second album, 2nd Time Around . The second version (released in April, 1973) was more conventional and commercial, remixed with additional adjusted instrumentation so it would sound more like the group's hits on the Atlantic label. Upon the song's re-release, "Together We Can Make Such Sweet Music", would hit #91 on the Billboard Hot 100 charts [2] making it the group's last Motown single to chart (and their only Motown song to chart after they left the label). This second version was released on a "Best of the Spinners" LP by Motown the same year.
The song would also be covered by The Supremes twice, both as a duet with The Four Tops and (by themselves) as a track for their album New Ways but Love Stays .
Chart (1973) | Peak position |
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U.S. Billboard Hot 100 | 91 |
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"It's a Shame" is a song co-written by Stevie Wonder, Syreeta Wright and Lee Garrett and produced by Wonder as a single for the Spinners on Motown's V.I.P. Records label. The single became the Detroit-reared group's biggest single on the Motown Records company since they had signed with the company in 1964 and also their biggest hit in a decade.
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2nd Time Around is a studio album recorded by American R&B group The Spinners, released in October 1970 on Motown's V.I.P. label. This is their only album with G. C. Cameron. This is also the group's last album made while they were under contract with Motown Records; by the time of their next album, they had signed at Atlantic Records.
"Sadie" is a song recorded by the American R&B vocal group The Spinners. The song was written and produced by Joseph B. Jefferson, Bruce Hawes and Charles Simmons. Recorded at Philly's Sigma Sound Studios and released as the third single from their 1974 New and Improved album on Atlantic Records, "Sadie" would chart at number #7 on the U.S. R&B Singles Chart, their 10th consecutive Top 10 Atlantic single on the chart. It also reached the number #54 position on Billboard Pop Singles chart.
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"Ghetto Child" is a 1973 song recorded by American R&B music group the Spinners for the Atlantic label. It was written by Thom Bell and Linda Creed. It was produced by Bell, and recorded at Philly's Sigma Sound Studios with the house band MFSB providing the backing instrumentation. It is notable for being one of few songs that all three main leads, Bobby Smith, Philippé Wynne and Henry Fambrough sing lead. The song were focused on racial injustice and as a result on the 1967 Detroit Riot caused on Black-Ghetto people living due to segregation.