The Original Spinners | ||||
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Studio album by | ||||
Released | August 1967 | |||
Recorded | Early 1961 to mid-1967 | |||
Genre | R&B | |||
Length | 32:24 | |||
Label | Motown | |||
Producer | Harvey Fuqua, Ivy Jo Hunter, William "Mickey" Stevenson, Smokey Robinson, Berry Gordy | |||
The Spinners chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
The Original Spinners (released in the UK as The Detroit Spinners) is the 1967 debut album by The Spinners for Motown Records. The LP includes the group's earliest singles on the label (such as Top 20 R&B hits "I'll Always Love You" and "Truly Yours"), as well as their first ever single "That's What Girls Are Made For" (which was released on the already defunct Tri-Phi Record label). None of the group's other material from Tri-Phi appear on this album.
The lineup on the cover features Bobby Smith, Edgar "Chico" Edwards, Henry Fambrough, Billy Henderson, and Pervis Jackson. Former member George Dixon (who is not pictured on the album because of his departure back in 1963) actually only appears on "That's What Girls Are Made For", The other tracks all feature Edwards. This is both Dixon's and Edwards' only appearance on an Spinners studio album (Edwards would leave the group soon after this production of this album was completed).
The album notes state that members Bobby Smith and Edgar "Chico" Edwards share most of the lead vocals on stage. However other than "Tomorrow May Never Come", where he does the lead vocal in unison with Smith (who also leads all the remaining tracks on this album) and Henry Fambrough, Edwards does not have any other leads on this album.
No. | Title | Writer(s) | Producer(s) | Length |
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1. | "That's What Girls Are Made For" | Harvey Fuqua, Gwen Gordy Fuqua | Harvey Fuqua | 2:57 |
2. | "I'll Always Love You" | William "Mickey" Stevenson, Ivy Jo Hunter | William "Mickey" Stevenson, Ivy Jo Hunter | 2:43 |
3. | "Truly Yours" | Ivy Jo Hunter, William "Mickey" Stevenson | Ivy Jo Hunter, William "Mickey" Stevenson | 2:58 |
4. | "For All We Know" | Sam M. Lewis, J. Fred Coots | Ivy Jo Hunter | 2:53 |
5. | "It Hurts To Be in Love" | Berry Gordy, Jr., Robert Gordy | Berry Gordy, Jr. | 2:22 |
6. | "Tomorrow May Never Come" | Harvey Fuqua, Thomas Kemp | Harvey Fuqua | 2:27 |
No. | Title | Writer(s) | Producer(s) | Length |
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7. | "Sweet Thing" | William "Mickey" Stevenson | William "Mickey" Stevenson | 2:40 |
8. | "I Cross My Heart" | Ivy Jo Hunter | Ivy Jo Hunter | 2:57 |
9. | "Where Is That Girl" | Harvey Fuqua, Johnny Bristol | Harvey Fuqua | 2:59 |
10. | "Like a Good Man Should" | William "Smokey" Robinson, Warren Moore | Smokey Robinson | 2:15 |
11. | "How Can I" | Harvey Fuqua, Gwen Gordy Fuqua | Harvey Fuqua | 2:38 |
12. | "I Just Can't Help But Feel the Pain" | Clyde Wilson, Harvey Fuqua | Harvey Fuqua | 2:35 |
Year | Single | Peak chart positions | |
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US [2] | US R&B [2] | ||
1961 | "That's What Girls Are For" | 27 | 5 |
1965 | "I'll Always Love You" | 35 | 8 |
1966 | "Truly Yours" | 111 | 16 |
The Spinners are an American rhythm and blues vocal group that formed in Ferndale, Michigan, United States, in 1954. They enjoyed a string of hit singles and albums during the 1960s and 1970s, particularly with producer Thom Bell. The group continues to tour, with Henry Fambrough as the only original member.
Spinners is the third studio album recorded by American R&B group The Spinners, produced by Thom Bell and released in April 1973 on the Atlantic label. The album was the group's first for Atlantic after leaving Motown.
"Working My Way Back to You" is a song made popular by The Four Seasons in 1966 and The Spinners in 1980.
"How Could I Let You Get Away" is a song recorded by the American vocal group The Spinners. Produced by Thom Bell and recorded at Philly's Sigma Sound Studios, the lush, string-augmented production of the song drew comparisons to another Bell - produced group, The Stylistics. The song was recorded for inclusion on the group's 1972 self-titled debut album on Atlantic Records. It was also the A-side of the group's first single release on Atlantic in July 1972. It was the first Spinners hit to feature lead vocals by Philippé Wynne. The song had modest success on the charts, reaching number fourteen on the U.S. R&B charts and crossing over to the U.S. Pop charts peaking at number seventy seven. However, it would be the single's B-side, "I'll Be Around" led by the Spinners' other lead singer Bobby Smith, that would be the group's real chart breakthrough, becoming a #1 R&B and #3 pop hit in the fall of 1972 and eventually reaching sales of over a million copies.
"I'll Be Around" is a song recorded by the American R&B vocal group The Spinners. It was co-written by Thom Bell and Phil Hurtt and produced by Bell.
Robert Steel Smith, professionally known as Bobby Smith, also spelled Bobbie, was an American R&B singer notable as the principal lead singer of the classic Motown/Philly group, The Spinners, throughout its history. The group was formed circa 1954 at Ferndale High School in Ferndale, Michigan, just north of the Detroit border. The group had their first record deal when they signed with Tri-Phi Records in early 1961.
"One of a Kind (Love Affair)" is a song recorded by the American R&B vocal group The Spinners (known as "Detroit Spinners" in the UK). It was written by Joseph B. Jefferson and produced by Thom Bell.
"Games People Play", also known as ""They Just Can't Stop It" The ", is a song recorded by American R&B vocal group The Spinners. Released in 1975 from their Pick of the Litter album, featuring lead vocals by Bobby Smith, it was a crossover success, spending a week at number one on the US Hot Soul Singles chart and peaking at number five on the Billboard Hot 100. Recorded at Philadelphia's Sigma Sound Studios, the house band MFSB provided the backing.
"It's a Shame" is a song co-written by Stevie Wonder, Syreeta Wright and Lee Garrett and produced by Wonder as a single for the Spinners on Motown's V.I.P. Records label. The single became the Detroit-reared group's biggest single on the Motown Records company since they had signed with the company in 1964 and also their biggest hit in a decade.
"I'll Always Love You" is a song co-written by William "Mickey" Stevenson and Ivy Jo Hunter and produced by Stevenson and Hunter as a single for The Spinners on the Motown Records label. The single became the Detroit-reared group's first charting single on the Motown Records company since they had signed with the company in 1964. The song was a top 40 pop single on the Billboard Hot 100 in the United States, on which it peaked at number 35. On the Billboard R&B singles chart, "I'll Always Love You" peaked at number 8. The song featured lead vocals by the group's main lead singer, Bobby Smith.
"That's What Girls Are Made For" is the debuting single for the American R&B/Soul vocal group The Spinners, released on Harvey Fuqua's Tri-Phi Records label in 1961.
Mighty Love is the fourth studio album recorded by American R&B group The Spinners, released in March 1974 on the Atlantic label. It was the Spinners' second album for Atlantic and, like their breakthrough Atlantic debut Spinners, was produced by Thom Bell at Sigma Sound Studios in Philadelphia.
New and Improved is the fifth album by American R&B group The Spinners, released in December 1974 on the Atlantic label. Like the Spinners' two previous Atlantic albums, New and Improved was produced by Thom Bell and recorded at Sigma Sound Studios in Philadelphia.
Pick of the Litter is the sixth studio album by American R&B group The Spinners, released in August 1975 on the Atlantic label. The album was produced by Thom Bell and recorded at Sigma Sound Studios in Philadelphia.
2nd Time Around is a studio album recorded by American R&B group The Spinners, released in October 1970 on Motown's V.I.P. label. This is their only album with G. C. Cameron. This is also the group's last album made while they were under contract with Motown Records; by the time of their next album, they had signed at Atlantic Records.
"Together We Can Make Such Sweet Music" is a 1967 song co-written by Richard Drapkin and Marty Coleman. In 1968 it was assigned to Artie Fields' Top Dog label in Detroit and issued as a 45 by rhythm and blues singer Joe Towns.
The Spinners: Their Early Years is a compilation album featuring The Spinners and other various artist that were signed to the Tri-Phi Records/Harvey Records label(s) from 1961 to 1963. It contains the five singles that the group made while signed at Tri-Phi, and a few tracks where they sang backing vocals for other acts on both labels. The album also contains songs performed by various other acts that didn't make the transition to Motown.
Happiness Is Being with the Spinners is the seventh studio album recorded by American R&B group The Spinners, released in July 1976 on the Atlantic label. It was produced by Thom Bell and recorded at Sigma Sound Studios in Philadelphia and Kaye-Smith Studios in Seattle.
"Truly Yours" is a 1966 song and single by The Spinners for the Motown label. Co-written and produced by William "Mickey" Stevenson and Ivy Jo Hunter, the single became the Detroit-reared group's second to chart on the company label, and the fourth to chart altogether. It was also the last to chart in the 1960s and last to chart for the group until "It's a Shame". The single peaked at 11 on the BillboardBubbling Under Hot 100 charts. However, on the Billboard R&B singles chart, "Truly Yours" was a Top 20 hit, peaking at number 16.
"Ghetto Child" is a 1973 song recorded by American R&B music group the Spinners for the Atlantic label. It was written by Thom Bell and Linda Creed. It was produced by Bell, and recorded at Philly's Sigma Sound Studios with the house band MFSB providing the backing instrumentation. It is notable for being one of few songs that all three main leads, Bobby Smith, Philippé Wynne and Henry Fambrough sing lead. Although some think the song focuses on racial injustice broadly and the injustice of the 1967 Detroit Riot more specifically, the lyrics suggest that the song may be about intra-racial discrimination--the song is written from the perspective of a black child who is derided not (primarily) due to his skin-color but due to his class status.