The Supremes (2000 album)

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The Supremes
Supremes-box-set.jpg
Box set by
ReleasedAugust 29, 2000 (2000-08-29)
Genre
Length4:31:33(+ 36:10 for bonus disc)
Label Motown
Producer Harry Weinger
The Supremes chronology
40 Golden Motown Greats
(1998)
The Supremes
(2000)
20th Century Masters: The Best of Diana Ross & the Supremes, Vol. 1
(2000)
Professional ratings
Review scores
SourceRating
Allmusic Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [1]
Austin Chronicle Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [2]

The Supremes is a 2000 box set compilation of the material by Motown's most popular act of the 1960s, The Supremes. The set covers The Supremes' entire recording history, from its first recordings as The Primettes in 1960 to its final recordings in 1976.

Contents

The set is four compact discs long; a bonus disc, An Evening with The Supremes, contained mostly unreleased live recordings and was included in the first 25,000 sets. Included in the set is a 70-page booklet with extensive essays, track annotations, and a full discography.

Contents

Disc one: The Supremes: Early years

Track listing

  1. "Tears of Sorrow" (The Primettes)
  2. "Pretty Baby" (The Primettes)
  3. "After All"
  4. "The Boy That Got Away"
  5. "I Want a Guy" [Original 45 Mix]
  6. "Buttered Popcorn" [Alternate Version]
  7. "Your Heart Belongs to Me" [Original 45 Mix]
  8. "Let Me Go The Right Way" [Live]
  9. "My Heart Can't Take It No More" [Original 45 Mix]
  10. "A Breath Taking, First Sight Soul Shaking, One Night Love Making, Next Day Heartbreaking Guy" (aka "A Breathtaking Guy") [Original 45 Mix]
  11. "Run, Run, Run" [Original 45 Mix]
  12. "When the Lovelight Starts Shining Through His Eyes" [Original 45 Mix]
  13. "Where Did Our Love Go"
  14. "Baby Love"
  15. "Ask Any Girl" [Original 45 Mix]
  16. "Come See About Me"
  17. "Oowee Baby" [Original Mix]
  18. "Shake"
  19. "Stop! In the Name of Love" [Alternate Version]
  20. "Back in My Arms Again"
  21. "It's All Your Fault" [Original Mix]
  22. "Nothing but Heartaches"
  23. "Take Me Where You Go"
  24. "People" [Original Version featuring Florence Ballard]

Credits

Disc two: The Supremes: The success years

Track listing

  1. "I Hear a Symphony"
  2. "My World Is Empty Without You"
  3. "Everything Is Good About You" [Stereo Mix]
  4. "Any Girl in Love (Knows What I'm Going Through)"
  5. "Surfer Boy" [Original Mix]
  6. "Dr. Goldfoot and the Bikini Machine"
  7. "Love Is Like an Itching in My Heart"
  8. "You Can't Hurry Love"
  9. "Mother Dear" [Version 2]
  10. "You Keep Me Hangin' On"
  11. "Going Down for the Third Time" [Original 45 Mix]
  12. "Love Is Here and Now You're Gone" [Alternate Version]
  13. "There's No Stopping Us Now" [Original 45 Mix]
  14. "Come on and See Me" [Original Mix]
  15. "My Guy"
  16. "Falling in Love With Love"
  17. "The Happening" [Demo Version]
  18. "All I Know About You" [Stereo Mix]
  19. "When You Wish Upon a Star"
  20. "Somewhere" (Live at the Copacabana, May 20, 1967)
  21. "Group Introduction" (Live at the Copacabana, May 20, 1967)
  22. "You're Nobody till Somebody Loves You" (Live at the Copacabana, May 20, 1967)

Credits

Disc three: Diana Ross & the Supremes

Track listing

  1. "Reflections"
  2. "In and Out of Love"
  3. "Heaven Must Have Sent You" [Original Mix]
  4. "Forever Came Today"
  5. "Some Things You Never Get Used To"
  6. "The Beginning of the End of Love"
  7. "Love Child"
  8. "How Long Has That Evening Train Been Gone"
  9. "Does Your Mama Know About Me"
  10. "He's My Sunny Boy"
  11. "I'm Gonna Make You Love Me" (Diana Ross & the Supremes and The Temptations)
  12. "I'll Try Something New" (Diana Ross & the Supremes and The Temptations)
  13. "TCB" (Diana Ross & the Supremes and The Temptations)
  14. "I'm Livin' in Shame"
  15. "The Composer"
  16. "Are You Sure Love Is the Name of This Game"
  17. "No Matter What Sign You Are"
  18. "The Young Folks" [Original 45 Mix]
  19. "Stormy" **
  20. "Can't Take My Eyes off You" [Alternate Version featuring Mary Wilson]
  21. "The Weight" (Diana Ross & the Supremes and The Temptations)
  22. "The Beginning of the End"
  23. "Someday We'll Be Together"

Credits

Disc four: The "New Supremes"

Track listing

  1. "Up the Ladder to the Roof" [Original 45 Mix]
  2. "Bill, When Are You Coming Back" [Original 45 Mix]
  3. "Everybody's Got the Right to Love"
  4. "The Day Will Come Between Sunday and Monday"
  5. "Stoned Love"
  6. "River Deep-Mountain High" (The Supremes & Four Tops)
  7. "You Gotta Have Love in Your Heart" (The Supremes & Four Tops)
  8. "Touch" [Promotion Only Stereo Single Mix]
  9. "Nathan Jones"
  10. "Floy Joy" [Unedited Version]
  11. "Automatically Sunshine"
  12. "Your Wonderful, Sweet Sweet Love"
  13. "I Guess I'll Miss the Man"
  14. "5:30 Plane"
  15. "Bad Weather"
  16. "He's My Man"
  17. "High Energy"
  18. "I'm Gonna Let My Heart Do the Walking" [Extended Version]
  19. "You're My Driving Wheel" [Promotion Only Single Mix]
  20. "You Are the Heart of Me"

Credits

Bonus disc: An Evening with The Supremes

This disc is a compilation of live performances of the Supremes' most popular songs, issued with the first 25,000 box sets manufactured. All tracks are previously unreleased except "Someday We'll Be Together", which was recorded on January 14, 1970 at the Diana Ross & the Supremes farewell concert, and released as the last track on the Farewell album. [3]

Track listing

  1. Introduction by Scott Regan / "Where Did Our Love Go" (live at the 20 Grand, Detroit, 1964)
  2. "Baby Love" (live at the Fox Theater, Detroit, 1964)
  3. "Come See About Me" (live at the Fox Theater, Detroit, 1964)
  4. "Stop! In the Name of Love" (live at the Copacabana, New York, 1965)
  5. "Back in My Arms Again" (live at the Copacabana, New York, 1965)
  6. "Nothing But Heartaches" (live at the Copacabana, New York, 1965)
  7. "I Hear a Symphony" (live at the Roostertail, Detroit, 1966)
  8. Introductions
  9. "You Can't Hurry Love" (live at the Roostertail, Detroit, 1966)
  10. "You Keep Me Hangin' On" (live at the Roostertail, Detroit, 1967)
  11. "Reflections" (live at the Roostertail, Detroit, 1967)
  12. "Someday We'll Be Together" (live at the Frontier Hotel, Las Vegas, 1970)

Credits

Related Research Articles

The Supremes American Motown female singing group

The Supremes were an American female singing group and a premier act of Motown Records during the 1960s. Founded as The Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and are, to date, America's most successful vocal group with 12 number one singles on the Billboard Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. At their peak in the mid-1960s, the Supremes rivaled the Beatles in worldwide popularity, and it is said that their breakthrough made it possible for future African American R&B and soul musicians to find mainstream success.

Mary Wilson (singer) American singer

Mary Wilson was an American singer. She gained worldwide recognition as a founding member of The Supremes, the most successful Motown act of the 1960s and the best-charting female group in U.S. chart history, as well as one of the best-selling girl groups of all-time. The trio reached number one on Billboard's Hot 100 with 12 of their singles, ten of which feature Wilson on backing vocals.

Cindy Birdsong American singer

Cynthia Ann Birdsong is an American singer who became famous as a member of The Supremes in 1967, when she replaced co-founding member Florence Ballard. Birdsong had previously been a member of Patti LaBelle & the Bluebelles.

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<i>More Hits by The Supremes</i> 1965 studio album by The Supremes

More Hits by The Supremes is the sixth studio album by Motown singing group The Supremes, released in 1965. The album includes two number-one hits: "Stop! In the Name of Love" and "Back in My Arms Again", as well as the Top 20 single "Nothing but Heartaches".

<i>Meet The Supremes</i> 1962 studio album by The Supremes

Meet the Supremes is the debut studio album by The Supremes, released in late 1962 on Motown.

<i>I Hear a Symphony</i> (The Supremes album) 1966 studio album by The Supremes

I Hear a Symphony is the eighth studio album released by American girl group the Supremes on the Motown label in 1966.

<i>Theres a Place for Us</i> 2004 compilation album by The Supremes

There's a Place for Us is an album recorded by Motown girl group The Supremes in 1965, for many years the most famous of the trio's unreleased albums. The album, composed of show-tunes and pop standards, was released by Motown and Hip-O Records in 2004.

<i>The Supremes at the Copa</i> 1965 live album by The Supremes

The Supremes at the Copa is a live album by Motown singing group The Supremes, recorded during their debut engagement at the prestigious Copacabana nightclub in New York City. Released in the late fall of 1965, At the Copa was the first live album issued by The Supremes, and the only live album issued by the group's best-known lineup of Diana Ross, Florence Ballard and Mary Wilson.

<i>The Supremes Sing Rodgers & Hart</i> 1967 studio album by The Supremes

The Supremes Sing Rodgers & Hart is the eleventh studio album released by The Supremes for Motown in 1967. The album is wholly composed of covers of show tunes written by the songwriting duo of Richard Rodgers and Lorenz Hart. The album was the final album released before The Supremes' name was changed to "Diana Ross & the Supremes," and member Florence Ballard was replaced by Cindy Birdsong.

<i>Greatest Hits</i> (The Supremes album) 1967 greatest hits album by The Supremes

Diana Ross & the Supremes: Greatest Hits is a two-LP collection of singles and b-sides recorded by The Supremes, released by Motown in August 1967. The collection was the first LP to credit the group under the new billing Diana Ross & the Supremes. Although founding member Florence Ballard is pictured on all album artwork and sings on all the tracks, by the time the set was released, she had been fired from the group and replaced by Cindy Birdsong.

<i>Live at Londons Talk of the Town</i> 1968 live album by Diana Ross & the Supremes

Live at London's Talk of the Town is a 1968 live album released by Diana Ross & the Supremes on the Motown label, recorded at the Talk of the Town nightclub. This performance marked the first time that new member Cindy Birdsong had performed overseas with original Supremes Diana Ross and Mary Wilson, a year after original founding member Florence Ballard was ousted. The group performed a variation of standards, show tunes, and their own classics with British rock stars Mick Jagger and Paul McCartney reportedly in attendance. The songs recorded are from the group's 1968 European tour. That European tour also garnered a famous Swedish television special that was used as a catalyst to promote this album.

<i>Greatest Hits Vol. 3</i> (The Supremes album) 1969 greatest hits album by Diana Ross & the Supremes

Diana Ross & the Supremes: Greatest Hits Vol. 3 is a 1969 compilation album by Diana Ross & the Supremes, released on the Motown label. It features all of the hits released by the group between 1967 and 1969 save for the Supremes/Temptations duet singles. After Florence Ballard's mid-1967 departure from the group, Supremes singles were recorded by Diana Ross with session singers The Andantes on backgrounds instead of new Supreme Cindy Birdsong and founding member Mary Wilson, including "Love Child" and "Someday We'll Be Together".

<i>Anthology</i> (The Supremes album) 1974 greatest hits album by The Supremes

Anthology, also known as Anthology: The Best of The Supremes, first released in May 1974, is a series of same or similarly titled compilation albums by The Supremes. Motown released revised versions in 1986, 1995 and 2001. In its initial version, a 35-track triple record collection of hits and rare material, the album charted at #24 on Billboard's "Black Albums" and #66 on "Pop Albums".

In and Out of Love (The Supremes song) 1967 single by Diana Ross & the Supremes

"In and Out of Love" is a 1967 song recorded by The Supremes for the Motown label. It was the second single issued with the group's new billing of Diana Ross & the Supremes, the penultimate Supremes single written and produced by Motown production team Holland–Dozier–Holland, and the last single to feature the vocals of original member Florence Ballard.

"Whisper You Love Me Boy" is a song written and composed by Holland–Dozier–Holland and recorded by at least three Motown female acts: early Motown star Mary Wells, popular Motown singing group The Supremes and blue-eyed soul Motown label mate Chris Clark in 1964, 1965 and 1967 respectively.

"I Want a Guy" is a song written by Freddie Gorman, Berry Gordy and Brian Holland and was the debuting single for Motown girl group The Supremes in 1961. It was also recorded by The Marvelettes on their album Please Mr. Postman. Featuring Diana Ross in lead, the song was a doo-wop ballad similar to what the Supremes had been recording since forming as "The Primettes" two years earlier.

<i>Diana Ross & the Supremes: The No. 1s</i> 2003 compilation album by Diana Ross & the Supremes

Diana Ross & the Supremes: The No. 1s is a 2003 compact disc collection of the number-one singles achieved by The Supremes led by Diana Ross and Jean Terrell in addition to solo Diana Ross singles on the American and United Kingdom pop charts. The album features 23 tracks and a bonus remix.

"Tears of Sorrow" is the first single by The Primettes, later known as The Supremes, released in 1960. This was their first and only single from Lu Pine Records. "Tears of Sorrow," along with the Mary Wilson-led "Pretty Baby", are the only known recordings that feature the vocals of Betty McGlown. It would later appear on the 2000 box set The Supremes. The Supremes would later rerecord the song at Motown, but this version would go unreleased until the 2008 compilation album Let The Music Play: Supreme Rarities 1960-1969.

"Too Hurt to Cry, Too Much in Love to Say Goodbye" is a 1963 song and single written and composed by Motown's main production team Holland–Dozier–Holland. Credited to the Darnells the performers on both sides of the single were in fact the Andantes, Holland–Dozier–Holland, Mary Wilson of the Supremes (B-side), and members of the Marvelettes, the Four Tops, and the Temptations. Nobody involved with the production on either side was pleased with the false credit. Whatever the reason it was done, it didn't work as the single only peaked at 17 on the Billboard Bubbling Under Hot 100 charts.

References

  1. Erlewine, Stephen Thomas. "The Supremes [Bonus Disc] - The Supremes" . Retrieved March 7, 2021.
  2. Hernandez, Raoul (December 15, 2000). "Review: The Supremes (Motown) - Music - The Austin Chronicle". Austin Chronicle . Retrieved March 7, 2021.
  3. Let The Music Play: Supreme Rarities 1960-1969.