This article needs additional citations for verification . (April 2011) (Learn how and when to remove this template message) |
The Supremes | ||||
---|---|---|---|---|
Box set by | ||||
Released | August 29, 2000 | |||
Genre | ||||
Length | 4:31:33(+ 36:10 for bonus disc) | |||
Label | Motown | |||
Producer | Harry Weinger | |||
The Supremes chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
Allmusic | [1] |
Austin Chronicle | [2] |
The Supremes is a 2000 box set compilation of the material by Motown's most popular act of the 1960s, The Supremes. The set covers The Supremes' entire recording history, from its first recordings as The Primettes in 1960 to its final recordings in 1976.
The set is four compact discs long; a bonus disc, An Evening with The Supremes, contained mostly unreleased live recordings and was included in the first 25,000 sets. Included in the set is a 70-page booklet with extensive essays, track annotations, and a full discography.
This disc is a compilation of live performances of the Supremes' most popular songs, issued with the first 25,000 box sets manufactured. All tracks are previously unreleased except "Someday We'll Be Together", which was recorded on January 14, 1970 at the Diana Ross & the Supremes farewell concert, and released as the last track on the Farewell album. [3]
The Supremes were an American female singing group and a premier act of Motown Records during the 1960s. Founded as The Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and are, to date, America's most successful vocal group with 12 number one singles on the Billboard Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. At their peak in the mid-1960s, the Supremes rivaled the Beatles in worldwide popularity, and it is said that their breakthrough made it possible for future African American R&B and soul musicians to find mainstream success.
Mary Wilson was an American singer. She gained worldwide recognition as a founding member of The Supremes, the most successful Motown act of the 1960s and the best-charting female group in U.S. chart history, as well as one of the best-selling girl groups of all-time. The trio reached number one on Billboard's Hot 100 with 12 of their singles, ten of which feature Wilson on backing vocals.
Cynthia Ann Birdsong is an American singer who became famous as a member of The Supremes in 1967, when she replaced co-founding member Florence Ballard. Birdsong had previously been a member of Patti LaBelle & the Bluebelles.
The Supremes A' Go-Go is the ninth studio album released by Motown singing group The Supremes in 1966. It was the first album by an all-female group to reach number-one on the Billboard 200 album charts in the United States.
More Hits by The Supremes is the sixth studio album by Motown singing group The Supremes, released in 1965. The album includes two number-one hits: "Stop! In the Name of Love" and "Back in My Arms Again", as well as the Top 20 single "Nothing but Heartaches".
Meet the Supremes is the debut studio album by The Supremes, released in late 1962 on Motown.
I Hear a Symphony is the eighth studio album released by American girl group the Supremes on the Motown label in 1966.
There's a Place for Us is an album recorded by Motown girl group The Supremes in 1965, for many years the most famous of the trio's unreleased albums. The album, composed of show-tunes and pop standards, was released by Motown and Hip-O Records in 2004.
The Supremes at the Copa is a live album by Motown singing group The Supremes, recorded during their debut engagement at the prestigious Copacabana nightclub in New York City. Released in the late fall of 1965, At the Copa was the first live album issued by The Supremes, and the only live album issued by the group's best-known lineup of Diana Ross, Florence Ballard and Mary Wilson.
The Supremes Sing Rodgers & Hart is the eleventh studio album released by The Supremes for Motown in 1967. The album is wholly composed of covers of show tunes written by the songwriting duo of Richard Rodgers and Lorenz Hart. The album was the final album released before The Supremes' name was changed to "Diana Ross & the Supremes," and member Florence Ballard was replaced by Cindy Birdsong.
Diana Ross & the Supremes: Greatest Hits is a two-LP collection of singles and b-sides recorded by The Supremes, released by Motown in August 1967. The collection was the first LP to credit the group under the new billing Diana Ross & the Supremes. Although founding member Florence Ballard is pictured on all album artwork and sings on all the tracks, by the time the set was released, she had been fired from the group and replaced by Cindy Birdsong.
Live at London's Talk of the Town is a 1968 live album released by Diana Ross & the Supremes on the Motown label, recorded at the Talk of the Town nightclub. This performance marked the first time that new member Cindy Birdsong had performed overseas with original Supremes Diana Ross and Mary Wilson, a year after original founding member Florence Ballard was ousted. The group performed a variation of standards, show tunes, and their own classics with British rock stars Mick Jagger and Paul McCartney reportedly in attendance. The songs recorded are from the group's 1968 European tour. That European tour also garnered a famous Swedish television special that was used as a catalyst to promote this album.
Diana Ross & the Supremes: Greatest Hits Vol. 3 is a 1969 compilation album by Diana Ross & the Supremes, released on the Motown label. It features all of the hits released by the group between 1967 and 1969 save for the Supremes/Temptations duet singles. After Florence Ballard's mid-1967 departure from the group, Supremes singles were recorded by Diana Ross with session singers The Andantes on backgrounds instead of new Supreme Cindy Birdsong and founding member Mary Wilson, including "Love Child" and "Someday We'll Be Together".
Anthology, also known as Anthology: The Best of The Supremes, first released in May 1974, is a series of same or similarly titled compilation albums by The Supremes. Motown released revised versions in 1986, 1995 and 2001. In its initial version, a 35-track triple record collection of hits and rare material, the album charted at #24 on Billboard's "Black Albums" and #66 on "Pop Albums".
"In and Out of Love" is a 1967 song recorded by The Supremes for the Motown label. It was the second single issued with the group's new billing of Diana Ross & the Supremes, the penultimate Supremes single written and produced by Motown production team Holland–Dozier–Holland, and the last single to feature the vocals of original member Florence Ballard.
"Whisper You Love Me Boy" is a song written and composed by Holland–Dozier–Holland and recorded by at least three Motown female acts: early Motown star Mary Wells, popular Motown singing group The Supremes and blue-eyed soul Motown label mate Chris Clark in 1964, 1965 and 1967 respectively.
"I Want a Guy" is a song written by Freddie Gorman, Berry Gordy and Brian Holland and was the debuting single for Motown girl group The Supremes in 1961. It was also recorded by The Marvelettes on their album Please Mr. Postman. Featuring Diana Ross in lead, the song was a doo-wop ballad similar to what the Supremes had been recording since forming as "The Primettes" two years earlier.
Diana Ross & the Supremes: The No. 1s is a 2003 compact disc collection of the number-one singles achieved by The Supremes led by Diana Ross and Jean Terrell in addition to solo Diana Ross singles on the American and United Kingdom pop charts. The album features 23 tracks and a bonus remix.
"Tears of Sorrow" is the first single by The Primettes, later known as The Supremes, released in 1960. This was their first and only single from Lu Pine Records. "Tears of Sorrow," along with the Mary Wilson-led "Pretty Baby", are the only known recordings that feature the vocals of Betty McGlown. It would later appear on the 2000 box set The Supremes. The Supremes would later rerecord the song at Motown, but this version would go unreleased until the 2008 compilation album Let The Music Play: Supreme Rarities 1960-1969.
"Too Hurt to Cry, Too Much in Love to Say Goodbye" is a 1963 song and single written and composed by Motown's main production team Holland–Dozier–Holland. Credited to the Darnells the performers on both sides of the single were in fact the Andantes, Holland–Dozier–Holland, Mary Wilson of the Supremes (B-side), and members of the Marvelettes, the Four Tops, and the Temptations. Nobody involved with the production on either side was pleased with the false credit. Whatever the reason it was done, it didn't work as the single only peaked at 17 on the Billboard Bubbling Under Hot 100 charts.