The Supremes A' Go-Go is the ninth studio album released by Motown singing group the Supremes. It was the first album by an all-female group to reach number-one on the Billboard 200 album charts in the United States.
Renaldo "Obie" Benson was an American soul and R&B singer and songwriter. He was best known as a founding member and the bass singer of Motown group the Four Tops, which he joined in 1953 and continued to perform with for over five decades, until April 8, 2005.
"I Can't Help Myself" is a 1965 song recorded by the Four Tops for the Motown label.
"Baby I Need Your Loving" is a 1964 hit single recorded by the Four Tops for the Motown label. Written and produced by Motown's main production team Holland–Dozier–Holland, the song was the group's first Motown single and their first pop Top 20 hit, making it to number 11 on the US Billboard Hot 100 and number four in Canada in the fall of 1964. It was also their first million-selling hit single.
"It's the Same Old Song" was recorded by the Four Tops for the Motown label. It was released in 1965 as the second single from their second album. Written and produced by Motown's main production team Holland–Dozier–Holland, the song is today one of The Tops' signatures, and was reportedly created—from initial concept to commercial release—in 24 hours. It reached #5 on the Billboard Hot 100 and #2 on the Billboard R&B chart. It also reached #34 in the UK.
"Reach Out I'll Be There" (also formatted as "Reach Out (I'll Be There)") is a song recorded by American vocal quartet Four Tops from their fourth studio album, Reach Out (1967). Written and produced by Motown's main production team, Holland–Dozier–Holland, the song is one of the most widely-known Motown hits of the 1960s and is today considered the Four Tops' signature song.
"Standing in the Shadows of Love" is a 1966 hit single recorded by the Four Tops for the Motown label. Written and produced by Motown's main production team Holland–Dozier–Holland, the song is one of the best-known Motown tunes of the 1960s. A direct follow-up to the #1 hit "Reach Out I'll Be There", "Standing in the Shadows of Love" reached #2 on the soul chart and #6 on the Billboard Hot 100 in 1967. It also reached #6 in the UK. Though the song was well-received, it has received some criticism. Author Martin Charles Strong notes that it rehashed the formula of "Reach Out I'll Be There" and achieved similar success by reaching the Top 10 in both the US and UK. It is ranked #470 on Rolling Stone's list of The 500 Greatest Songs of All Time in 2010 and #464 in 2004.
"Bernadette" is a 1967 hit song recorded by the Four Tops for the Motown label. The song was written and composed by Holland–Dozier–Holland, Motown's main songwriting team, and produced by Brian Holland and Lamont Dozier.
The Supremes Sing Holland–Dozier–Holland is the tenth studio album released by The Supremes for Motown in 1967. It includes the number-one hit singles "You Keep Me Hangin' On" and "Love Is Here and Now You're Gone". As the title states: all songs on the album were written and produced by Motown's main songwriting team of Holland–Dozier–Holland. Most of the album was recorded during the spring and summer of 1966; however several songs date back to the summer of 1964.
Reach Out is the fourth studio album by the Four Tops, issued on Motown Records in July 1967. The group's biggest-selling studio album, Reach Out includes six of the Four Tops' most successful singles including the US and UK #1 hit "Reach Out I'll Be There", "Standing in the Shadows of Love", "Bernadette" and "7-Rooms of Gloom". The album was the group's last with the songwriting team of Holland–Dozier–Holland and also features covers of contemporary pop hits selected by Berry Gordy, among them Tim Hardin's "If I Were a Carpenter", the Left Banke's "Walk Away Renée" and two songs originally recorded by the Monkees. The album reached number 11 on Billboard Top LPs chart and peaked at number 4 in the United Kingdom, where it was released in November after delays. In 2020, Reach Out was ranked number 429 in Rolling Stone magazine's "The 500 Greatest Albums of All Time" list.
"When the Lovelight Starts Shining Through His Eyes" is a song written by Holland–Dozier–Holland and recorded in 1963 by Motown singing group The Supremes. It is notable as the Supremes' first Billboard Hot 100 Top 40 recording, following seven previous singles between January 1961 and September 1963 which failed to enter the Top 40. The single is also notable as the first Supremes single written and produced by Holland–Dozier–Holland, who had previously created hits for Martha and the Vandellas and Mary Wells.
"Run, Run, Run" is a 1964 song written by Holland–Dozier–Holland and released as a single by Motown singing group The Supremes. After a couple of years of unsuccessful singles, the Supremes had finally broken through with a Top 40 single (23) in December 1963 with "When the Lovelight Starts Shining Through His Eyes". On the heels of its release, Motown rush-released a second HDH single titled "Run, Run, Run". Inspired by the sounds of Phil Spector and his Wall of Sound, it was an attempt to give the Supremes a poppier sound compared to their earlier heavy R&B recordings. Billboard described the song as a "strong follow up" to "When the Lovelight Starts Shining Through His Eyes," stating that it "has tough beat in a middle up groove that's great for dancing." Cash Box described it as "a pulsating, big sounding rocker with some torrid triplet keyboard work backing up."
"Ask the Lonely" is a soul/pop ballad recorded by Motown singing group the Four Tops. Released as the group's third single, the single became the group's second successful single since signing with Motown in 1963. Released in 1965, the song rose to no. 24 on the pop chart and no. 9 on the R&B one. It is notable for being co-written by longtime Motown staffer Mickey Stevenson, as most of the group's hits on Motown were written and produced by Holland-Dozier-Holland. Levi Stubbs sang the lead, with The Andantes joining the other Tops on the background vocals. The music was performed by The Funk Brothers and the Detroit Symphony Orchestra provided the instrumentation.
The Four Tops are an American vocal quartet from Detroit, Michigan. They were one of the most commercially successful American pop music groups of the 1960s and helped propel the Motown label to international fame. The group's repertoire has included aspects of soul, R&B, disco, adult contemporary, doo-wop, jazz, and show tunes.
"Yesterday's Dreams" is a 1968 single recorded by The Four Tops for the Motown label. The song was written by Vernon Bullock, Jack Goga, Ivy Jo Hunter and Pam Sawyer. The single was one of the first the group released after the departure of Holland-Dozier-Holland, who had handled the majority of the Four Tops recordings prior to 1968. Released from the album of the same name, the song only became a modest hit on the US chart, peaking at #31 on Billboard's Best Selling Soul Singles chart and #49 on the Hot 100. Outside of the US, "Yesterday's Dreams" reached #23 in the UK.
"I'm In a Different World" is a song written and produced by Brian Holland, Lamont Dozier, and Edward Holland Jr. Billboard described the single as a "smooth swinger that moves and grooves throughout" which "should fast prove a sales topper."
The Ultimate Collection is a compact disc by The Four Tops, released on Motown Records, catalogue 314530825-2, in October 1997. It is a collection of singles comprising many of the group's greatest hits, with liner notes written by Stu Hackel.
"Without the One You Love (Life's Not Worth While)" is a song written by Holland–Dozier–Holland and released as a single in 1964 by the Motown singing group The Four Tops as the second single from their self-titled debut album, Four Tops. The group would later cover the song with The Supremes.
"Something About You" is a song written by Holland-Dozier-Holland and was first released by the Four Tops on their 1965 album Four Tops' Second Album.
Four Tops Live! is the first live album by American rhythm and blues vocal band The Four Tops, released on Motown in 1966. The album was recorded as part of a series of concerts by the record label featuring their premier artists held in Detroit and had positive critical and commercial reception.
