The Flaming Ember was an American blue-eyed soul band from Detroit, Michigan, United States, who found commercial success starting in the late 1960s. [1]
The group originally formed in Detroit in 1964. [1] At that time they were known as The Flaming Embers, [1] named for a local Detroit restaurant. They recorded for Ed Wingate's Ric-Tic label in 1967, scoring an R&B hit written by George Clinton, "Hey Mama Whatcha Got Good For Daddy." [2] When Berry Gordy, Jr.'s Motown Records purchased Golden World Records/Ric-Tic from Wingate, the Flaming Ember chose not to sign with Motown. [1] In 1969, they signed with Hot Wax Records, (the label founded by Brian Holland, Lamont Dozier, and Edward Holland, Jr.), after the band had recorded for a number of smaller Detroit-area labels since 1965. [1] Said Dozier years later, "Their drummer Jerry Plunk was a fantastic, emotional singer." [3]
They dropped the "s" from the band's name and scored a pop and rhythm and blues hit with "Mind, Body and Soul" in 1969, reaching number 26 on the US Billboard pop singles chart. They charted again with their signature song (and heartland rock antecedent) "Westbound #9" (number 24 US pop, number 15 US Billboard R&B chart), and "I'm Not My Brother's Keeper" (number 34 pop, number 12 R&B). The three songs were all released between late 1969 and late 1970. [4]
Follow-up efforts such as 1971's "Stop the World and Let Me Off" were not as successful. After changing their name to "Mind, Body and Soul," they spent the rest of the 1970s playing the Detroit bar circuit.
The band was inducted into the Rockabilly Hall of Fame in 1999. [5]
Reviewing the 1999 compilation Westbound No. 9: The Hot Wax Sessions in AllMusic, Stephen Thomas Erlewine wrote of the band, "At their best, they were a fiery, inspired soul band, taking inspiration from classic Southern soul, Motown, psychedelia, and album rock, resulting in a heady rush of sound where gritty vocals sit next to paisley-colored electric sitars." [6]
Motown is an American record label owned by the Universal Music Group. It was founded by Berry Gordy Jr. as Tamla Records on January 12, 1959, and incorporated as Motown Record Corporation on April 14, 1960. Its name, a portmanteau of motor and town, has become a nickname for Detroit, where the label was originally headquartered.
Lamont Herbert Dozier was an American singer, songwriter, and record producer from Detroit. He co-wrote and produced 14 US Billboard number-one hits and four number ones in the UK.
Holland–Dozier–Holland was a songwriting and production team consisting of Lamont Dozier and brothers Brian and Eddie Holland. The trio wrote, arranged and produced many songs that helped define the Motown sound in the 1960s. During their tenure at Motown Records from 1962 to 1967, Dozier and Brian Holland were the composers and producers for each song, and Eddie Holland wrote the lyrics and arranged the vocals. Their most celebrated productions were singles for the Four Tops and the Supremes, including 10 of the Supremes' 12 US No. 1 singles, including "Baby Love", "Stop! In the Name of Love", and "You Keep Me Hangin' On".
Hot Wax Records was a Detroit, Michigan-based record label, created by producers/songwriters Holland–Dozier–Holland in 1968 when they left Motown.
Barrett Strong Jr. was an American singer and songwriter known for his recording of "Money ", which was the first hit single for the Motown record label. He is also known for his songwriting work in association with producer Norman Whitfield; together, they penned such songs as "I Heard It Through the Grapevine", "War", "Just My Imagination ", and "Papa Was a Rollin' Stone".
"Baby I Need Your Loving" is a 1964 hit single recorded by the Four Tops for the Motown label. Written and produced by Motown's main production team Holland–Dozier–Holland, the song was the group's first Motown single and their first pop Top 20 hit, making it to number 11 on the US Billboard Hot 100 and number four in Canada in the fall of 1964. It was also their first million-selling hit single.
"It's the Same Old Song" was recorded by the Four Tops for the Motown label. It was released in 1965 as the second single from their second album. Written and produced by Motown's main production team Holland–Dozier–Holland, the song is today one of The Tops' signatures, and was reportedly created—from initial concept to commercial release—in 24 hours. It reached #5 on the Billboard Hot 100 and #2 on the Billboard R&B chart. It also reached #34 in the UK.
"Heat Wave" is a 1963 song written by the Holland–Dozier–Holland songwriting team. It was first made popular by the Motown vocal group Martha and the Vandellas. Released as a 45 rpm single on July 9, 1963, on the Motown subsidiary Gordy label, it hit number one on the Billboard Hot R&B chart—where it stayed for four weeks—and peaking at number 4 on the Billboard Hot 100.
"Quicksand" is a song recorded by the Motown girl group Martha and the Vandellas. It was written by the songwriting team of Holland-Dozier-Holland and released as a single in November 1963.
"Come and Get These Memories" is an R&B song by Motown girl group Martha and the Vandellas. Their second single released under Motown's Gordy Records subsidiary, "Memories" became the group's first hit single, reaching number 29 on the Billboard Pop Singles Chart, and number-six on the Billboard R&B Singles Chart.
Laura Lee is an American soul and gospel singer and songwriter, most successful in the 1960s and 1970s and influential for her records which discussed and celebrated women's experience.
"When the Lovelight Starts Shining Through His Eyes" is a song written by Holland–Dozier–Holland and recorded in 1963 by Motown singing group The Supremes. It is notable as the Supremes' first Billboard Hot 100 Top 40 recording, following seven previous singles between January 1961 and September 1963 which failed to enter the Top 40. The single is also notable as the first Supremes single written and produced by Holland–Dozier–Holland, who had previously created hits for Martha and the Vandellas and Mary Wells.
"I Gotta Dance to Keep from Crying" is a 1963 hit by the Miracles on Motown's Tamla label. It was written and produced by Motown's main songwriting team, Brian Holland, Lamont Dozier, and Eddie Holland.
The Fantastic Four were a Detroit based soul group, formed in 1965. "Sweet" James Epps, brothers Ralph and Joseph Pruitt, and Wallace "Toby" Childs were the original members. Childs and Ralph Pruitt later departed, and were replaced by Cleveland Horne and Ernest Newsome.
Richard Wayne Wylie, often known as Popcorn Wylie, was an American pianist, bandleader, songwriter, occasional singer, and record producer who was influential in the early years of Motown Records and was later known for his work on many records in the Northern soul genre.
Freddie Gorman was an American musician and record producer, most famous as a singer, songwriter for the Motown label in the late 1960s and mid 1970s.
Ric-Tic Records was a record label set up in the 1960s in Detroit, Michigan, United States by Joanne Bratton and Eddie Wingate. Twinned with the Golden World label, Ric-Tic featured many soul music artists and was seen as an early competitor for fellow Detroit label Motown. Motown's owner, Berry Gordy was unhappy with the success of Ric-Tic and in 1968 paid $1 million for the signature of many of the label's artists.
Ronald Dunbar was an American songwriter, A&R director and record producer who worked closely with Holland–Dozier–Holland, and with George Clinton. His co-writing credits include the hit songs "Give Me Just a Little More Time", "Band of Gold", and "Patches", for which he won a Grammy. His Grammy award was sold for $2,350 to the owners of TV show Pawn Stars. It was later returned to the Dunbar family, after it was discovered that the buying and selling of Grammy trophies is not allowed.
"Mind, Body and Soul" is a song written by Ron Dunbar and “Edyth Wayne” and originally recorded by Detroit-based R&B group the Flaming Ember in 1969. It was the first of three singles released from their Westbound #9 LP.
Andrew Alexander "Mike" Terry was an American saxophonist, songwriter, arranger, producer and musical director. His baritone sax solos feature on the breakthrough hits of Martha and the Vandellas, and The Supremes. As a member of the Funk Brothers he performed on thousands of Motown recordings from 1960 to 1967, including at least seven US #1 hits. As was Motown's policy at the time, none of the studio musicians were credited by name. Terry was the musical arranger of the 1966 hit "Cool Jerk" by The Capitols, and later became a record producer, with partners including George Clinton, Sidney Barnes, and Jack Ashford.