"Wild One" | ||||
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Single by Martha and the Vandellas | ||||
from the album Dance Party | ||||
B-side | "Dancing Slow" | |||
Released | November 3, 1964 | |||
Recorded | Hitsville U.S.A., Detroit, Michigan, 1964 | |||
Genre | Pop/soul | |||
Length | 2:43 | |||
Label | Gordy | |||
Songwriter(s) | William "Mickey" Stevenson and Ivy Jo Hunter | |||
Producer(s) | William "Mickey" Stevenson and Ivy Jo Hunter | |||
Martha and the Vandellas singles chronology | ||||
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"Wild One" is a dance single by Motown girl group Martha and the Vandellas. Written and produced by William "Mickey" Stevenson and Ivy Jo Hunter (two-thirds of the collaborators behind the group's most celebrated tune, "Dancing in the Street"). The song was another Top 40 triumph for the group as it reached #34 on Billboard 's Hot 100 singles chart and #11 on the Hot R&B singles chart. [1] The backing track for 'Wild one' was an alternative version of the backing track to 'Dancing in the Street'.
"Wild One" suffered somewhat in sales as it was released just four months after the monster hit "Dancing In The Street". Many radio stations were still playing that record.
The song, which in lead singer Martha Reeves' description, was a tribute to bikers (released shortly after The Shangri-Las' "Leader of the Pack"), described the narrator's strong love for her "wild one" who is told he's "no good" by the narrator's close circle. The narrator tells her "wild one" to not listen to what others say and continue to "sav(ing his) love for (her)".
Cash Box said that the "storyline concerns a gal who digs a 'victim of circumstance'" and that the song has the "flavor of" the group's recent hit "Dancing in the Streets." [2]
Chart (1964-65) | Peak position |
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US Billboard Hot 100 [4] | 34 |
US Top 50 in R&B Locations (Cash Box) | 11 |
Martha and the Vandellas were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown.
"Hitch Hike" is a 1962 song by Marvin Gaye, released on the Tamla label. Another song Gaye co-wrote, this time instead of confessing to being stubborn, the singer is now hitchhiking on the look out for his girl, whom he feels has run so far that he has to travel "around the world" thinking of places she could have found herself at including St. Louis, "Chicago City Limits" and "L.A."
"Dancing in the Street" is a song written by Marvin Gaye, William "Mickey" Stevenson and Ivy Jo Hunter. It first became popular in 1964 when recorded by Martha Reeves & The Vandellas whose version reached No. 2 on the Billboard Hot 100 chart and peaked at No. 4 in the UK Singles Chart. It is one of Motown's signature songs and is the group's premier signature song. A 1966 cover by the Mamas & the Papas was a minor hit on the Hot 100 reaching No. 73. In 1982, the rock group Van Halen took their cover of "Dancing in the Street" to No. 38 on the Hot 100 chart and No. 15 in Canada on the RPM chart. A 1985 duet cover by David Bowie and Mick Jagger charted at No. 1 in the UK and reached No. 7 in the US. The song has been covered by many other artists, including The Kinks, Tages, Grateful Dead, Little Richard, Myra, and The Struts.
"Nowhere to Run" is a 1965 pop single by Martha and the Vandellas for the Gordy (Motown) label and is one of the group's signature songs. The song, written and produced by Motown's main production team of Holland–Dozier–Holland, depicts the story of a woman trapped in a bad relationship with a man she cannot help but love.
How Sweet It Is to Be Loved by You is the fifth studio album released by American singer and songwriter Marvin Gaye, released in 1965. The album features the successful title track, which at the time was his best-selling single and was famously covered by James Taylor in 1975. Other hits include "Try It Baby" and "Baby Don't You Do It" . Inspired by Jackie Gleason’s trademark expression.
"Heat Wave" is a 1963 song written by the Holland–Dozier–Holland songwriting team. It was first made popular by the Motown vocal group Martha and the Vandellas. Released as a 45 rpm single on July 9, 1963, on the Motown subsidiary Gordy label, it hit number one on the Billboard Hot R&B chart—where it stayed for four weeks—and peaking at number 4 on the Billboard Hot 100.
"Quicksand" is a 1963 soul-dance single by Motown girl group Martha and the Vandellas.
"Come and Get These Memories" is an R&B song by Motown girl group Martha and the Vandellas. Their second single released under Motown's Gordy Records subsidiary, "Memories" became the group's first hit single, reaching number 29 on the Billboard Pop Singles Chart, and number-six on the Billboard R&B Singles Chart. The song speaks of heartbreak, as the narrator goes through her things and gives back everything her now ex-boyfriend had given her, including teddy bears, records, and "lingering love".
"You've Been in Love Too Long" is a song produced and written by William "Mickey" Stevenson, Ivy Jo Hunter and Clarence Paul. It was released dance single when recorded by Motown girl group Martha and the Vandellas.
"My Baby Loves Me" is a 1966 soul standard by Martha Reeves but released under Martha and The Vandellas. None of the Vandellas are featured in this song. Instead, the background is sung by Motown's session group, The Andantes, and another legendary Motown group, The Four Tops. Co-written and co-produced by William "Mickey" Stevenson & Ivy Jo Hunter, the song rose to #22 on Billboard Hot 100 singles chart and #3 on Billboard's Hot R&B singles chart.
"Love Bug Leave My Heart Alone" is a 1967 single released by Motown girl group Martha and the Vandellas. The song's production was a departure from the Vandellas' repertoire as their label, Motown, was having a harder time staying with the times in the music industry and having a much harder time finding a hit for its acts after several departures including Vandellas collaborators William "Mickey" Stevenson and Holland-Dozier-Holland, who produced the b-side to this single, "One Way Out", one of the trio's final recordings with the Vandellas. Produced by Richard Morris, the song displayed of the narrator wanting "the love bug" to leave her alone so she won't "fall in love". The narrator, lead singer Martha Reeves, was left heart-broken the last time she allowed the man to come back to her but after suffering heartbreak, she expresses her disgust at the man's attempts, with her fellow members Rosalind Ashford and Betty Kelley chanting "get outta there, love bug, leave my heart alone". The song was their second consecutive Top 40 single of 1967 peaking at number twenty-five on the Billboard pop singles chart and number fourteen on the Billboard Hot R&B singles chart. The record was the first track ever played on UK Radio One by DJ John Peel.
"Love " is a 1965 pop ballad by Motown girl group Martha and the Vandellas. A rare ballad for the group, whose forte was reportedly uptempo soul dance numbers including "Dancing in the Street" and "Nowhere to Run", the b-side to the group's single, "You've Been in Love Too Long", although the song only peaked at #70 on the Billboard Hot 100 singles chart and #22 on the Billboard Hot R&B singles chart, it was number one on many American urban radio playlists.The song, written and produced by Holland–Dozier–Holland, has the narrator explain why love makes her do things she later regrets. Cash Box described it as a "plaintive, slow-shufflin’ heart-throbber with a nostalgic years-back sound."
Heat Wave is the second album released by American Motown girl group Martha and the Vandellas. Released in 1963 on Motown's Gordy imprint, intended to capitalize on the success of the title track, which rose to number four on the pop singles chart and number one on the R&B singles chart. The album was produced by Holland-Dozier-Holland and Mickey Stevenson. This was the last album to feature original Vandella Annette Beard.
Come and Get These Memories is the debut album by the American girl group Martha and the Vandellas, released in 1963. Put out by Gordy after the success of the trio's hit of the same name, the album also contains the group's debut single, "I'll Have to Let Him Go", which was originally intended for Mary Wells, and "A Love Like Yours ". Most of the album was produced by Holland–Dozier–Holland and William "Mickey" Stevenson.
Dance Party is a 1965 album released by American Motown and soul girl group Martha and the Vandellas on the Gordy (Motown) label. The album was the group's third and, much like The Miracles' Mickey's Monkey album, mainly consisted of dance tunes. The singles featured on the album were their 1964 landmark single, "Dancing in the Street", their follow-up smash, "Wild One", and the hit "Nowhere to Run" and its b-side, "Motoring". The album was mostly produced by William "Mickey" Stevenson with several nods from Holland-Dozier-Holland.
Watchout! is the fourth studio album and fifth album overall by Martha and the Vandellas, released on the Gordy (Motown) label in 1966. The album included the top 10 hit singles, "I'm Ready for Love" and "Jimmy Mack" and the ballad single, "What Am I Gonna Do Without Your Love?". This was one of the last albums by the group with songs by Holland–Dozier–Holland who, the following year, left Motown, and with William "Mickey" Stevenson, who helped put the group on the musical map. The title of the album was derived from a song on the B-side of their hit single "My Baby Loves Me" entitled "Never Leave Your Baby's Side". That song's chorus warned to "Watchout!" for "other girls" who could steal your man.
"I Promise to Wait My Love" is a 1968 single recorded by girl group Martha and the Vandellas, released on the Gordy label.
Dancing in the Street: The Songs of Motown II is the sixth studio album by Australian pop vocal group Human Nature and second Motown covers release. It was released on 14 October 2006.
"Can You Jerk Like Me" is a 1964 R&B song by Motown Records group The Contours, issued on its Gordy Records subsidiary. It charted on the Billboard Hot 100, reaching #47, and a Top 20 hit on its R&B chart, reaching #15. A single-only release, it did not appear on any original Contours studio album, as the group only had one album release during their 5 years on the label, 1962's Do You Love Me .
"I'll Have to Let Him Go" is a 1962 song and single written, composed and produced by William "Mickey" Stevenson and issued on the Gordy (Motown) label. it is notable for being one of two singles that marked the Motown debut of Martha and the Vandellas. The song is about ending a romantic relationship, as its narrator, after seeing her lover kissing and holding another, realizing its over and decides she going “to set him free” even though "it's gonna hurt (her) so".