The Plastic Ono Band was a rock band and Fluxus-based artist collective[1] formed by John Lennon and Yoko Ono in 1968-9 for their collaborative musical and sound art projects, films, conceptual art projects and eventual solo LPs. The creation of The Plastic Ono Band, which began in 1967 with Ono's idea for an art exhibition in Berlin, allowed Lennon to separate his artistic output from that of The Beatles.[1]
Lennon and Ono began a personal and artistic relationship in 1968, collaborating on several experimental releases. After their marriage in 1969, they decided their future endeavours would be credited to the Plastic Ono Band. The band featured a rotating line-up of musicians including Eric Clapton, Klaus Voormann, Alan White, Billy Preston, Jim Keltner, Keith Moon, Delaney & Bonnie and Friends, and Lennon's former Beatles bandmates George Harrison and Ringo Starr. After Lennon and Ono moved to New York in 1971, they collaborated with Elephant's Memory under the name "Plastic Ono Elephant's Memory Band". Lennon's collaborations continued under similar names until 1974.
From 2009 to 2015, Ono and her son Sean Lennon led a new incarnation of the group, the Yoko Ono Plastic Ono Band.
History
Origins and formation (1968–1969)
As I was asked to do a show in Berlin before John and I got together, I wanted to use four plastic stands with tape recorders in each one of them, as my band. I told that story to John, and he immediately coined the phrase PLASTIC ONO BAND.[2]
– Yoko Ono, 2010
John Lennon and Yoko Ono met in 1966. Lennon was a world-famous member of the Beatles, and Ono was an avant-garde artist and performer. By 1968, the two established a romantic relationship and they began collaborating on a number of musical projects.
The Plastic Ono Band name, and its Fluxus idea of an open-ended plastic band, was conceived of by Ono in 1967 as an idea for an art exhibition in Berlin.[3] The Plastic Ono Band was realized in 1968 as a multi-media machine maquette by John Lennon, also called The Plastic Ono Band.[1] In 1968, Lennon and Ono began a personal and artistic relationship in which they decided to credit their future endeavours as the work of The Plastic Ono Band. Ono and Lennon collaborated on several art exhibitions, concerts, happenings and experimental noise music recording projects, before recording and releasing somewhat more standard rock-based albums that were still connected to the Plastic Ono Band concept.
On 20 March 1969, Lennon and Ono married, and subsequently hosted their first "Bed-in for Peace" event.[7][8] The event saw them using press coverage of their marriage to advocate for peace. Recordings made around this time were released as their third and final experimental album, Wedding Album.[9] The Plastic Ono Band moniker was first used on 12 May, when Lennon and Ono participated in George Harrison's mixing session for "Jam Peace" – a jam that Harrison had recorded during a session with Apple Records artist Billy Preston. The track was subsequently titled "I Remember Jeep" and the artist credit on the EMI tape box was changed to George Harrison for inclusion on the bonus disc of his 1970 solo album All Things Must Pass.[10]
Lennon playing "Give Peace a Chance" in Montreal, 1969
During the second bed-in, held in Montreal in late May and early June 1969,[11] Lennon, Ono and their guests recorded the Lennon-penned song "Give Peace a Chance" and Ono's "Remember Love". These were released on 4 July as a single credited to the Plastic Ono Band. It was the first single released by Lennon outside of the Beatles, with whom he was still active. Although an independent composition and release by Lennon, his Beatles writing partner Paul McCartney was still credited, as both a contractual and personal agreement of sharing credit.[12] There is written and photographic evidence to suggest, however, that the original Plastic Ono Band was a sound and light installation set up in the Apple press office. In the 26 July 1969 edition of Disc and Music Echo, Derek Taylor, the Beatles press officer, wrote the following article:
The band was made in perspex in Hoylake, in Cheshire (where Selwyn Lloyd and I were brought up separately) by an inventor I know called Charles Melling. It was Yoko's idea, with John, made to her specifications; four pieces – like John, Paul, George and Ringo, three taller and one shorter. Two rectangular, one cylindrical and a cube. One column holds a tape-recorder and amplifier, another a closed circuit TV set with live camera, a third a record player with amplifier, and the fourth has a miniature light show and a loud speaker. But they could hold anything, they are as adaptable as the Beatles. The perspex columns were fitted with their equipment by Apple electronics under the direction of (Magic) Alexis Mardas and here ends the first and last technological press release you will have from me.
The single was preceded by a press launch for the Plastic Ono Band on 3 July.[13] According to Ono, the name was coined by Lennon as a result of Ono's use of plastic stands for recording.[2] Press material outlined the "band" as a conceptual movement, not limited to a strict membership like a normal group. Lennon and Ono stated that the audience were members, with the accompanying slogan "YOU are the Plastic Ono Band".[14]
Toronto Rock Revival Festival and early singles (1969–1970)
The Plastic Ono Band remained dormant for most of the summer of 1969 as the Beatles worked on completing Abbey Road. On 12 September, Lennon received a call from John Brower, organizer of the Toronto Rock and Roll Revival festival (set to occur the following day), offering Lennon free attendance to the festival in order to boost its profile. Lennon offered instead to perform at the festival. Brower agreed, and Lennon quickly assembled a band. He initially approached Beatles bandmate George Harrison to play lead guitar, but Harrison turned him down.[15] On Harrison's recommendation, Lennon recruited Eric Clapton for the role;[16] bassist Klaus Voormann and drummer Alan White filled out the first performing line-up of the Plastic Ono Band. While organising the band, Lennon privately decided to leave the Beatles, due to longstanding tensions in the group.[15] The band rehearsed on the plane to Toronto, and performed both rock songs sung by Lennon and experimental pieces led by Ono.[17] A recording of the show was released in December as Live Peace in Toronto 1969, the first LP credited to the Plastic Ono Band.[18]
In late September, the Plastic Ono Band began recording their next single.[19] "Cold Turkey" had been initially presented by Lennon as a potential Beatles single, but this was rejected by McCartney.[20] "Cold Turkey" and its B-side "Don't Worry Kyoko (Mummy's Only Looking for Her Hand in the Snow)" featured a Plastic Ono Band almost identical to the Toronto line-up except White was replaced by Beatles drummer Ringo Starr. The writing credit for "Cold Turkey" contained only Lennon's name, reflecting his split with McCartney and the Beatles.[21]
Following the release of the "Cold Turkey" single, Lennon began preparations for a follow-up. On 26 November, he mixed "You Know My Name (Look Up the Number)" and "What's the New Mary Jane", for release as a single. Both songs were old Beatles recordings. "You Know My Name" dated initially from 1967, with further work by Lennon and McCartney in 1969. The B-side was a 1968 Lennon song recorded by him, Harrison and Ono, and originally intended for inclusion on the White Album. The single was put on hold by EMI, and was ultimately cancelled, possibly due to objections from the Beatles.[22]
On 15 December, the Plastic Ono Band took part in a benefit concert for UNICEF at the Lyceum Ballroom in London,[23] titled "Peace for Christmas". With 48 hours' notice, Lennon and Ono assembled the Toronto line-up of Clapton, Voormann and White; Clapton brought along Harrison, Billy Preston and the Delaney & Bonnie and Friends touring group, with whom they were touring at the time. In addition to Delaney and Bonnie Bramlett, the group included saxophonist Bobby Keys, drummer Jim Gordon and trumpet player Jim Price. Keith Moon of the Who also joined the performance. Lennon later referred to this line-up as "the Plastic Ono Supergroup".[24][25] Following the Lyceum show, Lennon and Ono engaged in a media blitz and advertising campaign for peace, taking out billboards in major cities saying "WAR IS OVER! If You Want It – Happy Christmas from John & Yoko".[26]
1970 saw the Plastic Ono Band reconvening to record another single, "Instant Karma!", that was written and recorded on January 27th, 1970. Lennon, Ono, George Harrison, Klaus Voormann, Alan White and Billy Preston, along with backing vocalists recruited from a nearby pub, composed the Plastic Ono Band for the session.[27] On Harrison's suggestion, American producer Phil Spector was hired, beginning a working relationship that extended for several years into both his and Lennon's careers.[28] "Instant Karma!", backed with Ono's "Who Has Seen the Wind?", was released just over a week later. The single was credited to "Lennon/Ono with the Plastic Ono Band", in contrast to earlier releases, which were credited to the band alone.[29]
Plastic Ono Band albums to "Happy Xmas (War Is Over)" (1970–1971)
During the summer of 1970, Lennon and Ono undertook primal therapy under the guidance of Arthur Janov in Los Angeles.[30] This therapy had a great effect on Lennon's writing. In the meantime, the Beatles had publicly broken up, and the pair returned to London at the end of September to begin recording on a pair of studio albums, John Lennon/Plastic Ono Band and Yoko Ono/Plastic Ono Band. The core of the Plastic Ono Band backing the two was Klaus Voormann on bass and Ringo Starr on drums. Phil Spector co-produced Lennon's record, and he and Billy Preston played keyboards on some tracks. George Harrison contributed sitar to Ono's album.[31] Lennon's record consisted of straightforward, stripped down rock, while Ono's featured experimental and avant-garde music. Both albums were released on 11 December.[32][33] The single "Mother" / "Why" was issued, the songs coming from John Lennon and Yoko Ono respectively. In early 1971, Lennon recorded "Power to the People" with a line-up of Billy Preston, Bobby Keys, Klaus Voormann and Alan White. Ono's B-side "Open Your Box" featured Voormann and Jim Gordon. The single was released in March, with the sides credited to "John Lennon/Plastic Ono Band" and "Yoko Ono/Plastic Ono Band" respectively.
In the spring and summer of 1971, Lennon and Ono recorded their respective albums Imagine and Fly. Using the same "John Lennon/Plastic Ono Band" and "Yoko Ono/Plastic Ono Band" artist credits,[34] the albums featured contributions from George Harrison, Nicky Hopkins, Klaus Voormann, Alan White, Jim Keltner and Jim Gordon, and Phil Spector co-produced Imagine.[35] On 6 June, Lennon and Ono performed with Frank Zappa and the Mothers of Invention in New York City, later dubbing the collaboration "John & Yoko/Plastic Ono Band with The Mothers of Invention".[36]
The next use of the Plastic Ono Band name was the 1971 Christmas single "Happy Xmas (War Is Over)". Credited to "John & Yoko/The Plastic Ono Band", the recording featured drummer Jim Keltner, pianist Nicky Hopkins and guitarists Hugh McCracken, Chris Osbourne (who had played on Fly), Teddy Irwin and Stuart Scharf. The B-side, "Listen, the Snow Is Falling", featured the same musicians as "Happy Xmas", with the addition of Klaus Voormann on bass. Co-produced by Phil Spector, the single was issued on 1 December.[37]
Move to New York: Plastic Ono Band with Elephant's Memory (1971–1973)
Ono and Lennon performing at a rally in December 1971
Lennon and Ono left the UK to settle in New York City during the fall of 1971. In Greenwich Village, the couple became more politically active and began writing protest songs. These songs became the basis for their next album, Some Time in New York City. As backing, they enlisted the help of New York band Elephant's Memory, consisting of guitarist Wayne 'Tex' Gabriel, bassist Gary Van Scyoc,[38] saxophonist Stan Bronstein, keyboardist Adam Ippolito, keyboardist John La Boosca, and drummer Richard Frank Jr.[36] Phil Spector co-produced, and Jim Keltner also played on the album. The album was released on 12 June 1972, credited to "John & Yoko/Plastic Ono Band with Elephant's Memory plus Invisible Strings". Some Time in New York City included a second disc, titled Live Jam, consisting of the recordings from the 1969 Peace for Christmas concert and, with bass overdubs by Klaus Voormann, the 1971 performance with Frank Zappa.
Ono and Lennon continued to work with Elephant's Memory throughout 1972. On 30 August, as the Plastic Ono Elephant's Memory Band (which also included Jim Keltner), they performed two "One to One" benefit concerts at Madison Square Garden.[39] The event was organised by Geraldo Rivera to raise money for children with mental challenges. By this time, La Boosca had left Elephant's Memory, and the concerts saw the addition of John Ward on bass.[40] The shows were filmed and recorded, and released in February 1986 as the album Live in New York City. They also performed at the Jerry Lewis MDA Labor Day Telethon.[41]
The last collaboration between the Plastic Ono Band and Elephant's Memory was Ono's double album Approximately Infinite Universe. It was recorded throughout the fall of 1972, and was released in January 1973.[42]
Lennon's split with Ono and the Lost Weekend (1973–1974)
By the beginning of 1973, recording had begun on Ono's next album, Feeling the Space, featuring a new group of studio musicians. This incarnation of the Plastic Ono Band featured guitarist David Spinozza, keyboardist Ken Ascher, bassist Gordon Edwards, percussionists Arthur Jenkins and David Friedman, saxophonist Michael Brecker, pedal steel guitarist Sneaky Pete Kleinow, as well as regular contributor Jim Keltner.[43] The album was released in November.
Throughout 1973, Lennon and Ono's relationship became strained. By August, the two had begun a period of separation that Lennon called "the Lost Weekend".[44] Lennon recorded Mind Games, using the same players as on Feeling the Space, dubbed "the Plastic U.F.Ono Band". Around the time of the album's release in November, Lennon moved to Los Angeles with new lover May Pang. In October, Lennon began the recording of an album of rock 'n' roll oldies (a contractual obligation due to a lawsuit).[45] The sessions featured many Plastic Ono Band regulars (including much of the "U.F.Ono Band", Klaus Voormann, and Phil Spector as producer), but when released in 1975 as Rock 'n' Roll, the album was credited to Lennon alone.[46]
The sessions for Rock 'n' Roll were extremely troubled and were abandoned until a later date. In July 1974, Lennon returned to New York to record Walls and Bridges. The new "Plastic Ono Nuclear Band" featured Jim Keltner, Kenneth Ascher and Arthur Jenkins continuing from Mind Games, the returns of Klaus Voormann, Nicky Hopkins and Bobby Keys, and the addition of guitarists Jesse Ed Davis and Eddie Mottau.[47] Recording was completed in August, and the album was released in September.
Walls and Bridges was the last release of new material by the Plastic Ono Band in the 1970s. Lennon subsequently returned to his marriage with Ono and retired from music following the birth of his son Sean in October 1975. That same month, Lennon issued the compilation Shaved Fish, his last release to be credited to the Plastic Ono Band.
Revival (2009–2015)
Ono in 2010
In 2009, Yoko Ono revived the Plastic Ono Band name with the 2009 EP Don't Stop Me!,[48] a preview of the album Between My Head and the Sky. Both albums, and subsequent activities, are credited to the "Yoko Ono Plastic Ono Band". The core members of the new Plastic Ono Band were Sean Lennon (the son of Ono and Lennon), Cornelius (Keigo Oyamada) and Yuka Honda. From 2009, the band performed live concerts, with additional members including bassist Shimmy Hirotaka Shimizu, horn player Michael Leonhart, cellist Erik Friedlander and drummer Yuko Araki.[49] They also performed with many guest performers, including Kim Gordon, Thurston Moore, Bette Midler, Lady Gaga, Mark Ronson, Scissor Sisters, Harper Simon, Paul Simon and Gene Ween.
In 2010, at a concert titled "We Are the Plastic Ono Band", Ono and Sean Lennon reunited with Eric Clapton, Klaus Voormann and Jim Keltner.[50] In 2011, Ono and Lennon collaborated with the Flaming Lips on an EP entitled The Flaming Lips with Yoko Ono/Plastic Ono Band.[51] The latest release from the Yoko Ono Plastic Ono Band is the 2013 album Take Me to the Land of Hell.[52] The Yoko Ono Plastic Ono Band continued to make live appearances into 2015.
John Lennon/Plastic Ono Band is the debut solo studio album by English musician John Lennon. Backed by the Plastic Ono Band, it was released by Apple Records on 11 December 1970 in tandem with the similarly titled album by his wife, Yoko Ono. At the time of its issue, John Lennon/Plastic Ono Band received mixed reviews overall, but later came to be widely regarded as Lennon's best solo album.
Klaus Otto Wilhelm Voormann is a German artist, musician, and record producer.
Imagine is the second solo studio album by English musician John Lennon, released on 9 September 1971 by Apple Records. Co-produced by Lennon, his wife Yoko Ono and Phil Spector, the album's elaborate sound contrasts the basic, small-group arrangements of his first album, John Lennon/Plastic Ono Band (1970). The opening title track is widely considered to be his signature song.
Some Time in New York City is a part-studio, part-live double album by John Lennon and Yoko Ono as Plastic Ono Band that included backing by the American rock band Elephant's Memory. Released in June 1972 in the US and in September 1972 in the UK on Apple Records, it is Lennon's sixth album to be released under his own name, and his fourth with Ono. Like Lennon's previous solo albums, it was co-produced by Lennon, Ono and Phil Spector. The album's agitprop lyrics are politically charged compared to its predecessors, addressing political and social issues and topics such as sexism, incarceration, colonialism, and racism.
James Lee Keltner is an American drummer and percussionist known primarily for his session work. He was characterized by Bob Dylan biographer Howard Sounes as "the leading session drummer in America".
Live Peace in Toronto 1969 is a live album by the Plastic Ono Band, released in December 1969 on Apple Records. Recorded at the Toronto Rock and Roll Revival festival, it was the first live album released by any member of the Beatles separately or together. John Lennon and his wife Yoko Ono received a phone call from the festival's promoters John Brower and Kenny Walker, and then assembled a band on very short notice for the festival, which was due to start the following day. The band included Eric Clapton, Klaus Voormann, and drummer Alan White. The group flew from London and had brief unamplified rehearsals on the plane before appearing on the stage to perform several songs; one of which, "Cold Turkey", was first performed live at the festival. After returning home, Lennon mixed the album in a day.
Wedding Album is the third and final in a succession of three experimental albums by John Lennon and Yoko Ono. It followed Unfinished Music No. 1: Two Virgins and Unfinished Music No. 2: Life with the Lions. In Britain, the album was released credited by "John and Yoko", without last names mentioned. In the United States, it was released credited by "John Ono Lennon & Yoko Ono Lennon."
Live in New York City is a posthumous live album by English rock musician John Lennon with the Plastic Ono Elephant's Memory Band. It was prepared under the supervision of his widow, Yoko Ono, and released in 1986 as his second official live album, the first being Live Peace in Toronto 1969.
Elephant's Memory was an American rock band formed in New York City in the late 1960s, known primarily for backing John Lennon and Yoko Ono from late 1971 to 1973. For live performances with Lennon and Ono, the band was known as the Plastic Ono Elephant's Memory Band.
"Give Peace a Chance" is an anti-war song written by John Lennon, and recorded with the participation of a small group of friends in a performance with Yoko Ono in a hotel room in Montreal, Quebec, Canada. Released as a single in July 1969 by the Plastic Ono Band on Apple Records, it is the first solo single issued by Lennon, released while he was still a member of the Beatles, and became an anthem of the American anti-war movement during the 1970s. It peaked at number 14 on the Billboard Hot 100 and number 2 on the British singles chart.
"Instant Karma!" is a song by English rock musician John Lennon, released as a single on Apple Records in February 1970. The lyrics focus on a concept in which the consequences of one's actions are immediate rather than borne out over a lifetime. The single was credited to "Lennon/Ono with the Plastic Ono Band", apart from in the US, where the credit was "John Ono Lennon". The song reached the top five in the British and American charts, competing with the Beatles' "Let It Be" in the US, where it became the first solo single by a member of the band to sell a million copies.
"Cold Turkey" is a song written by English singer-songwriter John Lennon, released as a single in 1969 by the Plastic Ono Band on Apple Records, catalogue Apples 1001 in the United Kingdom, Apple 1813 in the United States. It is the second solo single issued by Lennon and it peaked at number 30 on the Billboard Hot 100 and number 14 on the UK Singles Chart. The song's first appearance on an album was Live Peace in Toronto 1969 where the song had been performed live on 13 September 1969 with Lennon reading the lyrics off a clip-board.
Yoko Ono/Plastic Ono Band is the debut solo studio album by Japanese artist and musician Yoko Ono, released on Apple Records in December 1970 alongside her husband's album John Lennon/Plastic Ono Band. The album features Ono's vocal improvisations accompanied by the Plastic Ono Band, with the exception of "AOS", on which she is backed by the Ornette Coleman Quartet.
Fly is the second album by Yoko Ono, released in 1971. A double album, it was co-produced by Ono and John Lennon. It peaked at No. 199 on the US charts.
"Touch Me" is a song written by Yoko Ono that was first released on her 1970 album Yoko Ono/Plastic Ono Band. An edited version was later released in the U.S. as the b-side to John Lennon's single "Power to the People."
"Don't Worry Kyoko (Mummy's Only Looking for A Hand in the Snow)" is a song by Yoko Ono that was originally released by Plastic Ono Band in October 1969 as the B-side of the "Cold Turkey" single, and was later released on Ono's 1971 album Fly. Several live versions have been released, including on Plastic Ono Band's Live Peace in Toronto 1969 and the John & Yoko/Plastic Ono Band With Elephant's Memory album Some Time in New York City in 1972. An early version was titled "Mum's Only Looking for Her Hand in the Snow". It has been covered by several other artists.
"Listen, the Snow Is Falling" is a song written by Yoko Ono and recorded by Ono and the Plastic Ono Band that was first released as the B-side of John Lennon's 1971 single "Happy Xmas ." A version of the song was later released on a reissue of Lennon and Ono's Wedding Album and was covered by Galaxie 500.
Go Cat Go! is an album by the American musician Carl Perkins, released in 1996. For most of the songs, Perkins performs with other artists. The album includes recordings from all four ex-Beatles, with Paul McCartney, George Harrison and Ringo Starr recording new material, while John Lennon's version of "Blue Suede Shoes" comes from his album Live Peace in Toronto 1969. Jimi Hendrix's version of the same song is also an archive recording.
Warzone is the most recent album by Yoko Ono released on 24 October 2018, her 50th anniversary as a musician. It consists of 13 songs she picked up and reconstructed from her past albums released from 1970 to 2009. It also includes the newest version of the 1971 song "Imagine" by John Lennon. Since Take Me to the Land of Hell in 2013, this is the Ono's first in five years and 20th original album in total. This includes a bonus track only for Japan. An English-born singer, Anohni listed Warzone as her favorite album of the 2010s.
References
1 2 3 John & Yoko/Plastic Ono Band book by Yoko Ono and John Lennon, published by Thames & Hudson Ltd, October 2020, pp. 17-19
↑ Winn, John C. (2009). That Magic Feeling: The Beatles' Recorded Legacy, Volume Two, 1966–1970. New York, NY: Three Rivers Press. p.323. ISBN978-0-307-45239-9.
↑ Noyer, Paul Du (2010). "John Lennon/Plastic Ono Band". John Lennon: The Stories Behind Every Song 1970–1980 (Rev.ed.). London: Carlton Books. pp.25–26. ISBN978-1-84732-665-2.
↑ Brown, Peter. The Love You Make: An Insider's Story of The Beatles. McGraw-Hill, 1983. New American Library, 2002. 331.
↑ Du Noyer, Paul (2010). "John Lennon/Plastic Ono Band". John Lennon: The Stories Behind Every Song 1970–1980 (Rev.ed.). London: Carlton Books. p.27. ISBN978-1-84732-665-2.
↑ Lewisohn, Mark (1992). The Complete Beatles Chronicle. Harmony Books. pp.334–335.
↑ Madinger, Chip; Raile, Scott (2015). Lennonology – Strange Days Indeed – A Scrapbook Of Madness. Chesterfield, MO: Open Your Books, LLC. pp.165–166. ISBN978-1-63110-175-5.
↑ Lewisohn, Mark (1992). The Complete Beatles Chronicle. Harmony Books. p.339.
↑ Blaney, John (2005). John Lennon: Listen to This Book. Paper Jukebox. p.96.
↑ Castleman, Harry; Podrazik, Walter J. (1976). All Together Now: The First Complete Beatles Discography 1961–1975. Ballantine Books. p.171.
↑ Lewisohn, Mark (1992). The Complete Beatles Chronicle. Harmony Books. p.343.
↑ Blaney, John (2005). John Lennon: Listen to This Book (illustrateded.). [S.l.]: Paper Jukebox. p.45. ISBN978-0-9544528-1-0.
↑ Miles, Barry; Badman, Keith, eds. (2001). The Beatles Diary After the Break-Up: 1970–2001 (reprinted.). London: Music Sales Group. ISBN978-0-7119-8307-6.
↑ Spizer, Bruce (2005). The Beatles Solo on Apple Records. New Orleans, LA: 498 Productions. p.343. ISBN0-9662649-5-9.
↑ Madinger, Chip; Easter, Mark (2000). Eight Arms to Hold You: The Solo Beatles Compendium. Chesterfield, MO: 44.1 Productions. pp.79–80. ISBN0-615-11724-4.
↑ Harry, Bill (2000). The John Lennon Encyclopedia. pp.698–699.
↑ Blaney, John (2005). "1973 to 1975: The Lost Weekend Starts Here". John Lennon: Listen to This Book (illustrateded.). [S.l.]: Paper Jukebox. p.153. ISBN9780954452810.
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