Live in New York City reached No. 55 in the UK, and No. 41 in the US, eventually attaining a gold certification by RIAA.
Performances
Recorded on 30 August 1972 at Madison Square Garden in New York City, Lennon performed two shows, one in the afternoon and one in the evening, a benefit concert for the Willowbrook State School for Retarded Children in New York,[7] at friend Geraldo Rivera's request. Rivera introduces Lennon and Ono at the beginning of the album, and he is referenced in Lennon's impromptu revised lyrics in the opening song, "New York City".
The benefit concerts, billed as One to One, also featured other performers in addition to Lennon, including Stevie Wonder, Roberta Flack, Melanie Safka and Sha Na Na, although their performances are not included on this album, nor on the simultaneous video release.
Live in New York City captures Lennon's last full-length concert performance, coming right after the release of Some Time in New York City. Backing Lennon and Ono were Elephant's Memory, who had served as Lennon and Ono's backing band on Some Time in New York City. Although the material Lennon performed was largely drawn from his three most recent albums of the period (John Lennon/Plastic Ono Band, Imagine and Some Time in New York City), he also included in the setlist his solo hit "Instant Karma!", his Beatles hit "Come Together" and paid tribute to Elvis Presley with "Hound Dog" before leading the audience in a singalong of "Give Peace a Chance". "Come Together", originally in the key of D minor, was performed in E minor.
Criticism and editing
On the CD and vinyl editions, eight of the eleven songs were from the afternoon performance. The VHS and LaserDisc video versions contained fourteen songs, ten of which were from the afternoon show. Both editions included between-song dialogue taken from both shows.
Upon its early 1986 release, Ono was criticised by former members of Elephant's Memory for using mostly the afternoon performance which they regarded as weaker than the evening show. They also took issue with the simultaneous video release of the concert, which was alleged to have been edited to show Ono as prominently as Lennon. [citation needed]
The video release retained the Lennon complete set-list and also included Ono's "Sisters, O Sisters" and "Born in a Prison". Portions of the evening performance later saw release on the John Lennon Anthology.
Historical significance
The concerts documented on Live in New York City were Lennon's only rehearsed and full-length live performances in his solo career, and his only formal, full-fledged live concerts since the Beatles retired from the road in 1966. Lennon never mounted a tour during his post-Beatles career. The concerts also marked the last time he performed live with Ono or with Elephant's Memory.
In a contemporary review, Cash Box said that "This performance, five years before the debut of The Sex Pistols, presaged, among other modern trends, the whole punk movement." and that "Yoko Ono, the album’s producer, and Capitol are to be commended for bringing these important recordings to the public."[8]
On October 10, 2025, both One to One shows were released in their entirety as a super deluxe edition called Power to the People (The Ultimate Collection). This was a part of the "Ultimate Mix" campaign that had started in 2018 with Imagine and also included John Lennon/Plastic Ono Band in 2021, Mind Games in 2024, and a greatest hits album entitled Gimmie Some Truth: The Ultimate Mixes in 2020. The set also includes a "hybrid" show, containing highlights from both performances, a remixed and reimagined version of Lennon's 1972 political album Some Time in New York City as New York City (The Ultimate Mixes), live, studio, and home jams, and three blu ray audio discs of all of the material in high resolution audio, although "Woman is the Nigger of the World" was completely omitted from all of the discs (Including the remixed album and shows).[9]
Track listing
All tracks are written by John Lennon, except where noted.
↑ Gary Graff & Daniel Durcholz (eds), MusicHound Rock: The Essential Album Guide, Visible Ink Press (Farmington Hills, MI, 1999; ISBN1-57859-061-2), p. 667.
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