"Well Well Well" | |
---|---|
Song by John Lennon | |
from the album John Lennon/Plastic Ono Band | |
Published | Northern Songs |
Released | 11 December 1970 |
Recorded | 1970 |
Genre | Rock |
Length | 5:59 |
Label | Apple |
Songwriter(s) | John Lennon |
Producer(s) | John Lennon, Yoko Ono, Phil Spector |
"Well Well Well" is a song by the English musician John Lennon from his 1970 album John Lennon/Plastic Ono Band . The eighth and longest track on the album, "Well Well Well" features an aggressive guitar sound, screaming vocals and a pounding backing track. [1]
The lyrics of "Well Well Well" describe mundane incidents from Lennon's daily life with wife Yoko Ono. [2] [3] [4] Incidents described include eating a meal together, going for a walk, and discussing current events such as "revolution" and "women's liberation." [3] The song also describes the uneasiness the couple feel during these events, but which they cannot understand. [3] [4] Authors Ben Urish and Ken Bielen suggest that this uneasiness is due to guilt the couple feel about being able to talk about issues but having the luxury of deciding whether or not to take action. [3]
One line of the song refers to Yoko Ono as "she looked so beautiful I could eat her." [5] Music critic Wilfrid Mellers interprets this line as evidence of a "cannibalistic impulse" to the song. [5] [6] However, critic Johnny Rogan believes it is more likely simply a reference to oral sex. [5] Early lyrics for the song used a slightly different line: "she looked so beautiful I could wee." [4] [5] In the performance of the song during the One-To-One concert at Madison Square Garden (in NYC) on 30 August 1972, when Lennon says the line "she looked so beautiful I could eat her", he follows it with "and I did", while looking at Ono, who smiles and nods at Lennon.
The melody of "Well Well Well" is pentatonic, incorporating a proper tritone. [6] In the stanzas there is little harmony other than the instruments doubling the vocal line and the thumping drum. [6] The chorus is in call and response form, and uses triadic harmony. [6]
Instrumentation for "Well Well Well" is provided by Lennon, Klaus Voormann and Ringo Starr performing as a power trio with Lennon on guitar, Voormann on bass and Starr on drums. [3] Rock journalist Paul du Noyer describes Lennon's guitar playing as "clenched" and "grunge-like" and claims that Starr's drumming is "some of Ringo's toughest." [4] Urish and Bielen suggest that Lennon's guitar playing on the song and on Yoko Ono/Plastic Ono Band were an influence on punk rock. [3] Music critic Johnny Rogan comments on the "thumping bass drum" which, along with Lennon's guitar playing, makes "Well Well Well" the "heaviest and loudest" song on Plastic Ono Band. [5] Author John Blaney describes the rhythm track as "pulsing," claiming it "echoes the beating hearts" from Lennon's earlier song "John & Yoko" from The Wedding Album . [2]
Lennon's singing on the song ranges between tender and ferocious. [2] In the middle section he screams the song's title with particular abandon. [3] Authors Chip Madinger and Mark Easter call this "the most tortured-larynx singing of John's career." [7] Mellers attributes the screams of the title phrase at the end of the song to Lennon capitulating "to the infant's hysteria, traumatically howling for the maternal breast," as a result of Lennon undergoing Arthur Janov's primal therapy at the time he wrote the song. [6]
Although the song was released commercially in mono, Phil Spector produced a rough mix in stereo. [2] [7] The stereo mix has appeared on bootleg albums. [7]
According to Ringo Starr, Lennon played Lee Dorsey's "Everything I Do Gonh Be Funky (From Now On)" 100 times while recording "Well Well Well" in an effort to capture the feel of the song. [7]
Music critic Robert Christgau describes "Well Well Well" as an "unsung great song." [8] Rolling Stone critic Stephen Holden considers the "furious howls" on "Well Well Well," as well as two other John Lennon/Plastic Ono Band songs–"Mother" and "Isolation"– to be unprecedented in rock 'n' roll, which serves as a clear influence to later rock singers like Kurt Cobain. [9] Music critic Paul Evans claims that the Plastic Ono Band songs "Well Well Well" and "I Found Out" are "tougher rock than nearly anything released before the Sex Pistols." [10]
The musicians who performed on the original recording were as follows: [11]
Lennon played "Well Well Well" live in concert twice, at the two One on One benefit concerts at Madison Square Garden on 30 August 1972. [2] [7] A heavily edited version of the matinee performance was included on the album and video Live in New York City . [7] Urish and Bielen note that the live version is taken at a quicker pace than the studio version, which they believe makes it one of the stronger songs on Live in New York City. [3] Music critic Johnny Rogan, though not considering "Well Well Well" to be one of the strongest songs on Plastic Ono Band, notes that the live performance "works remarkably well." [5] On the other hand, Allmusic critic Richard Ginell calls the live performance "a perfunctory run-through." [12]
An acoustic version of "Well Well Well" was released on the 2004 album Acoustic . [2] The instrumentation on this version include just Lennon playing acoustic guitar. [2] This version of the song contains the line "She looked so beautiful I could wee" instead of "She looked so beautiful I could eat her." [3] Urish and Bielen raise the possibility that since Lennon was singing in a nasal voice and dropping some consonants, he may have been actually singing "She looked so beautiful I could weep." [3] Allmusic critic Stephen Thomas Erlewine calls the Acoustic version "lean, mean...with a heavily phased vocal." [13]
A small portion of "Well Well Well" appears within "Something More Abstract," a bonus track on the CD version of the Yoko Ono/Plastic Ono Band album. [7] On this version, Ringo Starr and Klaus Voormann get to briefly play drums and bass before Yoko Ono tells them play "something more abstract." [7]
Super 8 covered "Well Well Well" for the 1995 tribute album Working Class Hero: A Tribute to John Lennon . [3] It was included in the soundtrack to Martin Scorsese's film, The Departed , [14] and also in the Showtime series, Brotherhood .
On their 2015 club tour, rock band Cold War Kids often covered this to start their encore. [15]
The Argentinian punk band Los Rusos Hijos de Puta recorded a Spanish version of the song "Bien Bien Bien" on their 2015 album titled "La Rabia Que Sentimos Es El Amor Que Nos Quitan".
The song makes its appearance in the last chapter of the second season of the series For all mankind
"Kiss Kiss Kiss" is a song by Japanese singer Yoko Ono. It was originally released on Double Fantasy, her joint album with John Lennon, as well as on the B-side of his "(Just Like) Starting Over" single. The disco and new wave-influenced song features Ono gasping heavily and appearing to reach orgasm.
"Isolation" is a 1970 song appearing on John Lennon's first official solo album release, John Lennon/Plastic Ono Band. It ends side one of the album, and is the fifth track. In the Philippines, Apple Records released "Isolation" as the B-side to "Mother", the single off John Lennon/Plastic Ono Band, in contrast to most countries where the B-side was Yoko Ono's "Why". It was also released on an EP in Mexico along with "Mother", "Look at Me" and "My Mummy's Dead".
"Remember" is a song by the English rock musician John Lennon from his 1970 album John Lennon/Plastic Ono Band.
"Hold On" is a song from the album John Lennon/Plastic Ono Band by John Lennon. It features only vocals, tremolo guitar, drums, and bass guitar, typical of the sparse arrangements Lennon favoured at the time. On the 2000 reissue of John Lennon/Plastic Ono Band, "Hold On" features a slightly longer introduction. The original version was restored on the 2010 reissue.
"My Mummy's Dead" is the closing song on the album John Lennon/Plastic Ono Band by John Lennon. The song was also released on a Mexican EP that also contained "Mother", "Isolation" and "Look at Me".
"Going Down on Love" is a song by John Lennon, released as the first track on his 1974 album Walls and Bridges. It was also released as the B-side of Lennon's "Jealous Guy" single in 1985.
"Old Dirt Road" is a song written by John Lennon and Harry Nilsson, first released on Lennon's 1974 album Walls and Bridges. Nilsson later recorded the song on his 1980 album Flash Harry.
"I Know (I Know)" is a song written by John Lennon released on his 1973 album Mind Games. The song is included on the 1998 box set John Lennon Anthology and the 2020 compilation album Gimme Some Truth. The Ultimate Mixes.
"Sisters, O Sisters", also known as "Sisters O Sisters", is a song written by Yoko Ono that first appeared on John Lennon's and Yoko Ono's 1972 Plastic Ono Band album Some Time in New York City, backed by Elephant's Memory. It was also released as the b-side to the couple's "Woman Is the Nigger of the World" single. It has been covered by a number of artists, including Le Tigre and Tater Totz.
"Born in a Prison" is a song written by Yoko Ono and first released on her 1972 album with John Lennon Some Time in New York City as part of their Plastic Ono Band project.
"New York City" is a song written by John Lennon that was first released on Lennon's and Yoko Ono's 1972 Plastic Ono Band album Some Time in New York City.
"What You Got" is a song written by John Lennon that was first released on his 1974 album Walls and Bridges. It was later released as the B-side to his top 10 "#9 Dream" single.
"Bless You" is a song written by John Lennon that was first released on his 1974 album Walls and Bridges. It is a ballad expressing his love for his wife Yoko Ono, from whom he was separated at the time. Alternative versions appeared on the compilation albums Menlove Ave. and John Lennon Anthology.
"Scared" is a song written by John Lennon that was first released on his 1974 album Walls and Bridges. Alternate versions were subsequently released on the compilation albums Menlove Ave. and John Lennon Anthology.
"Why" is a song written by Yoko Ono that was first released on her 1970 Yoko Ono/Plastic Ono Band album. In the U.S. it was also released as the B-side of John Lennon's "Mother" single, taken from his John Lennon/Plastic Ono Band album.
"Touch Me" is a song written by Yoko Ono that was first released on her 1970 album Yoko Ono/Plastic Ono Band. An edited version was later released in the U.S. as the b-side to John Lennon's single "Power to the People."
"Don't Worry Kyoko (Mummy's Only Looking for Her Hand in the Snow)" is a song by Yoko Ono that was originally released by Plastic Ono Band in October 1969 as the B-side of the "Cold Turkey" single, and was later released on Ono's 1971 album Fly. Several live versions have been released, including on Plastic Ono Band's Live Peace in Toronto 1969 and the John & Yoko/Plastic Ono Band With Elephant's Memory album Some Time in New York City in 1972. An early version was titled "Mum's Only Looking for Her Hand in the Snow". It has been covered by several other artists.
"Who Has Seen the Wind?" is a song written by Yoko Ono that first appeared as the B-side of John Lennon's single "Instant Karma!" It was later issued as a bonus track on a compact disc version of the Wedding Album.
"Listen, the Snow Is Falling" is a song written by Yoko Ono and recorded by Ono and the Plastic Ono Band that was first released as the B-side of John Lennon's 1971 single "Happy Xmas ." A version of the song was later released on a reissue of Lennon and Ono's Wedding Album and was covered by Galaxie 500.
"Sunday Bloody Sunday" is a song written by John Lennon and Yoko Ono that was first released on their 1972 Plastic Ono Band album with Elephant's Memory, Some Time in New York City. The song addresses the Bloody Sunday massacre of 1972 and is one of two on the album that addresses the contemporary Northern Ireland conflict, "The Luck of the Irish" being the other.