Yoko Ono/Plastic Ono Band | ||||
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Studio album by Yoko Ono with Plastic Ono Band | ||||
Released | 11 December 1970 | |||
Recorded | 10 October – 6 November 1970 February 1968 ("AOS") | |||
Studio | Abbey Road, London Royal Albert Hall, London ("AOS") | |||
Genre | ||||
Length | 40:29 | |||
Label | Apple | |||
Producer | Yoko Ono, John Lennon | |||
Yoko Ono chronology | ||||
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Yoko Ono/Plastic Ono Band is the debut solo studio album by Japanese artist and musician Yoko Ono, released on Apple Records in December 1970 alongside her husband's album John Lennon/Plastic Ono Band . The album features Ono's vocal improvisations accompanied by the Plastic Ono Band (consisting of Lennon on guitar, Ringo Starr on drums, and Klaus Voormann on bass), with the exception of "AOS", on which she is backed by the Ornette Coleman Quartet. [3]
In the United States, Yoko Ono/Plastic Ono Band peaked at number 182 on the Billboard album chart. The album was poorly received upon release, with the exception of supportive reviews by Billboard and Lester Bangs of Rolling Stone . Despite its lack of commercial success, it has been influential on a variety of subsequent musicians.
With the exception of "AOS", Yoko Ono/Plastic Ono Band was recorded at Abbey Road Studios during the same September–October 1970 sessions that produced the John Lennon/Plastic Ono Band album. [4] [5] Also recorded at this time was "Between the Takes", which was released on the 1998 CD reissue of Ono's 1971 album Fly . [4] "Greenfield Morning I Pushed an Empty Baby Carriage All Over the City" was based on a sample from a tape of George Harrison playing sitar and drums by Ringo Starr treated with tape echo, [6] with lyrics referencing a miscarriage that were derived from Ono's 1964 book Grapefruit. [7] Ono's vocalisations on tracks such as "Why" and "Why Not" mixed hetai, a Japanese vocal technique from kabuki theatre, with rock vocal styles and a raw aggression influenced by the then-popular primal therapy that Lennon and Ono had been undertaking at the time. According to Ono, the recording engineers were in the habit of turning off the recording equipment when she began to perform; at the end of "Why", Lennon can thus be heard asking "Were you gettin' that?" [6]
On 29 February 1968, Ono appeared onstage at London's Royal Albert Hall with avant-garde jazz musician Ornette Coleman and his quartet, then consisting of drummer Ed Blackwell and bassists Charlie Haden and David Izenzon. The performance and their afternoon rehearsal were both recorded; "AOS" was recorded during the rehearsal and included on the album, the only track not featuring the Plastic Ono Band. Describing how she met Coleman, Ono has stated:
Ornette was already very, very established and famous and respected guy as a musician. And I met him in Paris. The way I met was, I was doing a show and after the show, somebody said, Oh, Ornette Coleman is here and he would like to – okay. Well, hello. Thank you for coming. That kind of thing. And he was saying, Well, okay. So he said that he was going to go and do a concert in Albert Hall and would I come and do it with him because he thought it was kind of interesting what I do. [8]
Review scores | |
---|---|
Source | Rating |
AllMusic | [9] |
Rolling Stone | Positive [10] |
Pitchfork | 9.1/10 [11] |
Yoko Ono/Plastic Ono Band was released through Apple Records to considerable critical disdain on 11 December 1970, at a time when Ono was widely blamed for the recent break-up of The Beatles. It peaked at number 182 during a three-week run on the Billboard album chart in the United States, and failed to chart in the United Kingdom. [5] Among the few favorable contemporary reviews were those of Billboard , which called it "visionary," and Rolling Stone critic Lester Bangs, who called it "the first J&Y album that doesn’t insult the intelligence—in fact, in its dark confounding way, it’s nearly as beautiful as John’s album… There’s something happening here." [10]
More recently, the album has been credited with having an influence on musicians grossly disproportionate to its sales and visibility, akin to that of the Velvet Underground. [12] [13] David Browne of Entertainment Weekly has credited the album with "launching a hundred or more female alternative rockers, like Kate Pierson & Cindy Wilson of the B-52s to[ sic ] current thrashers like L7 and Courtney Love of Hole". NPR Music ranked at number 136 on their 2017 list of "The 150 Greatest Albums Made By Women". The site's Marissa Lorusso deemed it "jarring, experimental and stunning" and cited its "fearless curiosity" as influencing subsequent experimental rock, experimental electronic music, post-punk, and sound art. [14]
In a 2017 Bandcamp Daily feature focused on Ono's impact, British electronic musician Kiran Leonard applauded Yoko Ono/Plastic Ono Band, writing: "the strength and range of vocal techniques on [the album] is simply astonishing...to do what Ono does with her voice on [the album] is no easy task." [15]
The covers of Yoko Ono/Plastic Ono Band and John Lennon/Plastic Ono Band are nearly identical. Lennon pointed out the difference in their 1980 Playboy interview: "in Yoko's, she's leaning back on me; in mine, I'm leaning on her". The photos were taken with an Instamatic camera on the grounds of their Tittenhurst Park estate in Berkshire by actor Daniel Richter, who lived with them and worked as their assistant at the time.
The album was reissued on compact disc by Rykodisc in 1997, with three bonus tracks from the era. [16] An "LP replica" special edition was issued by V2 Records in Japan in 2007, [17] and the album was reissued again on LP, compact disc, and digital download by Secretly Canadian in 2016, with bonus tracks and rare photos.
An alternate version of "Open Your Box", the B-side to the UK issue of Lennon's 1971 single "Power to the People", appears on the 1997 and 2016 reissues.
All songs written by Yoko Ono.
Side one
Side two
Tracks 1–6 per the 1970 release, with the following bonus tracks:
Tracks 1–6 per the 1970 release, with the following bonus tracks:
The 2020 deluxe box set of John Lennon/Plastic Ono Band included a Blu-ray disc containing the unedited live sessions for Yoko Ono/Plastic Ono Band as well as three previously unreleased songs and three B-sides that appeared on John Lennon singles in 1969 and 1970. [18] "Life" is the full version of the track "Between the Takes", which appeared as a bonus track on CD reissues of Fly .
Technical personnel [5]
Chart (1970) | Peak position | Total weeks |
---|---|---|
US Billboard 200 [20] | 182 | 3 |
Country | Date | Format | Label | Catalog |
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United States | 11 December 1970 [21] | LP | Apple | SW 3373 [22] |
Cassette | 4XW 3373 [23] | |||
8-Track | 8XW 3373 [24] | |||
United Kingdom | LP | SAPCOR 17 [22] | ||
Japan (Promo) | 1970 | LP (Red) [25] | AP-80175 [26] | |
Japan | 13 January 1971 | LP | ||
United States | 20 May 1997 [27] | CD | Rykodisc | RCD 10414 [16] |
United Kingdom | 1997 | |||
Japan | VACK-5370 [28] | |||
24 January 2007 | Rykodisc, Apple | VACK-1308 [17] | ||
United States & Europe | 11 November 2016 | LP | Secretly Canadian, Chimera Music | SC281/CHIM20 [29] |
LP (Clear) [30] | ||||
CD [31] | ||||
Japan | 7 December 2016 | CD | Sony Records International | SICX-73 [32] |
22 February 2017 | LP (Clear) | SIJP-33 [33] |
Yoko Ono is a Japanese multimedia artist, singer, songwriter, and peace activist. Her work also encompasses performance art and filmmaking.
John Lennon/Plastic Ono Band is the debut solo studio album by English musician John Lennon. Backed by the Plastic Ono Band, it was released by Apple Records on 11 December 1970 in tandem with the similarly titled album by his wife, Yoko Ono. At the time of its issue, John Lennon/Plastic Ono Band received mixed reviews overall, but later came to be widely regarded as Lennon's best solo album.
Mind Games is the fourth solo studio album by English musician John Lennon. It was recorded at Record Plant Studios in New York in summer 1973. The album was released in the US on 29 October 1973 and in the UK on 16 November 1973. It was Lennon's first self-produced recording without help from Phil Spector. Like his previous album, the politically topical and somewhat abrasive Some Time in New York City, Mind Games received mixed reviews upon release. It reached number 13 in the UK and number 9 in the US, where it was certified gold.
Rock 'n' Roll is the sixth solo studio album by English musician John Lennon. Released in February 1975, it is an album of late 1950s and early 1960s songs as covered by Lennon. Recording the album was problematic and spanned an entire year: Phil Spector produced sessions in October 1973 at A&M Studios, and Lennon produced sessions in October 1974 at the Record Plant (East). Lennon was being sued by Morris Levy over copyright infringement of one line in his Beatles song "Come Together". As part of an agreement, Lennon had to include three Levy-owned songs on Rock 'n' Roll. Spector disappeared with the session recordings and was subsequently involved in a motor accident, leaving the album's tracks unrecoverable until the beginning of the Walls and Bridges sessions. With Walls and Bridges coming out first, featuring one Levy-owned song, Levy sued Lennon expecting to see Lennon's Rock 'n' Roll album.
Walls and Bridges is the fifth solo studio album by English musician John Lennon. It was issued by Apple Records on 26 September 1974 in the United States and on 4 October in the United Kingdom. Written, recorded and released during his 18-month separation from Yoko Ono, the album captured Lennon in the midst of his "Lost Weekend". Walls and Bridges was an American number-one album on both the Billboard and Record World charts and included two hit singles, "Whatever Gets You thru the Night" and "#9 Dream". The first of these was Lennon's first number-one hit in the United States as a solo artist, and his only solo chart-topping single in either the US or Britain during his lifetime.
Live Peace in Toronto 1969 is a live album by the Plastic Ono Band, released in December 1969 on Apple Records. Recorded at the Toronto Rock and Roll Revival festival, it was the first live album released by any member of the Beatles separately or together. John Lennon and his wife Yoko Ono received a phone call from the festival's promoters John Brower and Kenny Walker, and then assembled a band on very short notice for the festival, which was due to start the following day. The band included Eric Clapton, Klaus Voormann, and drummer Alan White. The group flew from London, and had brief unamplified rehearsals on the plane before appearing on the stage to perform several songs; one of which, "Cold Turkey", was first performed live at the festival. After returning home, Lennon mixed the album in a day.
"Give Peace a Chance" is an anti-war song written by John Lennon, and recorded with the participation of a small group of friends in a performance with Yoko Ono in a hotel room in Montreal, Quebec, Canada. Released as a single in July 1969 by the Plastic Ono Band on Apple Records, it is the first solo single issued by Lennon, released while he was still a member of the Beatles, and became an anthem of the American anti-war movement during the 1970s. It peaked at number 14 on the Billboard Hot 100 and number 2 on the British singles chart.
The Plastic Ono Band were a rock band formed by John Lennon and Yoko Ono in 1969 for their collaborative and solo projects based on their 1968 Fluxus conceptual art project of the same name.
"You Know My Name (Look Up the Number)" is a song by the English rock band the Beatles released initially as the B-side of the single "Let It Be" on 6 March 1970. Although first issued with their final single (and the penultimate single in the United States), the Beatles recorded the song in four separate sessions, beginning with three in May and June 1967, during the sessions for Magical Mystery Tour, with one final recording session conducted in April 1969 during the last sessions for Let It Be and Abbey Road. The song features a saxophone part played by Brian Jones of the Rolling Stones.
"Cold Turkey" is a song written by English singer-songwriter John Lennon, released as a single in 1969 by the Plastic Ono Band on Apple Records, catalogue Apples 1001 in the United Kingdom, Apple 1813 in the United States. It is the second solo single issued by Lennon and it peaked at number 30 on the Billboard Hot 100 and number 14 on the UK Singles Chart. The song's first appearance on an album was Live Peace in Toronto 1969 where the song had been performed live on 13 September 1969 with Lennon reading the lyrics off a clip-board.
Season of Glass is the fifth studio album by Yoko Ono, her first solo recording after the murder of her husband John Lennon. Season of Glass, released in 1981, reached number 49 on the US Billboard 200 albums chart, making it Ono's highest-charting solo album to date.
Fly is the second album by Yoko Ono, released in 1971. A double album, it was co-produced by Ono and John Lennon. It peaked at No. 199 on the US charts.
"Every Man Has a Woman Who Loves Him" is a song by Yoko Ono from the album Double Fantasy with John Lennon. Other versions were released, including one released as a single where Ono's voice was removed, leaving what had been Lennon's backing vocal as the primary vocal.
"Hold On" is a song from the album John Lennon/Plastic Ono Band by John Lennon. It features only vocals, tremolo guitar, drums, and bass guitar, typical of the sparse arrangements Lennon favoured at the time. On the 2000 reissue of John Lennon/Plastic Ono Band, "Hold On" features a slightly longer introduction. The original version was restored on the 2010 reissue.
"Well Well Well" is a song by English musician John Lennon from his 1970 album John Lennon/Plastic Ono Band. The eighth and longest track on the album, "Well Well Well" features an aggressive guitar sound, screaming vocals and a pounding backing track.
"Early 1970" is a song by English rock musician Ringo Starr that was released as the B-side of his April 1971 single "It Don't Come Easy". A rare example of Starr's songwriting at the time, it was inspired by the break-up of the Beatles and documents his relationship with his three former bandmates. The lyrics to the verses comment in turn on Paul McCartney, John Lennon and George Harrison as individuals, and the likelihood of each of them making music with Starr again. In the final verse, Starr offers a self-deprecating picture of his musical abilities and expresses the hope that all four will play together in the future. Commentators have variously described "Early 1970" as "a rough draft of a peace treaty" and "a disarming open letter" from Starr to Lennon, McCartney and Harrison.
"Why" is a song written by Yoko Ono that was first released on her 1970 Yoko Ono/Plastic Ono Band album. In the U.S. it was also released as the B-side of John Lennon's "Mother" single, taken from his John Lennon/Plastic Ono Band album.
"Touch Me" is a song written by Yoko Ono that was first released on her 1970 album Yoko Ono/Plastic Ono Band. An edited version was later released in the U.S. as the b-side to John Lennon's single "Power to the People."
"Don't Worry Kyoko (Mummy's Only Looking for A Hand in the Snow)" is a song by Yoko Ono that was originally released by Plastic Ono Band in October 1969 as the B-side of the "Cold Turkey" single, and was later released on Ono's 1971 album Fly. Several live versions have been released, including on Plastic Ono Band's Live Peace in Toronto 1969 and the John & Yoko/Plastic Ono Band With Elephant's Memory album Some Time in New York City in 1972. An early version was titled "Mum's Only Looking for Her Hand in the Snow". It has been covered by several other artists.
Japanese multimedia artist, singer and songwriter Yoko Ono has released 14 studio albums, eight collaborative albums, and 40 singles as a lead artist. Married to English singer-songwriter and the Beatles member John Lennon until his murder in 1980, she has contributed several B-sides to his singles from late 1960s to the 1980s. Ono released her debut studio album Yoko Ono/Plastic Ono Band in December 1970, faring poorly in the United States. Similar moderate success was achieved with her follow-up records Fly (1971) and Approximately Infinite Universe (1973).
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