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Salvador Dalí is a 1966 35-minute film directed by Andy Warhol. The film features surrealist artist Salvador Dalí visiting The Factory and meeting the rock band The Velvet Underground.
Poor Little Rich Girl is a 1965 underground film by Andy Warhol starring Edie Sedgwick. Poor Little Rich Girl was conceived as the first film in part of a series featuring Sedgwick called The Poor Little Rich Girl Saga. The saga was to include other Warhol films: Restaurant, Face, and Afternoon.
Blow Job is a silent film directed by Andy Warhol. It depicts the face of an uncredited DeVeren Bookwalter as he apparently receives fellatio from an unseen partner. While shot at 24 frames per second, Warhol specified that it should be projected at 16 frames per second, slowing it down by a third.
Lonesome Cowboys is a 1968 American Western film directed by Andy Warhol and written and produced by Paul Morrissey. The film is a satire of Hollywood Westerns, and was initially screened in November 1968 at the San Francisco International Film Festival, where it won the Best Film Award. On May 5, 1969, it was shown for initial viewings at the New Andy Warhol Garrick Theatre in New York City.
Eat (1964) is a 45-minute underground film created by Andy Warhol and featuring painter Robert Indiana, filmed on Sunday, February 2, 1964, in Indiana's studio. The film was first shown by Jonas Mekas on July 16, 1964, at the Washington Square Gallery at 530 West Broadway.
More Milk, Yvette (1966) is an avant garde film directed by Andy Warhol and filmed at The Factory. The film is Andy Warhol's tribute to Lana Turner and Johnny Stompanato, and features Warhol superstar Mario Montez in the role of Turner, and also features Paul Caruso and Richard Schmidt.
Eating Too Fast is a 1966 Andy Warhol film made at The Factory. It was originally titled Blow Job #2 and features art critic and writer Gregory Battcock (1937–1980). The film is 67 minutes long and is, in effect, a black and white sound film remake of Warhol's Blow Job (1964). Battcock had previously appeared in Warhol's films Batman Dracula (1964) and Horse (1965).
The Velvet Underground and Nico: A Symphony of Sound is a 1966 American film by Andy Warhol and Paul Morrissey. The film was made at The Factory on January 3, 1966. It is 67 minutes long and was filmed in 16mm black and white.
Four Stars is a 1967 avant-garde film by Andy Warhol, consisting of 25 hours of film. In typical Warhol fashion of the period, each reel of the film is 35 minutes long, or 1200 ft. in length, and is shot in sync-sound.
Bike Boy is a 1967 American avant garde film directed by Andy Warhol, and was shown, for initial viewings, at the New Andy Warhol Garrick Theatre, at 152 Bleecker Street, Manhattan, New York City. The film has a bit part by Valerie Solanas.
San Diego Surf is a 1968 feature film directed by Andy Warhol and Paul Morrissey, and filmed in La Jolla, California in May 1968. On June 3, 1968, Warhol was shot by Valerie Solanas, bringing work on the film to a halt. In 1996, the Andy Warhol Foundation commissioned Morrissey to "finish editing the film based on Warhol's notes".
Kitchen is a 1966 feature-length underground film directed by Andy Warhol and Ronald Tavel, and starring Edie Sedgwick, Rene Ricard, Tavel, Roger Trudeau, David McCabe, Donald Lyons, and Electrah. The entire film takes place in the New York City kitchen of Bud Wirtschafter, the sound man.
Harlot is a 1964 American underground film directed by Andy Warhol, written by Ronald Tavel, and featuring Mario Montez lounging on a sofa, eating bananas, with Gerard Malanga in a tuxedo, and with Tavel, Billy Name, and Harry Fainlight having an off-screen discussion. This was Warhol's first sync-sound movie, filmed in December 1964 with his new Auricon camera.
Henry Geldzahler (1964) is a feature-length underground film directed by Andy Warhol, featuring art curator Henry Geldzahler smoking a cigar and becoming increasingly uncomfortable for 97 minutes. The film was shot silent and in black-and-white in the first week of July 1964, using unused film left from the filming of Empire.
The Nude Restaurant, also billed as Nude Restaurant, is a 1967 feature-length underground film directed by Andy Warhol, and starring Viva, Louis Waldon, Taylor Mead, Billy Name, Allen Midgette, and Rolando Peña. Different versions of the film exist, with one being an all-male, all-nude cast, and the other with all actors in G-strings. It was filmed in one day at the Mad Hatter Restaurant in Manhattan in October 1967.
Soap Opera, subtitled The Lester Persky Story, is a 1964 feature-length underground film directed by Andy Warhol, starring Baby Jane Holzer, and featuring Gerard Malanga, Sam Green, and Ivy Nicholson. The subtitle was used by Warhol since he used old television advertisement footage provided by Lester Persky.
Couch (1964) is a feature-length underground film directed by Andy Warhol, and starring Gerard Malanga, Piero Heliczer, Naomi Levine, Gregory Corso, Allen Ginsberg, John Palmer, Baby Jane Holzer, Ivy Nicholson, Amy Taubin, Ondine, Peter Orlovsky, Jack Kerouac, Taylor Mead, Kate Heliczer, Rufus Collins, Joseph LeSeuer, Binghamton Birdie, Mark Lancaster, Gloria Wood, and Billy Name.
Camp is a 1965 feature-length underground film directed by Andy Warhol in October 1965 at The Factory. The film stars Gerard Malanga, Baby Jane Holzer, Tally Brown, Mario Montez, Jack Smith, Paul Swan, and Dorothy Dean.
Space (1965) is an underground film directed by Andy Warhol, written by Ronald Tavel, and starring Edie Sedgwick, Gino Piserchio, Dorothy Dean, Ed Hennessey, singer-songwriter Eric Andersen, and Norman Levine. Unlike many of Warhol's other films made at The Factory, this film involved a moving camera, moving around the actors as they stood still.
Horse is a 1965 underground film directed by Andy Warhol, written by Ronald Tavel, and starring Edie Sedgwick, Gregory Battcock, Tosh Carillo, Ondine, Norman Glick, Daniel Cassidy Jr., and Larry Latrae (Latreille). Warhol makes a cameo.
