Blood for Dracula | |
---|---|
Directed by | Paul Morrissey |
Screenplay by | Paul Morrissey [1] |
Story by | Paul Morrissey [1] |
Based on | Characters and concepts created by Bram Stoker for Dracula |
Produced by |
|
Starring | |
Cinematography | Luigi Kuveiller [1] |
Edited by |
|
Music by | Claudio Gizzi [3] [1] |
Production company | Compagnia Cinematografica Champion [2] |
Distributed by | Euro International Films |
Release dates |
|
Running time | 106 minutes [4] |
Countries |
|
Language | English |
Blood for Dracula is a 1974 comedy horror film written and directed by Paul Morrissey, and starring Udo Kier, Joe Dallesandro, Maxime McKendry, Stefania Casini, Arno Juerging and Vittorio de Sica. Upon its initial 1974 release in West Germany and the United States, Blood for Dracula was released as Andy Warhol's Dracula.
The film involves Count Dracula arriving in Italy to feast upon the blood of virgins, only to find difficulty with this due to the lack of virgins present in Italy.
Filming began shortly after the completion of Flesh for Frankenstein . Italian director Antonio Margheriti is credited in Italian prints of the film despite not directing it. This misattribution led both producer Carlo Ponti and Margheriti to be put on trial for "continued and aggravated fraud against the state" by attempting to gain benefits by law for Italian films. [5]
According to the American Film Institute, the film opened to mixed reviews.
In the early 1920s, a sickly and dying Count Dracula, who must drink virgin blood to survive, travels from Transylvania to pre-Fascist Italy, following his servant Anton's plan and thinking he will be more likely to find a virgin in a Catholic country. At the same time, all of Dracula's family has vanished because of the lack of virgins in their hometown, and because that family's reputation discourages others, particularly women, from going near Dracula's castle. Shortly after arriving in Italy, Dracula befriends Il Marchese di Fiore (de Sica), an impecunious Italian landowner who, with a lavish estate falling into decline, is willing to marry off one of his four daughters to the wealthy aristocrat.
Of di Fiore's four daughters, Saphiria and Rubinia regularly enjoy the sexual services of Mario, the estate's handyman, a proud peasant and staunch Marxist who believes that the socialist revolution will happen soon in his country. Esmeralda and Perla, the eldest and youngest of the four, respectively are virgins. Esmeralda is seen as too plain and past her prime for marriage, and Perla is only 14 years old (though she is portrayed by 23-year-old Dionisio). Dracula obtains assurances that all the daughters are virgins and drinks the blood of the two who are considered marriageable. However, their "tainted" blood reveals to him the truth and makes him even weaker. Nevertheless, he is able to telepathically turn the two girls into his slaves.
Soon after the Marchese di Fiore travels out of Italy to pay his great debts, Mario discovers that Dracula is a vampire and what he has done to the di Fiore sisters. When he realizes the danger Dracula poses to Perla, the youngest, he uses the excuse of protecting her to rape her. Mario then warns di Fiore's wife, La Marchesa di Fiore, about Dracula's plan. Meanwhile, Dracula has drunk the blood of Esmeralda, turning her into a vampire and regaining his strength. La Marchesa confronts Anton, and after he stabs her, she fatally shoots him before succumbing herself to her wound. Mario kills Dracula and Esmeralda, becoming the de facto master and manager of the estate.
In 1973, Paul Morrissey and Joe Dallesandro came to Italy to shoot a film for producers Andrew Braunsberg and Carlo Ponti. [7] The original idea came from director Roman Polanski who had met Morrissey when promoting his film What? with Morrissey stating that Polanski felt he would be "a natural person to make a 3-D film about Frankenstein. I thought it was the most absurd option I could imagine." [7] Morrissey convinced Ponti to not just make one film during this period, but two which led to the production of both Flesh for Frankenstein and Blood for Dracula. [7]
One day after the principal shooting for Flesh for Frankenstein was completed, Morrissey had Udo Kier, Dallesandro and Arno Juerging get shorter hair cuts, as filming for Blood for Dracula began immediately. [2] The film featured other directors in the cast, including Vittorio De Sica, who wrote his own lines on the set. [5] Roman Polanski also made a cameo in a tavern scene. [5] Despite other sources' claims, Polanski was not shooting What? at the time in Italy, as that film had already been released in Italy by the time the film Blood for Dracula went into production. [5] On its release, the film was promoted with Andy Warhol's name. When asked about how he contributed to the film, Warhol responded that "I go to the parties," following up that "All of us at The Factory contribute ideas." [8]
Italian credits of the film give different credits, including stating Tonino Guerra wrote the screenplay and story, and Franca Silvi edited the film as opposed to Jed Johnson. [1] Antonio Margheriti is credited as the director in the Italian prints, which he later claimed was not true, but that he did direct scenes with Silvia Dionisio and Vittorio de Sica. [5] Udo Kier has stated that other cast members and himself only received direction from Morrissey and that he never saw Margheriti on the set. [9] Margheriti credit was due to Carlo Ponti having an Italian credited in order to obtain benefits by law for Italian films. [5] Ponti and Margheriti were both put on trial later for "continued and aggravated fraud against the state". [5]
Blood for Dracula was first released as Andy Warhol's Dracula in both West Germany on 1 March 1974 [2] and the United States on 6 November 1974. [10] [11] A 98-minute version was released theatrically by Euro International Films in Italy on 14 August 1975 as Dracula cerca sangue di vergine e...morì di sete!!! (lit. 'Dracula is searching for virgins' blood, and...he died of thirst!!!'). [12] In Italy, the film grossed a total of 345,023,314 Italian lire. [2] In the United Kingdom, the film passed with cuts to 103 minutes, [13] avoiding being labeled as a video nasty [12] (However, the film was included on a tertiary list of titles that could potentially be subject to seizure by police in England. It was therefore not submitted for video certification by the BBFC until 1995, which was granted, with approx. 4 minutes of cuts. An uncut version was not released in the UK until 2006). [14] Louis Periano, who distributed the film in the United States, later tried to cash in the success of Mel Brooks' film Young Frankenstein and re-released the film as a 94-minute R-rated Young Dracula in 1976 (as opposed to the original X-rated version). [12]
According to the American Film Institute, the film opened to mixed reviews. [4] The Hollywood Reporter lauded the production design by Enrico Job and Luigi Kuveiller's photography. [4] The Los Angeles Times review described the film as "aesthetically pleasing" and "pretty funny up until that Grand Guignol finale" but felt that Morrissey had too much talent for "such sickening junk." [10]
Paul Joseph Morrissey was an American film director, known for his early association with Andy Warhol. His most famous films include Flesh (1968), Trash (1970), Heat (1972), Flesh for Frankenstein (1973), and Blood for Dracula (1974), all starring Joe Dallesandro, 1971's Women in Revolt and the 1980's New York trilogy Forty Deuce (1982), Mixed Blood (1985), and Spike of Bensonhurst (1988).
Antonio Margheriti, also known under the pseudonyms Anthony M. Dawson and Antony Daisies, was an Italian filmmaker. Margheriti worked in many different genres in the Italian film industry, and was known for his sometimes derivative but often stylish and entertaining science fiction, sword and sandal, horror/giallo, Eurospy, Spaghetti Western, Vietnam War and action movies that were released to a wide international audience. He died in 2002.
The Factory was Andy Warhol's studio in Manhattan, New York City, which had four locations between 1963 and 1987. The Factory became famed for its parties in the 1960s. It was the hip hangout spot for artists, musicians, celebrities, and Warhol's superstars. The original Factory was often referred to as the Silver Factory. In the studio, Warhol's workers would make silkscreens and lithographs under his direction.
Carlo Fortunato Pietro Ponti Sr. was an Italian film producer with more than 140 productions to his credit. Along with Dino De Laurentiis, he is credited with reinvigorating and popularizing Italian cinema post-World War II, producing some of the country's most acclaimed and financially-successful films of the 1950s and 1960s.
Mario Bava was an Italian filmmaker who worked variously as a director, cinematographer, special effects artist and screenwriter. His low-budget genre films, known for their distinctive visual flair and stylish technical ingenuity, feature recurring themes and imagery concerning the conflict between illusion and reality, as well as the destructive capacity of human nature. Widely regarded as a pioneer of Italian genre cinema and one of the most influential auteurs of the horror film genre, he is popularly referred to as the "Master of Italian Horror" and the "Master of the Macabre".
Joseph Angelo D'Allesandro III is an American actor and Warhol superstar. He was a sex symbol of gay subculture in the 1960s and 1970s, and of several American underground films before going mainstream.
Trash is a 1970 American drama film directed by Paul Morrissey and starring Warhol superstars Joe Dallesandro, Holly Woodlawn and Jane Forth. The film features graphic scenes of intravenous drug use, sex, and frontal nudity.
Udo Kierspe, known professionally as Udo Kier, is a German actor. Known primarily as a character actor, he has appeared in more than 220 films in both leading and supporting roles throughout Europe and the Americas. He has collaborated with acclaimed filmmakers such as Lars von Trier, Gus Van Sant, Werner Herzog, Rainer Werner Fassbinder, Walerian Borowczyk, Kleber Mendonça Filho, Dario Argento, Tom Shadyac, Charles Matton, Guy Maddin, Alexander Payne, and Paul Morrissey.
Carlo Rambaldi was an Italian special effects and makeup effects artist. He was the winner of three Academy Awards: one Special Achievement Academy Award for Best Visual Effects in 1977 for the 1976 version of King Kong and two Academy Awards for Best Visual Effects in 1980 and 1983 for, respectively, Alien (1979) and E.T. the Extra-Terrestrial (1982). He is most famous for his work in those two last mentioned films, that is for the mechanical head-effects for the creature in Alien and the design of the title character of E.T. the Extra-Terrestrial. In 2017, he was inducted into the Visual Effects Society Hall of Fame.
Web of the Spider is a 1971 horror film directed by Antonio Margheriti. The film is about the writer Alan Foster who accepts a bet from Edgar Allan Poe and his friend Thomas Blackwood to stay a night in Blackwood's castle. At the castle, Foster meets Blackwood's sister Elisabeth and Julia. Foster has sex with Elisabeth and wakes up to find that she was stabbed by someone whose body vanishes, allowing Foster to realize the house is possessed by ghosts.
Flesh for Frankenstein is a 1973 horror film written and directed by Paul Morrissey. It stars Udo Kier, Joe Dallesandro, Monique van Vooren and Arno Juerging.
Heat is a 1972 American comedy drama film written and directed by Paul Morrissey, produced by Andy Warhol, and scored by John Cale. The film stars Warhol superstars Joe Dallesandro, Sylvia Miles and Andrea Feldman. It was conceived by Warhol as a parody of the 1950 film Sunset Boulevard. It is the final installment of the "Paul Morrissey Trilogy" produced by Warhol, following Flesh (1968) and Trash (1970).
Jed Johnson was an American interior designer and film director. TheNew York Times hailed Johnson as "one of the most celebrated interior designers of our time."
American artist and filmmaker Andy Warhol produced more than 600 films between 1963 and 1968, including short Screen Tests film portraits. His subsequent work with filmmaker Paul Morrissey guided the Warhol-branded films toward more mainstream success in the 1970s. Since 1984, the Whitney Museum of American Art and Museum of Modern Art (MoMA) and worked to preserve, restore, exhibit, and distribute Warhol's underground films. In 2014, the MoMA began a project to digitize films previously unseen and to show them to the public.
Dracula in the Provinces is a 1975 Italian horror comedy film, directed by Lucio Fulci and starring Lando Buzzanca in the main role.
The Virgin of Nuremberg is a 1963 Italian horror film directed by Anthony Dawson.
Seven Deaths in the Cat's Eye is a 1973 Gothic horror film directed by Antonio Margheriti. It is also a rare example of an Italian giallo that is set in period, taking place some time in the 1890s.
The Devil's Wedding Night is a 1973 Italian horror film directed by Luigi Batzella and Joe D'Amato and starring Mark Damon, Rosalba Neri, Esmeralda Barros, Francesca Romana Davila, and Ciro Papa
Pat Hackett is an American author, screenwriter, and journalist. Hackett was a close friend and collaborator of pop artist Andy Warhol. They co-authored the books POPism: The Warhol Sixties (1980) and Andy Warhol's Party Book (1988). She also edited TheAndy Warhol Diaries (1989). Hackett was an editor for Interview magazine and she co-wrote the screenplay for the film Bad (1977).
Vittorio De Sica was an Italian film director and actor. He became a popular leading actor in interwar Italy where he primarily performed in comedic roles. After World War II, he became one of the major film directors of the neorealist movement.
'Dracula' stars Joe Dallesando, Udo Kier, Arno Juerging, Vittoria de Sica, with a cameo appearance by Roman Polanski
Starts today.