Theatrical release poster (Style F)
|Screenplay by||Garrett Fort|
|Distributed by||Universal Pictures|
Dracula is a 1931 American pre-Code supernatural horror film directed and co-produced by Tod Browning from a screenplay written by Garrett Fort. It is based on the 1924 stage play Dracula by Hamilton Deane and John L. Balderston, which in turn is adapted from the 1897 novel Dracula by Bram Stoker.The film stars Bela Lugosi as Count Dracula, a vampire who emigrates from Transylvania to England and preys upon the blood of living victims, including a young man's fiancée.
Produced and distributed by Universal Pictures, Dracula is thought to be the first sound film adaptation of the Stoker novel.Several actors were considered to portray the title character, but Lugosi, who had previously played the role on Broadway, eventually got the part. The film was partially shot on sets at Universal Studios Lot in California, which were reused at night for the filming of Drácula , a concurrently produced Spanish-language version of the story also by Universal.
Dracula was a commercial and critical success upon release, and led to several sequels and spin-offs. It has had a notable influence on popular culture, and Lugosi's portrayal of Dracula established the character as a cultural icon, as well as the archetypal vampire in later works of fiction. In 2000, the film was selected by the United States Library of Congress for preservation in the National Film Registry as "culturally, historically, or aesthetically significant".
Renfield (Dwight Frye) is a solicitor traveling to Count Dracula's (Bela Lugosi) castle in Transylvania on a business matter. The people in the local village fear that vampires inhabit the castle and warn Renfield not to go there. Renfield refuses to stay at the inn and asks his carriage driver to take him to the Borgo Pass. Renfield is driven to the castle by Dracula's coach, with Dracula disguised as the driver. En route, Renfield sticks his head out the window to ask the driver to slow down, but sees the driver has disappeared; a bat leads the horses.
Renfield enters the castle welcomed by the charming but eccentric Count, who, unbeknownst to Renfield, is a vampire. They discuss Dracula's intention to lease Carfax Abbey in London, where he intends to travel the next day. Dracula hypnotizes Renfield into opening a window. Renfield faints as a bat appears and Dracula's three wives close in on him. Dracula waves them away, then attacks Renfield himself.
Aboard the schooner Vesta, Renfield is a raving lunatic slave to Dracula, who hides in a coffin and feeds on the ship's crew. When the ship reaches England, Renfield is discovered to be the only living person. Renfield is sent to Dr. Seward's sanatorium adjoining Carfax Abbey.
At a London theatre, Dracula meets Seward (Herbert Bunston). Seward introduces his daughter Mina (Helen Chandler), her fiancé John Harker (David Manners) and the family friend Lucy Weston (Frances Dade). Lucy is fascinated by Count Dracula. That night, Dracula enters her room and feasts on her blood while she sleeps. Lucy dies the next day after a string of transfusions.
Renfield is obsessed with eating flies and spiders. Professor Van Helsing (Edward Van Sloan) analyzes Renfield's blood and discovers his obsession. He starts talking about vampires, and that afternoon Renfield begs Seward to send him away, claiming his nightly cries may disturb Mina's dreams. When Dracula calls Renfield with wolf howling, Renfield is disturbed by Van Helsing showing him wolfsbane, which Van Helsing says is used for protection from vampires.
Dracula visits Mina, asleep in her bedroom, and bites her. The next evening, Dracula enters for a visit and Van Helsing and Harker notice that he does not have a reflection. When Van Helsing reveals this to Dracula, he smashes the mirror and leaves. Van Helsing deduces that Dracula is the vampire behind the recent tragedies.
Mina leaves her room and runs to Dracula in the garden, where he attacks her. She is found by the maid. Newspapers report that a woman in white is luring children from the park and biting them. Mina recognizes the lady as Lucy, risen as a vampire. Harker wants to take Mina to London for safety, but is convinced to leave Mina with Van Helsing. Van Helsing orders Nurse Briggs (Joan Standing) to take care of Mina when she sleeps, and not to remove the wreath of wolfsbane from her neck.
Renfield escapes from his cell and listens to the men discuss vampires. Before his attendant takes Renfield back to his cell, Renfield relates to them how Dracula convinced Renfield to allow him to enter the sanitorium by promising him thousands of rats with blood and life in them. Dracula enters the Seward parlour and talks with Van Helsing. Dracula states that Mina now belongs to him, and warns Van Helsing to return to his home country. Van Helsing swears to excavate Carfax Abbey and destroy Dracula. Dracula attempts to hypnotize Van Helsing, but the latter's resolve proves stronger. As Dracula lunges at Van Helsing, he withdraws a crucifix from his coat, forcing Dracula to retreat.
Harker visits Mina on a terrace, and she speaks of how much she loves "nights and fogs". A bat flies above them and squeaks to Mina. She then attacks Harker but Van Helsing and Seward save him. Mina confesses what Dracula has done to her, and tells Harker their love is finished.
Dracula hypnotizes Briggs into removing the wolfsbane from Mina's neck and opening the windows. Van Helsing and Harker see Renfield heading for Carfax Abbey. They see Dracula with Mina in the abbey. When Harker shouts to Mina, Dracula thinks Renfield has led them there. Renfield pleads for his life, but Dracula kills him. Dracula is hunted by Van Helsing and Harker, who know that Dracula is forced to sleep in his coffin during daylight, and the sun is rising. Van Helsing prepares a wooden stake while Harker searches for Mina. Van Helsing impales Dracula through the heart, killing him, and Mina returns to normal.
The following individuals appear in uncredited roles: director and co-producer Tod Browning as the off-screen voice of the harbormaster; Carla Laemmle, a cousin of producer Carl Laemmle Jr., who appears at the start of the film as a woman in the coach carrying Renfield;and Geraldine Dvorak, Cornelia Thaw, and Dorothy Tree as Dracula's brides.
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Bram Stoker's novel had already been filmed without permission as Nosferatu in 1922 by German Expressionist filmmaker F. W. Murnau. Bram Stoker's widow sued for plagiarism and copyright infringement, and the courts decided in her favor, essentially ordering that all prints of Nosferatu be destroyed.Enthusiastic young Hollywood producer Carl Laemmle, Jr. also saw the box office potential in Stoker's gothic chiller, and he legally acquired the novel's film rights. Initially, he wanted Dracula to be a spectacle on a scale with the lavish silent films The Hunchback of Notre Dame (1923) and The Phantom of the Opera (1925).
Already a huge hit on Broadway, the Deane/Balderston Dracula play would become the blueprint as the production gained momentum. The screenwriters carefully studied the silent, unauthorized version, F. W. Murnau's Nosferatu , for inspiration. Lifted directly from a nearly identical scene in Nosferatu that does not appear in Stoker's novel, was the early scene at the Count's castle when Renfield accidentally pricks his finger on a paper clip and it starts to bleed. Dracula creeps toward him with glee, only to be repelled when the crucifix falls in front of the bleeding finger.
Decision on casting the title role proved problematic. Initially, Laemmle was not at all interested in Lugosi, in spite of good reviews for his stage portrayal. Laemmle instead considered other actors, including Paul Muni, Chester Morris, Ian Keith, John Wray, Joseph Schildkraut, Arthur Edmund Carewe, and William Courtenay. Lugosi had played the role on Broadway,and to his good fortune, happened to be in Los Angeles with a touring company of the play when the film was being cast. Against the tide of studio opinion, Lugosi lobbied hard and ultimately won the executives over, thanks in part to him accepting a paltry $500 per week salary for seven weeks of work, amounting to $3,500.
According to numerous accounts, the production is alleged to have been a mostly disorganized affair,with the usually meticulous Tod Browning leaving cinematographer Karl Freund to take over during much of the shoot, making Freund something of an uncredited director on the film.
The peasants at the beginning are praying in Hungarian, and the signs of the village are also in Hungarian. This was because when Bram Stoker wrote the original novel, the Borgo Pass was near Transylvania and modern Hungary. This part of the world was then part of the Kingdom of Hungary and within the Austro-Hungarian Empire. Now that area is part of Romania.
The scenes of crew members on the ship struggling in the violent storm were lifted from a Universal silent film, The Storm Breaker (1925). Photographed at silent film projection speed, this accounts for the jerky, sped-up appearance of the footage when projected at 24 frames per second sound film speed and cobbled together with new footage of Dracula and Renfield.Jack Foley was the foley artist who produced the sound effects.
The film's histrionic dramatics from the stage play are also reflected in its special effects, which are limited to fog, lighting, and large flexible bats. Dracula's transition from bat to person is always done off-camera. The film also employs extended periods of silence and character close-ups for dramatic effect, and employs two expository intertitles and a closeup of a newspaper article to advance the story, a seeming holdover from silent films; a point made by online film critic James Berardinelliis that the actors' performance style seems to belong to the silent era. Director Tod Browning had a solid reputation as a silent film director, having made them since 1915, but he never felt completely at ease with sound films. He only directed six more films over an eight-year period, the best known being the notorious Freaks , a horror movie with Baclanova and a cast of actual carnival freaks that was yanked from distribution immediately. Browning directed his last film in 1939.
Owing to the costs of adding an original musical score to a film's soundtrack, no score had ever been composed specifically for the film.The music heard during the opening credits, an excerpt from Act II of Tchaikovsky's Swan Lake , was re-used in 1932 for another Universal horror film, The Mummy . During the theatre scene where Dracula meets Dr. Seward, Harker, Mina, and Lucy, the end of the overture to Wagner's Die Meistersinger von Nürnberg can also be heard as well as the dark opening of Schubert's "Unfinished Symphony" in B minor.
In 1998, composer Philip Glass was commissioned to compose a musical score for the classic film. The score was performed by the Kronos Quartetunder the direction of Michael Reisman, Glass's usual conductor.
Of the project, Glass said: "The film is considered a classic. I felt the score needed to evoke the feeling of the world of the 19th century — for that reason I decided a string quartet would be the most evocative and effective. I wanted to stay away from the obvious effects associated with horror films. With [the Kronos Quartet] we were able to add depth to the emotional layers of the film."
The film, with this new score, was released by Universal Studios in 1999 in the VHS format. Universal's DVD releases allow the viewer to choose between the unscored soundtrack or the Glass score. The soundtrack, Dracula , was released by Nonesuch Records in 1999.Glass and the Kronos Quartet performed live during showings of the film in 1999, 2000 and 2017.
Dracula was a big gamble for a major Hollywood studio to undertake. In spite of the literary credentials of the source material, it was uncertain if an American audience was prepared for a serious full length supernatural chiller. Though American audiences had been exposed to other chillers before, such as The Cat and the Canary (1927), this was a horror story with no comic relief or trick ending that downplayed the supernatural. Despite this, Dracula proved to be a box office success.
When the film finally premiered at the Roxy Theatre in New York City on February 12, 1931 (released two days later throughout the U.S.),newspapers reported that members of the audiences fainted in shock at the horror on screen. This publicity, shrewdly orchestrated by the film studio, helped ensure people came to see the film, if for no other reason than curiosity. Within 48 hours of its opening at New York's Roxy Theatre, it had sold 50,000 tickets, building a momentum that culminated in a $700,000 profit, the largest of Universal's 1931 releases.
The film was generally well received by critics upon its release. Mordaunt Hall of The New York Times called it "the best of the many mystery films", characterizing Browning's direction as "imaginative" and Helen Chandler's performance as "excellent".Variety praised the film for its "remarkably effective background of creepy atmosphere" and wrote, "It is difficult to think of anybody who could quite match the performance in the vampire part of Bela Lugosi, even to the faint flavor of foreign speech that fits so neatly". Film Daily declared the film "a fine melodrama" and remarked that Lugosi had created "one of the most unique and powerful roles of the screen". Time called it "an exciting melodrama, not as good as it ought to be but a cut above the ordinary trapdoor-and-winding-sheet type of mystery film". John Mosher of The New Yorker wrote a negative review, remarking that "there is no real illusion in the picture" and "this whole vampire business falls pretty flat". The Chicago Tribune did not think the film was as scary as the stage version, calling its framework "too obvious" and "its attempts to frighten too evident", but still concluded that it was "quite a satisfactory thriller".
The film was originally released with a running time of 85 minutes;when it was reissued in 1936, the Production Code was enforced. For that reissue, two scenes are known to have been censored.
In the early days of sound films, it was common for Hollywood studios to produce "Foreign Language Versions" of their films using the same sets, costumes and so on. While Browning filmed during the day, at night George Melford was using the sets to make the Spanish-language version Drácula , starring Carlos Villarías as Conde Drácula. Long thought lost, a print of this Dracula was discovered in the 1970s and restored.
A third, silent, version of the film was also released. In 1931, some theaters had not yet been wired for sound and during this transition period, many studios released alternative silent versions with intertitles.
In 1999, film critic Roger Ebert of the Chicago Sun-Times gave the film four out of four stars, praising Lugosi's performance and Freund's cinematography.He noted the film's lasting influence, and included it in his list of "Great Movies". Angie Errigo of Empire gave the film four out of five stars, commending Lugosi's performance as "the [Dracula] against which all others are measured", and writing that the film "is stagey and creaky, but it also has wonderful, unforgettable moments."
On the review aggregator website Rotten Tomatoes, the film has an approval rating of 91% based on 46 reviews, with an average rating of 7.8/10. The site's critical consensus reads: "Bela Lugosi's timeless portrayal of Dracula in this creepy and atmospheric 1931 film has set the standard for major vampiric roles since."
After the commercial and critical success of Dracula, Universal released Frankenstein later that same year. Universal in particular would become the forefront of early horror cinema, with a canon of films including The Mummy (1932), The Invisible Man (1933), Bride of Frankenstein (1935), and The Wolf Man (1941).
In 1936, five years after release, Universal released Dracula's Daughter , a direct sequel that starts immediately after the end of the first film. A second sequel, Son of Dracula starring Lon Chaney, Jr., followed in 1943. The Count returned to life in three more Universal films of the mid-1940s: 1944's House of Frankenstein , 1945's House of Dracula and 1948's comedy Abbott and Costello Meet Frankenstein . Universal would only cast Lugosi as Dracula in one more film, the aforesaid Abbott and Costello vehicle,giving the role to John Carradine for the mid-1940s "monster rally" films, although Carradine admittedly more closely resembled Stoker's physical description from the book. Many of the familiar images of Dracula are from stills of the older Lugosi made during the filming of the 1948 comedy, so there remain two confusingly distinct incarnations of Lugosi as Dracula, seventeen years apart in age. As Lugosi played a vampire in three other movies during his career, this contributed to the public misconception that he portrayed Dracula on film many times.
Since its release, Dracula has become widely regarded as a classic of the era and of its genre. In 2000, it was selected for preservation in the U.S. National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".It was also ranked 79th on Bravo's countdown of The 100 Scariest Movie Moments .
To many film lovers and critics alike, Lugosi's portrayal is widely regarded as the definitive Dracula. Lugosi had a powerful presence and authority on-screen. The slow, deliberate pacing of his performance ("I bid you… welcome!" and "I never drink… wine!") gave his Dracula the air of a walking, talking corpse, which terrified the movie audiences at the time, compelling with no dialogue, and the many close-ups of Lugosi's face in icy silence jumped off the screen. With this mesmerizing performance, Dracula became Bela Lugosi's signature role, his Dracula a cultural icon, and he himself a legend in the classic Universal Horror film series.
However, Dracula would ultimately become a role which would prove to be both a blessing and a curse. Despite his earlier stage successes in a variety of roles, from the moment Lugosi donned the cape on screen, it would forever see him typecast as the Count.
Browning would go on to direct Lugosi once more in another vampire thriller, Mark of the Vampire , a 1935 remake of his lost silent film London After Midnight (1927).
Also, the film is recognized by American Film Institute in these lists:
Original posters from the 1931 release are scarce and highly valuable to collectors. In 2009, actor Nicolas Cage auctioned off his collection of vintage film posters, which included an original "Style F" one sheet that sold for $310,700; as of March 2012, it stood as the sixth-highest price for a film poster. In summer 2017, Metallica guitarist Kirk Hammett loaned his rare "Style C" poster to the Peabody Essex Museum in Salem, Massachusetts for an exhibition on horror film posters. In December that same year, an extremely rare "Style A" poster—one of only two known copies—sold at auction for $525,000, setting a new world record for the most expensive film poster.
After the film's original theatrical run, several theatrical reissues were promoted with new poster designs.
This film, and the 1920s stage play by Deane and Balderston, contributed much of Dracula's popular iconography, much of which vastly differs from Stoker's novel. In the novel and in the German silent film Nosferatu (1922), Dracula's appearance is repulsive; Lugosi portrays the Count as a handsome, charming nobleman. The Deane-Balderston play and this film also introduced the now iconic images of Dracula entering his victims' bedrooms through French doors/windows, wrapping his satin-lined cape around victims, and more emphasis on Dracula transforming into a bat. In the Stoker novel, he variously transformed into a bat or a wolf,a mist or "elemental dust."
The now classic Dracula line, "I never drink ... wine", is original to this film. It did not appear in Stoker's novel or the original production of the play. When the play was revived on Broadway in 1977 starring Frank Langella, the line was added to the script.
In the 1990s, MCA/Universal Home Video released Dracula on VHS as part of the "Universal Monsters Classic Collection", a series of releases of Universal Classic Monsters films.The film was also released on LaserDisc.
In 1999, Universal released Dracula on VHS and DVD as part of the "Classic Monster Collection".In 2004, Universal released Dracula: The Legacy Collection on DVD as part of the "Universal Legacy Collection". This two-disc release includes both Dracula and the Spanish-language Drácula, as well as Dracula's Daughter, Son of Dracula, and House of Dracula.
In 2012, Dracula and Drácula were released on Blu-ray as part of the Universal Classic Monsters: The Essential Collection box set, which also includes a total of nine films from the Universal Classic Monsters series.In September 2013, Dracula received a standalone Blu-ray release that also includes Drácula. That same year, Dracula was included as part of the six-film Blu-ray set Universal Classic Monsters Collection, which also includes Frankenstein, The Mummy, The Invisible Man, Bride of Frankenstein, and The Wolf Man. The following year, Universal released Dracula: Complete Legacy Collection on DVD. This set contains seven films: Dracula, Drácula, Dracula's Daughter, Son of Dracula, House of Frankenstein, House of Dracula, and Abbott and Costello Meet Frankenstein. In 2015, the six-film Universal Classic Monsters Collection was released on DVD. In 2016, Dracula received a Walmart-exclusive Blu-ray release featuring a glow-in-the-dark cover. In September 2017, the film received a Best Buy-exclusive steelbook Blu-ray release with cover artwork by Alex Ross. That same year, the seven-film Complete Legacy Collection was released on Blu-ray.
On August 28, 2018, Dracula, Drácula, Dracula's Daughter, Son of Dracula, House of Frankenstein, House of Dracula, and Abbott and Costello Meet Frankenstein were included in the Universal Classic Monsters: Complete 30-Film Collection Blu-ray box set.This box set also received a DVD release. In October 2018, Dracula and Drácula were included as part of a limited edition Best Buy-exclusive Blu-ray set titled Universal Classic Monsters: The Essential Collection, which features artwork by Alex Ross.
Frankenstein is a 1931 American pre-Code science fiction horror film directed by James Whale, produced by Carl Laemmle Jr., and adapted from a play by Peggy Webling, which in turn was based on Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. The Webling play was adapted by John L. Balderston and the screenplay written by Francis Edward Faragoh and Garrett Fort, with uncredited contributions from Robert Florey and John Russell.
Bram Stoker's Dracula is a 1992 American gothic horror film directed and produced by Francis Ford Coppola, based on the novel Dracula by Bram Stoker. It stars Gary Oldman as Count Dracula, Winona Ryder as Mina Harker, Anthony Hopkins as Professor Abraham Van Helsing, and Keanu Reeves as Jonathan Harker.
Professor Abraham Van Helsing, a fictional character from the 1897 gothic horror novel Dracula, is an aged polymath Dutch doctor with a wide range of interests and accomplishments, partly attested by the string of letters that follows his name: "MD, D.Ph., D.Litt., etc.", indicating a wealth of experience, education and expertise. The character is best known throughout many adaptations of the story as a vampire hunter and the archenemy of Count Dracula.
R. M. Renfield is a fictional character that appears in Bram Stoker's 1897 Gothic horror novel Dracula.
Dracula: Dead and Loving It is a 1995 satirical comedy horror film directed by Mel Brooks and starring Leslie Nielsen. It is a spoof of Bram Stoker's novel Dracula and of some of the films it spawned.
Dracula is a 1958 British supernatural horror film directed by Terence Fisher and written by Jimmy Sangster based on Bram Stoker's novel of the same name. The first in the series of Hammer Horror films starring Christopher Lee as Count Dracula, the film also features Peter Cushing as Doctor Van Helsing, along with Michael Gough, Melissa Stribling, Carol Marsh, and John Van Eyssen. In the United States the film was released as a double feature with the Universal Pictures film The Thing That Couldn't Die, and was retitled Horror of Dracula to avoid confusion with Universal's 1931 film Dracula.
The Wolf Man is a 1941 American horror film written by Curt Siodmak and produced and directed by George Waggner. The film stars Lon Chaney Jr. in the title role. Claude Rains, Warren William, Ralph Bellamy, Patric Knowles, Bela Lugosi, Evelyn Ankers, and Maria Ouspenskaya star in supporting roles. The title character has had a great deal of influence on Hollywood's depictions of the legend of the werewolf. The film is the second Universal Pictures werewolf film, preceded six years earlier by the less commercially successful Werewolf of London (1935).
Dracula is a 1979 British-American dark romantic horror film directed by John Badham. The film starred Frank Langella in the title role as well as Laurence Olivier, Donald Pleasence and Kate Nelligan.
Wilhelmina "Mina" Harker is a fictional character in Bram Stoker's 1897 Gothic horror novel Dracula.
Count Dracula is a 1969 Spanish-Italian-German-British horror film, directed by Jesús Franco and starring Christopher Lee, Herbert Lom and Klaus Kinski. It was based on the novel Dracula by Bram Stoker.
Dracula: Pages from a Virgin's Diary is a 2002 horror film directed by Guy Maddin, budgeted at $1.7 million and produced for the Canadian Broadcasting Corporation (CBC) as a dance film documenting a performance by the Royal Winnipeg Ballet adapting Bram Stoker's novel Dracula. Maddin elected to shoot the dance film in a fashion uncommon for such films, through close-ups and using jump cuts. Maddin also stayed close to the source material of Stoker's novel, emphasizing the xenophobia in the reactions of the main characters to Dracula.
Count Dracula is a British television adaptation of the novel Dracula by Bram Stoker. Produced by the BBC, it first aired on BBC 2 on 22 December 1977. It is among the more faithful of the many adaptations of the original book. Directed by Philip Saville from a screenplay by Gerald Savory, it stars Louis Jourdan as Count Dracula and Frank Finlay as Professor Van Helsing.
Count Dracula is the title character of Bram Stoker's 1897 gothic horror novel Dracula. He is considered to be both the prototypical and the archetypal vampire in subsequent works of fiction. He is also depicted in the novel to be the origin of werewolf legends. Some aspects of the character are believed to have been inspired by the 15th-century Wallachian Prince Vlad the Impaler, who was also known as Dracula, and Sir Henry Irving, an actor for whom Stoker was a personal assistant.
Drácula is a 1931 American Spanish-language Pre-Code horror film directed by George Melford. It is an adaptation of the 1897 novel by Bram Stoker and the 1924 stage play. It was filmed at night on the same sets that were being used during the day for the 1931 English-language film of the same title.
Dracula is a stage play written by the Irish actor and playwright Hamilton Deane in 1924, then revised by the American writer John L. Balderston in 1927. It was the first authorized adaptation of Bram Stoker's novel Dracula. After touring in England, the original version of the play appeared at London's Little Theatre in July 1927, where it was seen by the American producer Horace Liveright. Liveright asked Balderston to revise the play for a Broadway production that opened at the Fulton Theatre in October 1927. This production starred Bela Lugosi in his first major English-speaking role.
Rebekah Isabelle Laemmle, professionally known as Carla Laemmle, was an American actress of German Jewish descent, and the niece of Universal Pictures studio founder Carl Laemmle. She was a movie actress in the 1920s and 1930s, and one of the longest surviving actors of the silent film era. Her career in motion pictures was also one of the longest on record, spanning 1925 to 2014.
Dracula is an adaptation, first published in 1996, by American playwright Steven Dietz of Bram Stoker's novel by the same name. Though it has never run on Broadway, the author lists it among his most financially successful works, and it is frequently performed near Halloween in regional and community theaters. Closely following the plot of the novel, the play chronicles Count Dracula's journey to England, his stalking of two young women, and his pursuit and eventual defeat by the heroines' suitors and their associates.
Dracula: A Chamber Musical is a 1997 Canadian musical adaptation of Bram Stoker's 1897 novel Dracula. The book and lyrics are by Richard Ouzounian and the music and orchestration are by Marek Norman. After premiering at the Neptune Theatre in Halifax, Nova Scotia, in 1997, Dracula in 1999 became the first Canadian musical to be staged at the Stratford Shakespeare Festival.
Dracula Reborn is a 2012 vampire-themed direct-to-video horror film, directed and written by Patrick McManus, making his feature film directorial debut. Produced by Ray Haboush, the film stars Corey Landis, Victoria Summer, Krash Miller, Stuart Rigby and Keith Reay. It is a modernized, loosely based take on Bram Stoker's 1897 novel Dracula, taking place in Los Angeles, California, where a wealthy Count Dracula looks to purchase an abandoned building and pursue the wife of his realtor, Jonathan Harker.
Dracula Sucks is a 1979 American pornographic horror film directed and co-written by Philip Marshak. The film is based on the 1931 film Dracula, and the 1897 novel of the same name by Bram Stoker. It stars Jamie Gillis as Count Dracula, a vampire who purchases an estate next to a mental institution. The film also stars Annette Haven, John Leslie, Serena, Reggie Nalder, Kay Parker, and John Holmes. An alternate cut of Dracula Sucks, titled Lust at First Bite, has also been released.
Universal's original negative had already fallen into nitrate decomposition by the time the negative was rediscovered in the 1970s.
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