The Devil-Doll | |
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Directed by | Tod Browning |
Written by |
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Based on | Burn, Witch, Burn! 1933 novel by A. Merritt |
Produced by | Edward J. Mannix |
Starring | |
Cinematography | Leonard Smith |
Edited by | Frederick Y. Smith |
Music by | Franz Waxman |
Production company | Metro-Goldwyn-Mayer |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
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Running time | 79 minutes |
Country | United States |
Language | English |
The Devil-Doll is a 1936 American horror film directed by Tod Browning and starring Lionel Barrymore and Maureen O'Sullivan. The film was adapted from the novel Burn Witch Burn! (1932) by Abraham Merritt. [1] It has become a cult film. [2]
A French scientist is worried about human overpopulation. He creates a formula able to shrink humans, in order for the planet's resources to last longer. He dies shortly after a prison escape, and his former cellmate decides to use the formula in a revenge scheme. The former prisoner targets the people who had originally framed him for bank robbery and murder.
Paul Lavond (Barrymore), who was wrongly convicted of robbing his own Paris bank and killing a night watchman more than seventeen years ago, escapes Devil's Island with Marcel (Henry B. Walthall), a scientist who is trying to create a formula to reduce people to one-sixth of their original size. The intended purpose of the formula is to make the Earth's limited resources last longer for an ever-growing population. The scientist dies after their escape.
Lavond joins the scientist's widow, Malita (Rafaela Ottiano), and decides to use the shrinking technique to obtain revenge on the three former business associates who had framed him and to vindicate himself. He returns to Paris and disguises himself as an old woman who sells lifelike dolls. He shrinks a young girl and one of his former associates to infiltrate the homes of the other two former associates, paralyzing one.
When the final associate confesses before he is attacked, Lavond clears his name and secures the future happiness of his estranged daughter, Lorraine (O'Sullivan), in the process. Malita isn't satisfied, and wants to continue to use the formula to carry on her husband's work. She tries to kill Paul when he announces that he is finished with their partnership, having accomplished all he intended, but she blows up their lab, killing herself.
Paul tells Toto, Lorraine's fiancé, about what happened. He meets his daughter, pretending to be the deceased Marcel. He tells Lorraine that Paul Lavond died during their escape from prison, but that he loved her very much. Lavond then departs, to an uncertain fate.
Marketed as a novelty thriller, The Devil-Doll was not a financial success, although it did receive some praise from critics. [3] [4] The New York Times gave the film a positive review, making special note of its entertaining use of special effects, comparing it favorably to such films as King Kong and The Invisible Man . [5] However, a review in the American science fiction magazine Thrilling Wonder Stories was not as enthusiastic, calling the film a "disappointment" and a "run-of-the-mill thriller which does not attempt to recapture the unique fantasy of Merritt's novel." [6]
Tod Browning was an American film director, film actor, screenwriter, vaudeville performer, and carnival sideshow and circus entertainer. He directed a number of films of various genres between 1915 and 1939, but was primarily known for horror films. Browning was often cited in the trade press as "the Edgar Allan Poe of cinema."
Grand Hotel is a 1932 American pre-Code drama film directed by Edmund Goulding and produced by Metro-Goldwyn-Mayer. The screenplay by William A. Drake is based on the 1930 play by Drake, who had adapted it from the 1929 novel Menschen im Hotel by Vicki Baum. To date, it is the only film to have won the Academy Award for Best Picture without being nominated in any other category.
Lionel Barrymore was an American actor of stage, screen and radio as well as a film director. He won an Academy Award for Best Actor for his performance in A Free Soul (1931) and is known to modern audiences for the role of villainous Mr. Potter in Frank Capra's 1946 film It's a Wonderful Life.
The year 1938 in film involved some significant events.
This is an overview of 1924 in film, including significant events, a list of films released and notable births and deaths.
Cat's Eye is a 1985 American anthology horror thriller film directed by Lewis Teague and written by Stephen King. It comprises three stories, "Quitters, Inc.", "The Ledge", and "General". The first two are adaptations of short stories in King's 1978 Night Shift collection, and the third is unique to the film. The three stories are connected by the presence of a traveling cat, and Drew Barrymore both of which play incidental roles in the first two and major characters in the third.
Richard Thorpe was an American film director best known for his long career at Metro-Goldwyn-Mayer.
Edward Warren Miney and Lorraine Rita Warren were American paranormal investigators and authors associated with prominent cases of alleged hauntings. Edward was a self-taught and self-professed demonologist, author, and lecturer. Lorraine professed to be clairvoyant and a light trance medium who worked closely with her husband.
Dr. Cyclops is a 1940 American science fiction horror film from Paramount Pictures, produced by Dale Van Every and Merian C. Cooper, directed by Ernest B. Schoedsack, and starring Thomas Coley, Victor Kilian, Janice Logan, Charles Halton, Frank Yaconelli and Albert Dekker.
A Yank at Oxford is a 1938 comedy-drama film directed by Jack Conway and starring Robert Taylor, Lionel Barrymore, Maureen O'Sullivan, Vivien Leigh and Edmund Gwenn. The screenplay was written by John Monk Saunders and Leon Gordon. The film was produced by MGM-British at Denham Studios.
Henry Brazeale Walthall was an American stage and film actor. He appeared as the Little Colonel in D. W. Griffith's The Birth of a Nation (1915).
Garrett Elsden Fort was an American short story writer, playwright, and Hollywood screenwriter. He is mostly known for his connections with 1930s horror films, with film historian Gary Don Rhodes describing him as "one of, if not the pre-eminent horror film screenwriters of the classic era." He was a close follower of Meher Baba, and travelled to India while developing a screenplay based on Baba's philosophy.
Attack of the Puppet People is a 1958 American black-and-white science fiction horror film produced and directed by Bert I. Gordon. It stars John Agar, John Hoyt and June Kenney. Gordon also supervised the film's special effects. American International Pictures released the film on June 30, 1958 as a double feature with War of the Colossal Beast.
The League of Frightened Men is a 1937 American mystery film based on the 1935 novel of the same name, the second Nero Wolfe novel by Rex Stout. Directed by Alfred E. Green, the Columbia Pictures film stars Walter Connolly as Nero Wolfe, a role played by Edward Arnold in the previous year's Meet Nero Wolfe. The role of Wolfe's assistant Archie Goodwin was reprised by Lionel Stander.
The Krofft Supershow is a Saturday morning children's variety show, produced by Sid and Marty Krofft. It aired for two seasons from September 11, 1976, to September 2, 1978, on ABC.
Rafaela Ottiano was an Italian-American actress. She was best known for her role as Suzette in Grand Hotel (1932) and as Russian Rita in She Done Him Wrong (1933).
Public Hero ﹟1 is a 1935 American crime film starring Lionel Barrymore, Jean Arthur, Chester Morris and Joseph Calleia. The Metro-Goldwyn-Mayer production was directed by J. Walter Ruben.
Broken Lullaby is a 1932 American pre-Code drama film directed by Ernst Lubitsch and released by Paramount Pictures. The screenplay by Samson Raphaelson and Ernest Vajda is based on the 1930 play L'homme que j'ai tué by Maurice Rostand and its 1931 English-language adaptation, The Man I Killed, by Reginald Berkeley.
Life's Whirlpool is a 1917 American silent drama film written and directed by Lionel Barrymore with his sister Ethel Barrymore as the star. This is the brother and sister's only collaboration on a silent film as director and star.
The Washington Masquerade is a 1932 American Pre-Code drama film directed by Charles Brabin and written by John Meehan and Samuel Blythe. The film stars Lionel Barrymore, Karen Morley, Nils Asther and Reginald Barlow. The film was released on July 9, 1932, by Metro-Goldwyn-Mayer. It was based on 1906 French play by Henri Bernstein. A New York World review drew comparisons with American Madness released by Columbia Pictures the same year.