Tod Browning was an American film director, film actor, screenwriter, vaudeville performer, and carnival sideshow and circus entertainer. He directed a number of films of various genres between 1915 and 1939, but was primarily known for horror films, and was often cited in the trade press as the Edgar Allan Poe of cinema.
The Phantom of the Opera is a 1925 American silent horror film adaptation of Gaston Leroux's 1910 novel Le Fantôme de l'Opéra, directed by Rupert Julian and starring Lon Chaney in the title role of the deformed Phantom who haunts the Paris Opera House, causing murder and mayhem in an attempt to make the woman he loves a star. The film remains most famous for Chaney's ghastly, self-devised make-up, which was kept a studio secret until the film's premiere. The picture also features Mary Philbin, Norman Kerry, Arthur Edmund Carewe, Gibson Gowland, John St. Polis and Snitz Edwards. The last surviving cast member was Carla Laemmle, niece of producer Carl Laemmle, who played a small role as a "prima ballerina" in the film when she was about 15 years old. The film was released on September 6, 1925, premiering at the Astor Theatre in New York. The film's final budget was $632,357.
He Who Gets Slapped is a 1924 American silent psychological thriller film starring Lon Chaney, Norma Shearer, and John Gilbert, and directed by Victor Sjöström. The film was written by Victor Seastrom and Carey Wilson, based on the Russian play He Who Gets Slapped by playwright Leonid Andreyev, which was completed by Andreyev in August 1915, two months before its world premiere at the Moscow Art Theatre on October 27, 1915. A critically successful Broadway production, using an English language translation of the original Russian by Gregory Zilboorg, was staged in 1922, premiering at the Garrick Theatre on January 9, 1922, with Richard Bennett (actor) playing the "HE" role on stage. The Russian original was made into a Russian movie in 1916.
The Shock is a 1923 American silent drama film directed by Lambert Hillyer and starring Lon Chaney as a disabled man named Wilse Dilling. The film was written by Arthur Statter and Charles Kenyon, based on a magazine story by William Dudley Pelley. This is one of the rare Lon Chaney films where he gets the girl. The film is readily available on DVD.
The Unknown is a 1927 American silent horror film directed by Tod Browning, and starring Lon Chaney as carnival knife thrower "Alonzo the Armless" and Joan Crawford as his beloved carnival girl Nanon. Originally titled Alonzo the Armless, filming took place from February 7 to March 18, 1927 on a $217,000 budget.
Evelyn Felisa Ankers was a British-American actress who often played variations on the role of the cultured young leading lady in many American horror films during the 1940s, most notably The Wolf Man (1941) opposite Lon Chaney Jr., a frequent screen partner.
Thunder is a 1929 American synchronized sound melodrama film starring Lon Chaney and directed by William Nigh. The film has no audible dialogue but featured a synchronized musical score and sound effects. The soundtrack was recorded using the Western Electric Sound System sound-on-film process. The soundtrack was also transferred to discs for those theatres that were wired with sound-on-disc sound systems. Thunder was Chaney's penultimate film appearance and his last film without audible dialogue.
Bride of the Gorilla is a 1951 horror B-movie film written and directed by Curt Siodmak starring Raymond Burr, Lon Chaney Jr., Barbara Payton and Tom Conway.
Laugh, Clown, Laugh is a 1928 American silent drama film starring Lon Chaney and Loretta Young. The movie was directed by Herbert Brenon and produced by Irving G. Thalberg for MGM Pictures. A sound version of this film was released in the second half of 1928 and featured a synchronized musical score with sound effects. The film was written by Elizabeth Meehan, based on the 1923 Broadway stage production Laugh, Clown, Laugh by David Belasco and Tom Cushing, which in turn was based on a 1919 play Ridi, Pagliaccio by Fausto Maria Martini.
West of Zanzibar is a 1928 American synchronized sound film directed by Tod Browning. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The screenplay concerns a vengeful stage magician named Phroso who becomes paralyzed in a brawl with a rival. The supporting cast includes Mary Nolan and Warner Baxter. The screenplay was written by Elliott J. Clawson, based on the 1926 play Kongo by Charles de Vonde and Kilbourn Gordon. Walter Huston starred in the stage play and later played Phroso again in the 1932 sound film remake of the same story which was also called Kongo.
The Frozen Ghost is a 1945 American film noir mystery film starring Lon Chaney Jr., Elena Verdugo, Evelyn Ankers, Tala Birell, and Martin Kosleck, and directed by Harold Young. It is the fourth of the six "Inner Sanctum" mystery films.
The Trap is a 1922 American silent Western film directed by Robert Thornby and starring Lon Chaney and Alan Hale. It was released by Universal Pictures. The film was released in the United Kingdom under the title Heart of a Wolf. One working title for the film was Wolfbreed. The film was re-released in the U.S. in 1926.
Danger, Go Slow is a 1918 American silent comedy film directed by Robert Z. Leonard, and starring Mae Murray, Jack Mulhall and Lon Chaney. Robert Z. Leonard and Mae Murray co-wrote the screenplay together. The film is today considered lost.
While the City Sleeps is a 1928 American synchronized sound crime drama film about a tough New York City police detective, played by Lon Chaney, out to catch a murdering gangster. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-film Western Electric Sound System process. The film was directed by Jack Conway, written by Andrew Percival Younger, and co-starred Anita Page, Carroll Nye, Wheeler Oakman, and Mae Busch.
The Unholy Three is a 1930 American Pre-Code melodrama directed by Jack Conway and starring Lon Chaney. Its plot involves a crime spree. The film is a sound remake of the silent 1925 film of the same name, with both films based on the novel The Unholy Three, by Tod Robbins.
Outside the Law is a 1920 American pre-Code crime film produced, directed and co-written by Tod Browning and starring Priscilla Dean, Lon Chaney and Wheeler Oakman.
The Blackbird is a 1926 American silent crime film directed by Tod Browning and starring Lon Chaney. The screenplay was written by Waldemar Young, based on a story "The Mockingbird" by Tod Browning. Cedric Gibbons and Arnold Gillespie handled the set design. Makeup man Cecil Holland also played one of the old men living at the mission. Character actors Eddie Sturgis and Willie Fung appeared in several other Lon Chaney movies during this time period. The film took 31 days to shoot at a cost of $166,000. The tagline was "Lon Chaney in his successor to The Unholy Three". Stills on the internet shows Chaney in his dual role. In April 2012, the film became available on DVD from the Warner Archive collection.
Bobbie of the Ballet is a 1916 American silent drama film directed by Joe De Grasse and starring Lon Chaney, Louise Lovely, Gretchen Lederer and Jay Belasco. It was written by Ida May Park, based on a story by Grant Carpenter.
Triumph is a 1917 American silent drama film directed by Joe De Grasse, written by Fred Myton, starring Lon Chaney and Dorothy Phillips. The screenplay was adapted from a short story by Samuel Hopkins Adams. It was produced by Bluebird Photoplays and released by Universal Film Manufacturing Company. Only the first three of the five reels of this film survive, and the third reel is heavily decomposed. Two stills exist showing Lon Chaney as the terminally ill Paul Neihoff.
Mockery (1927) is an American silent film about the Russian Revolution starring Lon Chaney. The movie was the second film made in Hollywood by Danish director Benjamin Christensen and stars Chaney as a Siberian peasant who aids a countess who is threatened by the encroaching insurgency. The screenplay was written by Bradley King, based on a story by Benjamin Christensen, which in turn was adapted from a short story by Stig Esbern. The sets were designed by Cedric Gibbons and Alexander Toluboff.
