The Sin of Madelon Claudet | |
---|---|
Directed by | Edgar Selwyn |
Written by | Charles MacArthur Ben Hecht (uncredited) |
Based on | Lullaby 1923 play by Edward Knoblock |
Produced by | Irving Thalberg |
Starring | Helen Hayes Lewis Stone Jean Hersholt Robert Young |
Cinematography | Oliver T. Marsh |
Edited by | Tom Held |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
|
Running time | 75 minutes |
Country | United States |
Language | English |
The Sin of Madelon Claudet is a 1931 American pre-Code drama film directed by Edgar Selwyn and starring Helen Hayes. The screenplay by Charles MacArthur and Ben Hecht was adapted from the play The Lullaby by Edward Knoblock. It tells the story of a wrongly imprisoned woman who turns to theft and prostitution in order to support her son.
When neglected wife Alice (Karen Morley) decides to leave her doctor husband Lawrence (Robert Young), his friend Dr. Dulac (Jean Hersholt) stops her and tells her the life story of another woman, the French Madelon Claudet (born May 7, 1878) (Helen Hayes), who was persuaded by her American boyfriend, artist Larry Maynard (Neil Hamilton), to run away with him. Eventually, he has to return to the U.S. because his father is sick. Once there however, he betrays her and marries a woman whom his parents approve of. Unbeknownst to him, Madelon gives birth to a son. When her lover does not come back, her father (Russ Powell) gets her to agree to marry Hubert (Alan Hale), a farmer. However, when she refuses to give up her illegitimate son, Hubert and her father abandon her. She becomes the mistress of an older acquaintance, Count Carlo Boretti (Lewis Stone), while her friends Rosalie (Marie Prevost) and Victor Lebeau (Cliff Edwards) care for the boy. After a while, Carlo proposes marriage and Madelon accepts. However, when they go out to celebrate, he is arrested as a jewel thief. He manages to commit suicide, but Madelon is sentenced to ten years in prison as his accomplice, even though she is innocent.
When she finally is released in 1919, she goes to see her teenage son Lawrence, now living at a state boarding school. A conversation with the school's doctor proves crucial. Dr. Dulac reveals that because his father was a criminal, he cannot get better work elsewhere. Determined not to become a similar burden to her own child, she tells her son that she is an old friend of his mother, and that his mother is dead. Madelon is determined to finance Lawrence's medical education, but with the end of World War I, millions of Frenchmen are released from the army and jobs are scarce. When a man mistakes her for a prostitute, she takes up the profession. As she ages and loses her looks, she is forced to steal as well, but finally, her goal is realized, and Lawrence receives his degree.
Aged and destitute, she decides to give up her freedom and commit herself to state charity, but visits her son one last time, pretending to be a patient. When she leaves, she encounters Dr. Dulac, who recognizes her and persuades his friend Dr. Claudet, still unaware of her true identity, to provide for her. After hearing of the woman's self-sacrifice, Alice Claudet suggests to Lawrence he invite Madelon to live with them.
The film originally was titled The Lullaby. Following its first preview, it was panned by critics, who were impressed by Hayes in her sound film debut after a couple of silent films, but thought the plot was conventional and sappy. Producer Irving Thalberg called in playwright Charles MacArthur, who was Hayes' husband, to doctor the script. He thoroughly revised it, omitting inconsequential characters and framing the story as a flashback.
Hayes had begun filming Arrowsmith for Samuel Goldwyn and had to complete that project before shooting her new scenes for the Thalberg film. It was retitled The Sin of Madelon Claudet and opened to widespread acclaim for both Hayes and the film itself. [1] The score included the song "Adios amor". [2]
The film was voted one of the ten best pictures of the year by a Film Daily nationwide poll.
In his review in The New York Times, Mordaunt Hall wrote "[Helen Hayes'] superb portrayal in a difficult role leaves only the regret that the powers that be did not see fit to have her make her screen début in a more cheerful study...The Sin of Madelon Claudet is a sorrowful chronicle which will undoubtedly have a strong popular appeal. It is endowed with other commendable impersonations...[and] also has the benefit of Edgar Selwyn's expert direction." [3]
Time magazine wrote that the film was "remarkable because in it Helen Hayes appears in cinema for the first time and because it succeeds in its intention — to make audiences weep...By ceasing entirely to be Helen Hayes and becoming instead the woman whose life story she portrays, Cinemactress Hayes makes the familiarity of the story double its sadness...The picture is well directed by Edgar Selwyn [and] splendidly acted by the rest of the cast." [4]
TV Guide rates the film four stars and calls it a "well-acted soaper". [5]
Charles Gordon MacArthur was an American playwright, screenwriter, and 1935 winner of the Academy Award for Best Story.
Lewis Shepard Stone was an American film actor. He spent 29 years as a contract player at Metro-Goldwyn-Mayer and was best known for his portrayal of Judge James Hardy in the studio's popular Andy Hardy film series. He was nominated for the Academy Award for Best Actor in 1929 for his performance as Russian Count Pahlen in The Patriot. Stone was also cast in seven films with Greta Garbo, including in the role of Doctor Otternschlag in the 1932 drama Grand Hotel.
Irving Grant Thalberg was an American film producer during the early years of motion pictures. He was called "The Boy Wonder" for his youth and ability to select scripts, choose actors, gather production staff, and make profitable films, including Grand Hotel, China Seas, A Night at the Opera, Mutiny on the Bounty, Camille and The Good Earth. His films carved out an international market, "projecting a seductive image of American life brimming with vitality and rooted in democracy and personal freedom", states biographer Roland Flamini.
The following is an overview of 1931 in film, including significant events, a list of films released and notable births and deaths.
Helen Hayes MacArthur was an American actress whose career spanned 82 years. She eventually received the nickname "First Lady of American Theatre" and was the second person and first woman to have won an Emmy, a Grammy, an Oscar, and a Tony Award. She was also the first person to win the Triple Crown of Acting. Hayes also received the Presidential Medal of Freedom, America's highest civilian honor, from President Ronald Reagan in 1986. In 1988, she was awarded the National Medal of Arts.
Marie Prevost was a Canadian-born film actress. During her 20-year career, she made 121 silent and sound films.
Corinne Anita Loos was an American actress, novelist, playwright and screenwriter. In 1912, she became the first female staff screenwriter in Hollywood, when D. W. Griffith put her on the payroll at Triangle Film Corporation. She is best known for her 1925 comic novel, Gentlemen Prefer Blondes, her screenplay of the 1939 adaptation of The Women, and her 1951 Broadway adaptation of Colette's novella Gigi.
Emma is a 1932 American pre-Code comedy-drama film released by Metro-Goldwyn-Mayer, starring Marie Dressler, written by Leonard Praskins from a story by Frances Marion, and directed by Clarence Brown. The supporting cast features Richard Cromwell, Jean Hersholt and Myrna Loy.
The 43rd Academy Awards ceremony, presented by Academy of Motion Picture Arts and Sciences, was held on April 15, 1971, and took place at the Dorothy Chandler Pavilion to honor the best films of 1970. The Awards, without a host for the third consecutive year, were broadcast by NBC for the first time in 11 years.
The Student Prince in Old Heidelberg, also known as The Student Prince and Old Heidelberg, is a 1927 Metro-Goldwyn-Mayer silent drama film based on the 1901 play Old Heidelberg by Wilhelm Meyer-Förster. It was directed by Ernst Lubitsch, and stars Ramon Novarro and Norma Shearer.
Parade of the Award Nominees is an animated short which was made for the 1932 banquet for the 5th Academy Awards, featuring Mickey Mouse and his friends leading a parade of caricatured Hollywood stars.
Possessed is a 1931 American pre-Code drama film directed by Clarence Brown, starring Joan Crawford and Clark Gable and released by Metro-Goldwyn-Mayer. The film is the story of Marian Martin, a factory worker who rises to the top as the mistress of a wealthy attorney. The screenplay by Lenore J. Coffee was adapted from the 1920 Broadway play The Mirage by Edgar Selwyn. Possessed was the third of eight film collaborations between Crawford and Gable.
Edgar Selwyn was an American actor, playwright, director and producer on Broadway. A prominent figure in American theatre and film in the first half of the 20th century, he founded a theatrical production company with his brother, Archibald Selwyn, and owned a number of Selwyn Theatres in the United States. He transferred his talents from the stage to motion pictures, and directed a film for which Helen Hayes received the Academy Award for Best Actress. Selwyn co-founded Goldwyn Pictures in 1916.
The 1st annual Venice International Film Festival was held between 6 and 21 August 1932. Dr. Jekyll and Mr. Hyde was the first film to be screened at the festival. No official prizes were awarded, so an audience referendum took place to determine the winners.
Dancing Mothers is a 1926 American black and white silent drama film produced by Paramount Pictures. The film was directed by Herbert Brenon, and stars Alice Joyce, Conway Tearle, and making her debut appearance for a Paramount Pictures film, Clara Bow. Dancing Mothers was released to the general public on March 1, 1926. The film tells the story of a pretty mother, who was almost cheated out of life by a heartless husband and a thoughtless daughter. The film survives on 16mm film stock and is currently kept at the UCLA Film and Television Archive.
War Nurse is a 1930 American pre-Code war film directed by Edgar Selwyn and starring Robert Montgomery, Anita Page, June Walker and Robert Ames.
Reunion is a 1936 American comedy film and directed by Norman Taurog and starring the Dionne Quintuplets, Jean Hersholt and Rochelle Hudson. It was produced and distributed by 20th Century Fox.
Christopher Bean is a 1933 American pre-Code comedy film directed by Sam Wood and written by Laurence E. Johnson and Sylvia Thalberg, based on the 1932 play, The Late Christopher Bean, by Sidney Howard. The film stars Marie Dressler, Lionel Barrymore, Helen Mack, Beulah Bondi, and Russell Hardie. The film was released on November 17, 1933, by Metro-Goldwyn-Mayer. It was Dressler's final role before her death from cancer in July 1934.
When Romance Rides is a 1922 American drama film directed by Eliot Howe, Charles O. Rush, and Jean Hersholt and written by Benjamin B. Hampton. It is based on the 1917 novel Wildfire by Zane Grey. The film stars Claire Adams, Carl Gantvoort, Jean Hersholt, Harry von Meter, Charles Arling, and Mary Jane Irving. The film was released on April 9, 1922, by Goldwyn Pictures.
Madelon may refer to: