The Divorcee is a 1930 American pre-Code drama film written by Nick Grindé, John Meehan, and Zelda Sears, based on the 1929 novel Ex-Wife by Ursula Parrott. It was directed by Robert Z. Leonard, who was nominated for the Academy Award for Best Director. The film was also nominated for Best Picture, and won Best Actress for its star Norma Shearer.
Edith Norma Shearer was a Canadian-American actress who was active on film from 1919 through 1942. Shearer often played spunky, sexually liberated women. She appeared in adaptations of Noël Coward, Eugene O'Neill, and William Shakespeare, and was the first five-time Academy Award acting nominee, winning Best Actress for The Divorcee (1930).
Irving Grant Thalberg was an American film producer during the early years of motion pictures. He was called "The Boy Wonder" for his youth and ability to select scripts, choose actors, gather production staff, and make profitable films, including Grand Hotel, China Seas, A Night at the Opera, Mutiny on the Bounty, Camille and The Good Earth. His films carved out an international market, "projecting a seductive image of American life brimming with vitality and rooted in democracy and personal freedom", states biographer Roland Flamini.
The Last Tycoon is an unfinished novel by F. Scott Fitzgerald. In 1941, it was published posthumously under this title, as prepared by his friend Edmund Wilson, a critic and writer. According to Publishers Weekly, the novel is "generally considered a roman à clef", with its lead character, Monroe Stahr, modeled after film producer Irving Thalberg. The story follows Stahr's rise to power in Hollywood, and his conflicts with rival Pat Brady, a character based on MGM studio head Louis B. Mayer.
Jean Harlow was an American actress. Known for her portrayal of "bad girl" characters, she was the leading sex symbol of the early 1930s and one of the defining figures of the pre-Code era of American cinema. Often nicknamed the "Blonde Bombshell" and the "Platinum Blonde", Harlow was popular for her "Laughing Vamp" screen persona. Harlow was in the film industry for only nine years, but she became one of Hollywood's biggest movie stars, whose image in the public eye has endured. In 1999, the American Film Institute ranked Harlow number 22 on its greatest female screen legends list.
Corinne Anita Loos was an American actress, novelist, playwright and screenwriter. In 1912, she became the first female staff screenwriter in Hollywood, when D. W. Griffith put her on the payroll at Triangle Film Corporation. She is best known for her 1925 comic novel, Gentlemen Prefer Blondes, and her 1951 Broadway adaptation of Colette's novella Gigi.
Louis Burt Mayer was a Jewish Canadian-American film producer and co-founder of Metro-Goldwyn-Mayer studios (MGM) in 1924. Under Mayer's management, MGM became the film industry's most prestigious movie studio, accumulating the largest concentration of leading writers, directors, and stars in Hollywood.
Katharine Brush was an American newspaper columnist, short-story writer, and novelist. In the era of the 1920s-1930s, she was considered one of the country's most widely-read fiction writers, as well as one of the highest paid women writers of her time; several of her books were best-sellers, and several others were made into movies.
Red Dust is a 1932 American pre-Code romantic drama film directed by Victor Fleming, and starring Clark Gable, Jean Harlow, and Mary Astor. It is based on the 1928 play of the same name by Wilson Collison, and was adapted for the screen by John Mahin. Red Dust is the second of six movies Gable and Harlow made together. More than 20 years later, Gable starred in a remake, Mogambo (1953), with Ava Gardner starring in a variation on the role Harlow played and Grace Kelly playing a part similar to one portrayed by Astor in Red Dust.
Paul Bern was a German-born American film director, screenwriter, and producer for Metro-Goldwyn-Mayer, where he became the assistant to Irving Thalberg. He helped launch the career of Jean Harlow, whom he married in July 1932; two months later, he was found dead of a gunshot wound, leaving what appeared to be a suicide note. Various alternative theories of his death have been proposed. MGM writer and film producer Samuel Marx believed that he was killed by his ex-common-law wife Dorothy Millette, who jumped to her death from a ferry two days afterward.
The Secret Six is a 1931 American pre-Code crime film starring Wallace Beery as "Slaughterhouse Scorpio", a character very loosely based on Al Capone, and featuring Lewis Stone, John Mack Brown, Jean Harlow, Clark Gable, Marjorie Rambeau and Ralph Bellamy. The film was written by Frances Marion and directed by George W. Hill for MGM.
China Seas is a 1935 American adventure film starring Clark Gable as a brave sea captain, Jean Harlow as his brassy paramour, and Wallace Beery as a suspect character. The oceangoing epic also features Rosalind Russell, Lewis Stone, Akim Tamiroff, and Hattie McDaniel, while humorist Robert Benchley portrays a character reeling drunk from one end of the film to the other.
Samuel Marx was an American film producer, screenwriter and book author.
The Beast of the City is a 1932 American pre-Code gangster film featuring cops as vigilantes and known for its singularly vicious ending. Written by W.R. Burnett, Ben Hecht (uncredited), and John Lee Mahin, and directed by Charles Brabin, the film stars Walter Huston, Jean Harlow, Wallace Ford, Jean Hersholt, and Tully Marshall.
Riffraff is a 1936 American drama film directed by J. Walter Ruben and starring Jean Harlow, Spencer Tracy and Una Merkel. The screenplay was written by Frances Marion, Anita Loos and H. W. Hannaford.
Saratoga is a 1937 American romantic comedy film starring Clark Gable and Jean Harlow and directed by Jack Conway. The screenplay was written by Anita Loos. Lionel Barrymore, Frank Morgan, Walter Pidgeon, and Una Merkel appear as featured players; Hattie McDaniel and Margaret Hamilton appear in support. It was the sixth and final film collaboration of Gable and Harlow.
Hold Your Man is a 1933 American pre-Code romantic drama film directed by an uncredited Sam Wood and starring Jean Harlow and Clark Gable, the third of their six films together. The screenplay by Anita Loos and Howard Emmett Rogers was based on a story by Loos.
La Bohème is a 1926 American silent drama film directed by King Vidor, based on the 1896 opera La bohème by Giacomo Puccini. Lillian Gish and John Gilbert star in a tragic romance in which a tubercular seamstress sacrifices her life so that her lover, a bohemian playwright, might pen his masterpiece. Gish, at the height of her influence with Metro-Goldwyn-Mayer studios, asserted significant control over the production, determining the story, director, cast, cinematography, and costume design. In February 2020, the film was shown at the 70th Berlin International Film Festival, as part of a retrospective dedicated to King Vidor's career.
Mary Ella Dees was an American stage and screen actress who once served as a primary stand-in double for actress Jean Harlow.
Jean Harlow was an American actress who made her uncredited debut in two 1928 films: Honor Bound for Fox Film; and Moran of the Marines for Paramount Pictures. While waiting for a friend at the studio in 1928, she was discovered by studio executives who gave her letters of introduction to casting agencies, where she was offered the two small roles that subsequently launched her film career. During the initial two years of her career, Harlow appeared uncredited in 16 films, including several Hal Roach productions developed for Laurel and Hardy. Her first speaking role was a bit part in the 1929 American pre-Code romantic comedy The Saturday Night Kid, starring Clara Bow and Jean Arthur. The film has since been preserved by the UCLA Film and Television Archive.
