Hedy Lamarr was an Austrian-born American film actress and inventor. A film star during Hollywood's golden age, Lamarr has been described as one of the greatest movie actresses of all time.
Samson and Delilah is a 1949 American romantic biblical drama film produced and directed by Cecil B. DeMille and released by Paramount Pictures. It depicts the biblical story of Samson, a strongman whose secret lies in his uncut hair, and his love for Delilah, the woman who seduces him, discovers his secret, and then betrays him to the Philistines. It stars Victor Mature and Hedy Lamarr in the title roles, George Sanders as the Saran, Angela Lansbury as Semadar, and Henry Wilcoxon as Prince Ahtur.
Joseph Schildkraut was an Austrian-American actor. He won an Oscar for his performance as Captain Alfred Dreyfus in the film The Life of Emile Zola (1937); later, he was nominated for a Golden Globe for his performance as Otto Frank in the film The Diary of Anne Frank (1959) and a Primetime Emmy for his performance as Rabbi Gottlieb in a 1962 episode of the television series Sam Benedict.
Ecstasy is a 1933 Czech erotic romantic drama film directed by Gustav Machatý and starring Hedy Lamarr, Aribert Mog, and Zvonimir Rogoz.
Algiers is a 1938 American drama film directed by John Cromwell and starring Charles Boyer, Sigrid Gurie, and Hedy Lamarr. Written by John Howard Lawson, the film is about a notorious French jewel thief hiding in the labyrinthine native quarter of Algiers known as the Casbah. Feeling imprisoned by his self-imposed exile, he is drawn out of hiding by a beautiful French tourist who reminds him of happier times in Paris. The Walter Wanger production was a remake of the successful 1937 French film Pépé le Moko, which derived its plot from the Henri La Barthe novel of the same name.
Boom Town is a 1940 American Western film starring Clark Gable, Spencer Tracy, Claudette Colbert, and Hedy Lamarr, and directed by Jack Conway. The supporting cast features Frank Morgan, Lionel Atwill, and Chill Wills. A story written by James Edward Grant in Cosmopolitan magazine entitled "A Lady Comes to Burkburnett" provided the inspiration for the film. The film was produced and released by Metro-Goldwyn-Mayer.
A Lady Without Passport is a 1950 American film noir film directed by Joseph H. Lewis and starring Hedy Lamarr and John Hodiak. Written by Howard Dimsdale, the film is about a beautiful concentration-camp refugee who has taken up residence in Cuba while awaiting permission to enter the United States. An undercover immigration agent decides to use her as an informant to entrap the leader of an alien-smuggling ring.
H. M. Pulham, Esq. is a 1941 American drama film directed by King Vidor and starring Hedy Lamarr, Robert Young, and Ruth Hussey. Based on the novel H. M. Pulham, Esq. by John P. Marquand, the film is about a middle-aged businessman who has lived a conservative life according to the routine conventions of society, but who still remembers the beautiful young woman who once brought him out of his shell. Vidor co-wrote the screenplay with his wife, Elizabeth Hill Vidor. The film features an early uncredited appearance by Ava Gardner. In February 2020, the film was shown at the 70th Berlin International Film Festival, as part of a retrospective dedicated to King Vidor's career.
Ziegfeld Girl is a 1941 American musical film directed by Robert Z. Leonard and starring James Stewart, Judy Garland, Hedy Lamarr, Lana Turner, Tony Martin, Jackie Cooper, Eve Arden, and Philip Dorn. The film, which features musical numbers by Busby Berkeley, was produced by Metro-Goldwyn-Mayer.
White Cargo is a 1942 film drama starring Hedy Lamarr and Walter Pidgeon, and directed by Richard Thorpe. Released by Metro-Goldwyn-Mayer, it is based on the 1923 London and Broadway hit play by Leon Gordon, which was in turn adapted from the novel Hell's Playground by Ida Vera Simonton. The play had already been made into a British part-talkie, also titled White Cargo, with Maurice Evans in 1930. The 1942 film, unlike the play, begins in what was then the present-day, before unfolding in flashback.
I Take This Woman is a 1940 American drama film directed by W. S. Van Dyke and starring Spencer Tracy and Hedy Lamarr. Based on the short story "A New York Cinderella" by Charles MacArthur, the film is about a young woman who attempted suicide in reaction to a failed love affair. The doctor who marries her attempts to get her to love him by abandoning his clinic services to the poor to become a physician to the rich so he can pay for her expensive lifestyle.
Her Highness and the Bellboy is a 1945 American romantic comedy film directed by Richard Thorpe and starring Hedy Lamarr, Robert Walker, and June Allyson. Written by Richard Connell and Gladys Lehman, the film is about a beautiful European princess who travels to New York City to find the newspaper columnist she fell in love with six years earlier. At her posh New York hotel, she is mistaken for a maid by a kind-hearted bellboy. Charmed by his confusion, the princess insists that he become her personal attendant, unaware that he has fallen in love with her. Her Highness and the Bellboy was released by Metro-Goldwyn-Mayer in the United States on July 11, 1945.
Esther and the King is a 1960 American-Italian religious epic film produced and directed by Raoul Walsh and starring Joan Collins as Esther, Richard Egan as Ahasuerus, and Denis O'Dea as Mordecai. Walsh and Michael Elkins wrote the screenplay, which was based on the Book of Esther of the Hebrew Bible and the Old Testament. It recounts the origin of the Jewish celebration of Purim.
The Strange Woman is a 1946 American melodrama film directed by Edgar G. Ulmer and written by Ulmer and Hunt Stromberg, starring Hedy Lamarr, George Sanders and Louis Hayward. Originally released by United Artists, the film is now in the public domain.
Picture Mommy Dead is a 1966 American horror film directed by Bert I. Gordon and starring Don Ameche, Martha Hyer, Susan Gordon and Zsa Zsa Gabor.
Eva Maria Mandl, known professionally as Eva May, was an Austrian actress. She was the daughter of the film director Joe May and his wife Mia May. In 1924, she committed suicide by gunshot.
Let's Live a Little is a 1948 American romantic comedy film directed by Richard Wallace and starring Hedy Lamarr and Robert Cummings. Written by Howard Irving Young, Edmund L. Hartmann, Albert J. Cohen, and Jack Harvey, the film is about an overworked advertising executive who is being pursued romantically by his former fiancée, a successful perfume magnate, who is also the ad agency's largest client. While visiting a new client—a psychiatrist and author—to discuss a proposed ad campaign, his life becomes further complicated when the new client turns out to be a beautiful woman, who decides to treat his nervous condition.
Storm in a Water Glass is a 1931 Austrian-German comedy film directed by Georg Jacoby and starring Hansi Niese, Renate Müller and Paul Otto. The film is based on the play of the same title by Bruno Frank, later adapted into the British film Storm in a Teacup. The film is known by the alternative title The Flower Woman of Lindenau. It is notable, in part, for the small role played by Hedy Lamarr in her second film. The film's art direction was by Hans Jacoby.
Money on the Street is a 1930 Austrian-German romantic comedy film directed by Georg Jacoby and starring Lydia Pollman, Georg Alexander, and Franz Schafheitlin. It is notable for the screen debut of Hedy Lamarr, who played a small role as an extra.
Crossroads is a 1938 French drama film directed by Curtis Bernhardt and starring Charles Vanel, Jules Berry and Suzy Prim. It inspired two English-language remakes, the 1940 British film Dead Man's Shoes and Hollywood's Crossroads in 1942.
