Bringing Up Father | |
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Directed by | Jack Conway |
Written by | Frances Marion George McManus Ralph Spence |
Starring | Marie Dressler Polly Moran J. Farrell MacDonald Gertrude Olmstead |
Cinematography | William H. Daniels |
Edited by | Margaret Booth |
Production company | |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
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Running time | 70 minutes |
Country | United States |
Language | Silent (English intertitles) |
Bringing Up Father is a 1928 American silent comedy film directed by Jack Conway and starring Marie Dressler, Polly Moran, and J. Farrell MacDonald. [1] The film was based on the newspaper comic strip Bringing Up Father by George McManus. It was remade in 1946 as a sound film, proving popular enough for a spin-off of four Jiggs and Maggie films to be made. [2] [3]
A print was donated by MGM to George Eastman House, Rochester New York. [4]
The Hollywood Revue of 1929, or simply The Hollywood Revue, is an American pre-Code musical comedy film released by Metro-Goldwyn-Mayer. It was the studio's second feature-length musical, and one of their earliest sound films. Produced by Harry Rapf and Irving Thalberg and directed by Charles Reisner, it features nearly all of MGM's stars in a two-hour revue that includes three segments in Technicolor. The masters of ceremonies are Conrad Nagel and Jack Benny.
Marie Dressler was a Canadian stage and screen actress, comedian, and early silent film and Depression-era film star. In 1914, she was in the first full-length film comedy. She won the Academy Award for Best Actress in 1931.
Bringing Up Father is an American comic strip created by cartoonist George McManus. Distributed by King Features Syndicate, it ran for 87 years, from January 2, 1913, to May 28, 2000.
Pauline Theresa Moran billed as Polly Moran, was an American actress of vaudeville, stage and screen and comedian.
Chasing Rainbows is a 1930 American Pre-Code romantic musical film directed by Charles Reisner, and released by Metro-Goldwyn-Mayer.
Drifting is a 1923 American silent drama film based on the play Drifting, by John Colton and Daisy H. Andrews. The film was directed by Tod Browning and features Priscilla Dean, Wallace Beery, and Anna May Wong. It was produced and distributed by Universal Pictures.
A Trip to Chinatown is a 1926 American silent comedy film produced and distributed by the Fox Film Corporation and starring Margaret Livingston. The supporting cast includes Anna May Wong and Charles Farrell. The movie was scripted by Beatrice Van from Charles Hale Hoyt's hit 1891 Broadway musical of the same name and directed by Robert P. Kerr.
Rose-Marie is a 1928 American silent drama film directed by Lucien Hubbard. It was the first of three Metro-Goldwyn-Mayer adaptations of the 1924 operetta Broadway musical Rose-Marie. The best-known film adaptation starring Nelson Eddy and Jeanette MacDonald was released in 1936; another film was released in 1954. All three versions are set in the Canadian wilderness.
Prosperity is a 1932 American pre-Code comedy-drama film starring Marie Dressler and Polly Moran. The two leading actresses play longtime matriarchal ladies comically sparring off each other, and trying to control their intertwined lives.
The Callahans and the Murphys is a 1927 comedy silent film directed by George W. Hill. The film was based on a novel by Kathleen Norris, and was the first of several MGM films to star Marie Dressler and Polly Moran.
Bringing Up Father is a 1946 American comedy film, based on the comic strip Bringing Up Father by George McManus, about the adventures of the social-climbing Maggie and her long-suffering husband Jiggs. Here, one of Maggie's society friends enlists her help in getting an undesirable tenant evicted, a tenant who turns out to be Jiggs himself. Meanwhile, Jiggs rounds up his friends from the bar to defend his turf.
Jiggs and Maggie in Court is a 1948 American comedy film directed by William Beaudine and starring Joe Yule, Renie Riano and George McManus. It was the second of a series of four films featuring Yule and Riano as the title characters, in a spin-off from the 1946 film Bringing Up Father.
Jiggs and Maggie in Jackpot Jitters is a 1949 American comedy film directed by William Beaudine and starring Joe Yule, Renie Riano and George McManus. It was the third of four films in the Jiggs and Maggie film series, spun off from Bringing Up Father (1946). The series follows the adventures of a family of Irish immigrants to the United States.
Jiggs and Maggie Out West is a 1950 American comedy film directed by William Beaudine and starring Joe Yule, Renie Riano and George McManus. It was the final film in the Jiggs and Maggie film series, featuring the adventures of a bickering Irish-American couple.
Jiggs and Maggie are the major characters in a series of films made by the American studio Monogram Pictures between 1946 and 1950. Jiggs and Maggie are Irish immigrants to the United States, who constantly argue. The characters were created by the cartoonist George McManus in his long-running strip Bringing Up Father. McManus appears in four of the films, playing himself.
Jiggs and Maggie in Society is a 1947 American comedy film directed by Edward F. Cline and starring Joe Yule, Renie Riano and Tim Ryan. The film is part of the Jiggs and Maggie series, the first sequel to the 1946 film Bringing Up Father.
Two Weeks with Pay is a lost 1921 American silent comedy romance film starring Bebe Daniels and directed by Maurice Campbell.
The Heart of Maryland is a lost 1915 silent film drama directed by Herbert Brenon based on David Belasco's play The Heart of Maryland. Mrs. Leslie Carter, who starred in the original play on Broadway in 1895, makes her appearance in this film as the title character.
Bringing Up Father is an American radio situation comedy show based on the comic strip Bringing Up Father by George McManus. It aired from July 1 to September 30, 1941, each Tuesday at 9 p.m. on NBC Radio. Each episode was a half-hour long. The sponsor was Lever Brothers.
The Path She Chose is a 1920 American silent drama film, directed by Phil Rosen. It stars Anne Cornwall, J. Farrell MacDonald, and Claire Anderson, and was released on May 24, 1920.
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