Our Modern Maidens | |
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Directed by | Jack Conway |
Written by | Marian Ainslee Ruth Cummings |
Screenplay by | Josephine Lovett |
Story by | Josephine Lovett |
Produced by | Jack Conway Hunt Stromberg (Uncredited) |
Starring | Joan Crawford Rod La Rocque Douglas Fairbanks Jr. Anita Page |
Cinematography | Oliver Marsh |
Edited by | Sam S. Zimbalist |
Music by | William Axt (Uncredited) Arthur Lange |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
|
Running time | 76 mins. |
Country | United States |
Languages | Sound (Synchronized) English intertitles |
Budget | $283,000 [1] |
Box office | $857,000 [1] |
Our Modern Maidens is a 1929 American synchronized sound comedy-drama film directed by Jack Conway. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film starts Joan Crawford in her last film role without dialogue, the film also stars Rod La Rocque, Douglas Fairbanks Jr., and Anita Page.
Heiress Billie Brown (Crawford), is engaged to marry her longtime sweetheart, budding diplomat Gil Jordan (Fairbanks). When Billie goes to see senior diplomat Glenn Abbott (La Rocque) about ensuring that Gil get a favorable assignment, Billie and Glenn are undeniably attracted to one another. Gil is likewise attracted to Kentucky Strafford (Page), Billie's houseguest, who becomes pregnant by Gil. Gil finds that he loves Kentucky, but marries Billie instead. Once Billie realizes that Kentucky is pregnant with Gil's child, their marriage is annulled and both are paired up with the people they truly love.
The film featured a theme song entitled “I’ve Waited a Lifetime for You” by Joe Goodwin (words) and Gus Edwards (music).
According to MGM records the film earned $675,000 in the US and Canada and $182,000 elsewhere resulting in a profit of $248,000. [1]
Joan Crawford was an American actress. She started her career as a dancer in traveling theatrical companies before debuting on Broadway. Crawford was signed to a motion picture contract by Metro-Goldwyn-Mayer in 1925. Initially frustrated by the size and quality of her parts, Crawford launched a publicity campaign and built an image as a nationally known flapper by the end of the 1920s. By the 1930s, Crawford's fame rivaled MGM colleagues Norma Shearer and Greta Garbo. Crawford often played hardworking young women who find romance and financial success. These "rags-to-riches" stories were well received by Depression-era audiences and were popular with women. Crawford became one of Hollywood's most prominent movie stars and one of the highest paid women in the United States, but her films began losing money. By the end of the 1930s, she was labeled "box office poison".
The Thief of Bagdad is a 1924 American silent adventure film directed by Raoul Walsh and starring Douglas Fairbanks, and written by Achmed Abdullah and Lotta Woods. Freely adapted from One Thousand and One Nights, it tells the story of a thief who falls in love with the daughter of the Caliph of Baghdad. In 1996, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
This is an overview of 1925 in film, including significant events, a list of films released and notable births and deaths.
Douglas Elton Fairbanks Jr. was an American actor, producer, and decorated naval officer of World War II. He is best-known for starring in such films as The Prisoner of Zenda (1937), Gunga Din (1939), and The Corsican Brothers (1941). He was the son of Douglas Fairbanks and the stepson of Mary Pickford, and his first marriage was to actress Joan Crawford.
Mommie Dearest is a memoir and exposé written by Christina Crawford, the adopted daughter of Academy Award winning actress Joan Crawford. Published in 1978, it attracted much controversy for its portrayal of Joan Crawford as a cruel, unbalanced, and alcoholic mother, with Crawford's other twin daughters, household staff, and family friends denouncing it as sensationalized fiction. It was turned into a 1981 film of the same title starring Faye Dunaway.
Elda Furry, known professionally as Hedda Hopper, was an American gossip columnist and actress. At the height of her influence in the 1940s, over 35 million people read her columns.
Anita Page was an American film actress who reached stardom in the final years of the silent film era.
Roderick Ross La Rocque was an American actor.
Our Dancing Daughters is a 1928 American synchronized sound drama film starring Joan Crawford and John Mack Brown about the "loosening of youth morals" that took place during the 1920s. The film was directed by Harry Beaumont and produced by Hunt Stromberg. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process.
Mildred Harris was an American stage, film, and vaudeville actress during the early part of the 20th century. Harris began her career in the film industry as a child actress when she was age 10. She was also the first wife of Charlie Chaplin.
The Iron Mask is a 1929 American part-talkie adventure film directed by Allan Dwan. In addition to some sequences with dialogue, the film featured a synchronized musical score with sound effects and a theme song.
Show People is a 1928 American synchronized sound comedy film directed by King Vidor. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film was a starring vehicle for actress Marion Davies and actor William Haines and included notable cameo appearances by many of the film personalities of the day, including stars Charlie Chaplin, Douglas Fairbanks, William S. Hart and John Gilbert, and writer Elinor Glyn. Vidor also appears in a cameo as himself, as does Davies.
Untamed is a 1929 American pre-Code Metro-Goldwyn-Mayer romantic-drama film directed by Jack Conway and starring Joan Crawford, Robert Montgomery, Ernest Torrence, Holmes Herbert, Gwen Lee, and Lloyd Ingraham. The script was adapted by Sylvia Thalberg and Frank Butler, with dialogue by Willard Mack, from a story by Charles E. Scoggins.
Resurrection is a 1927 Hollywood adaptation of Leo Tolstoy's 1899 novel Resurrection. Filmmaker Edwin Carewe adapted the book to a feature-length silent production starring Dolores del Río and featuring an appearance by Ilya Tolstoy who co-wrote the script. In 1928, due to the public apathy towards silent films, a sound version was also prepared. The sound version included a newly filmed prologue in which the theme song "Russian Lullaby" was performed and sung. While the actual film had no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. In 1931, Edwin Carewe directed an all-talking remake of this film starred by Lupe Vélez.
Broadway is a 1929 film directed by Paul Fejos from the 1926 play of the same name by George Abbott and Philip Dunning. It stars Glenn Tryon, Evelyn Brent, Paul Porcasi, Robert Ellis, Merna Kennedy and Thomas E. Jackson.
Our Blushing Brides is a 1930 American pre-Code society comedy/romantic melodrama directed and produced by Harry Beaumont and starring Joan Crawford, Robert Montgomery, Anita Page and Dorothy Sebastian.
A Woman of Affairs is a 1928 Metro-Goldwyn-Mayer synchronized sound drama film directed by Clarence Brown and starring Greta Garbo, John Gilbert, Douglas Fairbanks Jr. and Lewis Stone. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film was based on a 1924 best-selling novel by Michael Arlen, The Green Hat, which he adapted as a four-act stage play in 1925. The Green Hat was considered so daring in the United States that the movie did not allow any associations with it and was renamed A Woman of Affairs, with the characters also renamed to mollify the censors. In particular, the film script eliminated all references to heroin use, homosexuality and syphilis that were at the core of the tragedies involved.
Let's Get a Divorce is a 1918 American silent comedy film starring Billie Burke and written for the screen by husband and wife team John Emerson and Anita Loos. The film was produced by the Famous Players–Lasky company and distributed through Paramount Pictures. The film is based on the popular stage play Divorçons by Victorien Sardou and Émile de Najac.
The Man and the Moment is a formerly lost 1929 sound part-talkie romantic comedy film directed by George Fitzmaurice and starring Billie Dove. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film survives in a copy of the International Sound Version. The sound of the domestic part-talkie version was synchronized to the surviving print of the international sound version. Because of this, many scenes feature intertitles shown immediately after the spoken dialogue conveying the same words. The talking sequences on the international sound version were muted with music and intertitles were inserted to convey the dialogue replaced in the appropriate foreign language. Therefore, intertitles were left in the talking sequences during the restoration to maintain synchronization with the Vitaphone soundtrack. The story is from a 1914 novel by Elinor Glyn, the famous novelist. The film was produced by Richard A. Rowland and released by First National Pictures. A British silent film had been film of the same story in 1918.
Modern Love is a 1929 American sound part-talkie comedy film directed by Arch Heath and written by Albert DeMond and Beatrice Van. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The film stars Charley Chase, Kathryn Crawford, Jean Hersholt, Edward Martindel, Anita Garvin and Betty Montgomery. The film was released on July 21, 1929, by Universal Pictures.