The Broadway Melody, also known as The Broadway Melody of 1929, is a 1929 American pre-Code musical film and the first sound film to win an Academy Award for Best Picture. It was one of the early musicals to feature a Technicolor sequence, which sparked the trend of color being used in a flurry of musicals that would hit the screens in 1929–1930. Today, the Technicolor sequence survives only in black and white. The film was the first musical released by Metro-Goldwyn-Mayer and was Hollywood's first all-talking musical.
The Divorcee is a 1930 American pre-Code drama film written by Nick Grindé, John Meehan, and Zelda Sears, based on the 1929 novel Ex-Wife by Ursula Parrott. It was directed by Robert Z. Leonard, who was nominated for the Academy Award for Best Director. The film was also nominated for Best Picture, and won Best Actress for its star Norma Shearer.
Edith Norma Shearer was a Canadian-American actress who was active on film from 1919 through 1942. Shearer often played spunky, sexually liberated women. She appeared in adaptations of Noël Coward, Eugene O'Neill, and William Shakespeare, and was the first five-time Academy Award acting nominee, winning Best Actress for The Divorcee (1930).
Margaret Booth was an American film editor. In a career lasting seven decades, Booth was most associated with Metro-Goldwyn-Mayer (MGM).
Stanislaus Pascal Franchot Tone was an American actor, producer, and director of stage, film and television. He was a leading man in the 1930s and early 1940s, and at the height of his career was known for his gentlemanly sophisticate roles, with supporting roles by the 1950s. His acting crossed many genres including pre-Code romantic leads to noir layered roles and World War I films. He appeared as a guest star in episodes of several golden age television series, including The Twilight Zone and The Alfred Hitchcock Hour while continuing to act and produce in the theater and movies throughout the 1960s.
Irving Grant Thalberg was an American film producer during the early years of motion pictures. He was called "The Boy Wonder" for his youth and ability to select scripts, choose actors, gather production staff, and make profitable films, including Grand Hotel, China Seas, A Night at the Opera, Mutiny on the Bounty, Camille and The Good Earth. His films carved out an international market, "projecting a seductive image of American life brimming with vitality and rooted in democracy and personal freedom", states biographer Roland Flamini.
Louis Burt Mayer was a Canadian-American film producer and co-founder of Metro-Goldwyn-Mayer studios (MGM) in 1924. Under Mayer's management, MGM became the film industry's most prestigious movie studio, accumulating the largest concentration of leading writers, directors, and stars in Hollywood.
Anita Page was an American film actress who reached stardom in the final years of the silent film era.
Ernest Torrence was a Scottish film character actor who appeared in many Hollywood films, including Broken Chains (1922) with Colleen Moore, Mantrap (1926) with Clara Bow and Fighting Caravans (1931) with Gary Cooper and Lili Damita. A towering figure, Torrence frequently played cold-eyed and imposing villains.
The Joan Crawford filmography lists the film appearances of American actress Joan Crawford, who starred in numerous feature films throughout a lengthy career that spanned nearly five decades.
Gwen Lee was an American stage and film actress. Lee began her career as a model before being discovered and signed to Metro-Goldwyn-Mayer. She was typically cast in supporting roles. Lee appeared in over 60 films, and she retired in 1938.
Across to Singapore is a 1928 American silent romantic drama film directed by William Nigh, and starring Ramon Novarro, Joan Crawford and Ernest Torrence. The plot involves a love triangle between a woman and two brothers, set on board ship and in Singapore.
Montana Moon is a 1930 pre-Code Western musical film which introduced the concept of the singing cowboy to the screen. Starring Joan Crawford, Johnny Mack Brown, Dorothy Sebastian, and Ricardo Cortez, the film focuses on the budding relationship between a city girl and a rural cowboy.
Our Blushing Brides is a 1930 American pre-Code society comedy/romantic melodrama directed and produced by Harry Beaumont and starring Joan Crawford, Robert Montgomery, Anita Page and Dorothy Sebastian.
Today We Live is a 1933 American pre-Code romance drama film produced and directed by Howard Hawks and starring Joan Crawford, Gary Cooper, Robert Young and Franchot Tone.
When Ladies Meet is a 1933 American pre-Code comedy film directed by Harry Beaumont and starring Ann Harding, Myrna Loy, Robert Montgomery, Alice Brady, and Frank Morgan. The film is the first adaptation of the 1932 Rachel Crothers play of the same name. It was nominated for an Academy Award for Best Art Direction by Cedric Gibbons.
Alias Jimmy Valentine is a 1928 American sound part-talkie crime drama film directed by Jack Conway and starring William Haines, Leila Hyams, Lionel Barrymore, and Karl Dane. The film features talking sequences along with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film is based on the 1909 play Alias Jimmy Valentine by Paul Armstrong, which itself was based on an O. Henry short story. The play toured in travelling production companies making it extremely popular. It was revived on Broadway in 1921. Two previous film adaptations had been produced at the old Metro Studios. A 1915 film version was directed by Maurice Tourneur and a 1920 version starring Bert Lytell was directed by Edmund Mortimer and Arthur Ripley.
David Torrence was a Scottish film actor. He appeared in more than 100 films from 1913 to 1939. He has a star on the Hollywood Walk of Fame. He was the brother of actor Ernest Torrence. He was born in Edinburgh, Scotland and died in Los Angeles.
Inspiration is a 1931 American pre-Code Metro-Goldwyn-Mayer romantic melodrama film adapted by Gene Markey from the Alphonse Daudet novel Sappho (1884). The film stars Greta Garbo, Robert Montgomery, Lewis Stone and Marjorie Rambeau. It was directed by Clarence Brown and produced by Irving Thalberg. The cinematography was performed by William H. Daniels, the art direction by Cedric Gibbons and the costume design by Adrian.
So Long Letty is a 1929 American pre-Code musical comedy directed by Lloyd Bacon and starring Charlotte Greenwood, reprising her role from the 1916 Broadway stage play. The story had previously been filmed as a silent under the same title in 1920 with Colleen Moore.
