Susan and God | |
---|---|
Directed by | George Cukor |
Screenplay by | Anita Loos |
Based on | Susan and God 1937 play by Rachel Crothers [1] |
Produced by | Hunt Stromberg |
Starring | Joan Crawford Fredric March |
Cinematography | Robert H. Planck |
Edited by | William H. Terhune |
Music by | Herbert Stothart |
Production company | |
Distributed by | Loew's Inc. |
Release date |
|
Running time | 117 minutes |
Country | United States |
Language | English |
Budget | $1,103,000 [2] |
Box office | $1,096,000 [2] |
Susan and God is a 1940 American comedy-drama film released by Metro-Goldwyn-Mayer directed by George Cukor and starring Joan Crawford and Fredric March. The screenplay was written by Anita Loos and was based upon a 1937 play by Rachel Crothers. The supporting cast features Rita Hayworth and Nigel Bruce.
The film follows the story of a society matron whose newfound religious fervor changes the relationships around her.
Susan (Joan Crawford), a flighty society matron, returns from Europe earlier than expected waxing enthusiastic about a new religious movement. She is estranged from her intelligent and sensitive husband Barrie (Fredric March), who has been driven to drink by his wife's insensitivity, and she has neglected her introverted and maladjusted daughter Blossom (Rita Quigley). Barrie tries to meet her boat as it arrives in New York City, but she avoids him and absconds to the country home of her friend Irene Burroughs (Rose Hobart).
While at the house, her fervor and sermons alienate friends "Hutchie" and Leonora (Nigel Bruce and Rita Hayworth) by insisting Leonora leave her elderly husband and return to the stage. Susan also insults Irene by telling her that she's unsuited for her lover Mike (Bruce Cabot). While they all blow off Susan's musings, it sticks with them, and Barrie comes to the house to beg for forgiveness. He asks her to give him another chance for the sake of their daughter Blossom, and offers to finally grant Susan the divorce she seeks if he takes another drink. Susan consents and agrees to spend the summer with the family, thus making Blossom very happy. At first, Barrie is taken in by Susan's new passion, believing it is a sign of maturity, but he suffers disappointment when he realizes it is simply another manifestation of her shallowness. Gradually, Susan begins to understand the pain she has caused her family and determines to put her own house in order before meddling in the lives of others.
The film Susan and God was based on Rachel Crothers' play Susan and God, which premiered in Princeton, New Jersey, then opened on Broadway on October 7, 1937 at the Plymouth Theatre. The original production, directed by John Golden and designed by Jo Mielziner, starred Gertrude Lawrence and ran for 288 performances. MGM reportedly paid $75,000 (USD) for the rights to the play. Crothers' play reportedly was inspired by Dr. Frank Buchman's Oxford Group, a religious movement of the 1930s. [3]
It was intended as a vehicle for Norma Shearer, but the star refused to play the role of a mother with a teenage daughter. Greer Garson was considered for the role before it went to Joan Crawford.
Rita Hayworth was loaned to MGM for this film by her studio Columbia Pictures. This was Fredric March's return to film after a year and a half's absence appearing on the stage.
Variety noted "Joan Crawford provides a strong portrayal of Susan...George Cukor's direction highlights the characterizations he unfolds." Howard Barnes in the New York Herald Tribune wrote "[Crawford] is not entirely successful in blending silliness with romantic power." [4]
Although well-reviewed, the movie failed to make a return on its budget; according to MGM records, it made $817,000 in the U.S. and Canada and $279,000 in other markets, resulting in a loss of $433,000. [2]
On June 7, 1938, an excerpt from Susan and God was the first Broadway play with its original cast to be broadcast on television. Station W2XBS used exact replicas of the stage sets, with Nancy Coleman, Gertrude Lawrence, and Paul McGrath appearing on the broadcast. [5]
Susan and God was released on Region 1 DVD on April 6, 2010 from the online Warner Bros. Archive Collection.
Joan Crawford was an American actress. She started her career as a dancer in traveling theatrical companies before debuting on Broadway. Crawford was signed to a motion picture contract by Metro-Goldwyn-Mayer in 1925. Initially frustrated by the size and quality of her parts, Crawford launched a publicity campaign and built an image as a nationally known flapper by the end of the 1920s. By the 1930s, Crawford's fame rivaled MGM colleagues Norma Shearer and Greta Garbo. Crawford often played hardworking young women who find romance and financial success. These "rags-to-riches" stories were well received by Depression-era audiences and were popular with women. Crawford became one of Hollywood's most prominent movie stars and one of the highest paid women in the United States, but her films began losing money. By the end of the 1930s, she was labeled "box office poison".
Madame Curie is a 1943 American biographical film made by Metro-Goldwyn-Mayer. The film was directed by Mervyn LeRoy and produced by Sidney Franklin from a screenplay by Paul Osborn, Paul H. Rameau, and Aldous Huxley (uncredited), adapted from the biography by Ève Curie. It stars Greer Garson, Walter Pidgeon, with supporting performances by Robert Walker, Henry Travers, and Albert Bassermann.
The following is an overview of 1936 in film, including significant events, a list of films released and notable births and deaths.
Rita Hayworth was an American actress, dancer, and pin-up girl. She achieved fame in the 1940s as one of the top stars of the Golden Age of Hollywood, and appeared in 61 films in total over 37 years. The press coined the term "The Love Goddess" to describe Hayworth, after she had become the most glamorous screen idol of the 1940s. She was the top pin-up girl for GIs during World War II.
Gwyllyn Samuel Newton Ford, known as Glenn Ford, was a Canadian-American actor. He was most prominent during Hollywood's Golden Age as one of the biggest box-office draws of the 1940s, 1950s, and 1960s, who had a career that lasted more than 50 years.
Bruce Cabot was an American film actor, best remembered as Jack Driscoll in King Kong (1933) and for his roles in films such as The Last of the Mohicans (1936), Fritz Lang's Fury (1936), and the Western Dodge City (1939). He was also known as one of "Wayne's Regulars", appearing in a number of John Wayne films beginning with Angel and the Badman (1947), and concluding with Big Jake (1971).
Born Yesterday is a 1950 American comedy-drama film directed by George Cukor, based on the 1946 stage play of the same name by Garson Kanin. The screenplay was credited to Albert Mannheimer. According to Kanin's autobiography, Cukor did not like Mannheimer's work, believing it lacked much of the play's value, so he approached Kanin about adapting a screenplay from his own play. Because of legal entanglements, Kanin did not receive screen credit.
Rachel Crothers was an American playwright and theater director known for her well-crafted plays that often dealt with feminist themes. Among theater historians, she is generally recognized as "the most successful and prolific woman dramatist writing in the first part of the twentieth century." One of her most famous plays was Susan and God (1937), which was made into a film by MGM in 1940 starring Joan Crawford and Fredric March.
Rain is a 1932 pre-Code drama film that stars Joan Crawford as prostitute Sadie Thompson. Directed by Lewis Milestone and set in the South Seas, the production was filmed in part at Santa Catalina Island and what is now Crystal Cove State Park in California. The film also features Walter Huston in the role of a conflicted missionary who insists that Sadie end her evil ways, but whose own moral standards and self-righteous behavior steadily decay. Crawford was loaned out by MGM to United Artists for this film.
Jean Louis was a French-American costume designer. He won an Academy Award for The Solid Gold Cadillac (1956).
Holiday is a 1938 American romantic comedy film directed by George Cukor, a remake of the 1930 film of the same name.
The Caretakers is a 1963 American drama film starring Robert Stack, Polly Bergen, Diane McBain, Joan Crawford and Janis Paige in a story about a mental hospital.
No More Ladies is a 1935 American romantic comedy film directed by Edward H. Griffith. The film stars Joan Crawford and Robert Montgomery, and co-stars Charlie Ruggles, Franchot Tone, and Edna May Oliver. The screenplay credited to Donald Ogden Stewart and Horace Jackson is based on a stage comedy of the same name by A.E. Thomas.
A Woman's Face is a 1941 American drama film noir directed by George Cukor and starring Joan Crawford, Melvyn Douglas and Conrad Veidt. It tells the story of Anna Holm, a facially disfigured blackmailer, who, because of her appearance, despises everyone she encounters. When a plastic surgeon corrects this disfigurement, Anna becomes torn between the hope of starting a new life and a return to her dark past. Most of the film is told in flashbacks as witnesses in a courtroom give their testimonies. The screenplay was written by Donald Ogden Stewart and Elliot Paul, based on the play Il était une fois... by Francis de Croisset. Another version of the story, a Swedish production, was filmed in 1938 as En kvinnas ansikte, starring Ingrid Bergman.
When Ladies Meet is a 1933 American pre-Code comedy film directed by Harry Beaumont and starring Ann Harding, Myrna Loy, Robert Montgomery, Alice Brady, and Frank Morgan. The film is the first adaptation of the 1932 Rachel Crothers play of the same name. It was nominated for an Academy Award for Best Art Direction by Cedric Gibbons.
When Ladies Meet is a 1941 American romantic comedy film directed by Robert Z. Leonard and starring Joan Crawford, Robert Taylor, Greer Garson, Herbert Marshall and Spring Byington. The screenplay by S.K. Lauren and Anita Loos was based upon a 1932 play by Rachel Crothers. Made by Metro-Goldwyn-Mayer, director Leonard also coproduced along with Orville O. Dull. The film was a remake of the 1933 pre-Code film of the same name, which had starred Ann Harding, Myrna Loy, Robert Montgomery and Frank Morgan in the roles played by Garson, Crawford, Taylor and Marshall.
El Rancho Hotel, Gallup, New Mexico, is a historic hotel built by R.E. “Griff” Griffith, the brother of film director D.W. Griffith. The pair encouraged early film production in the surrounding area. It is located on old U.S. Route 66 and became the temporary home for many Hollywood movie stars.The rambling, three-story hotel building has a large portico with a central balcony reminiscent of the Southern Plantation style. The National Park Service describes it as having a “rusticated fantasy appearance.” Materials include brick, random ashlar stone, and roughewn wood with a wood shake roof and brick and stone chimneys. The lobby features a spectacular walk-in fireplace made of brick and random ashlar stone surrounded by twin stairways made of split logs that lead to the second floor guest rooms. The slogan “Charm of Yesterday, Convenience of Tomorrow” is rendered in neon above the main entrance.
Her Cardboard Lover is a 1942 American comedy film directed by George Cukor, starring Norma Shearer, Robert Taylor, and George Sanders. The screenplay by Jacques Deval, John Collier, Anthony Veiller, and William H. Wright is based on the English translation of Deval's 1926 play Dans sa candeur naïve by Valerie Wyngate and P.G. Wodehouse.
The Scarlett O'Hara War is a 1980 American made-for-television drama film directed by John Erman. It is based on the 1979 novel Moviola by Garson Kanin. Set in late 1930s Hollywood, it is about the search for the actress to play Scarlett O'Hara in the much anticipated film adaptation of Gone with the Wind (1939). This film premiered as the finale of a three-night TV miniseries on NBC called Moviola: A Hollywood Saga.
Girls Can Play is a 1937 American drama film, directed by Lambert Hillyer. It stars Julie Bishop, Charles Quigley, and Rita Hayworth.
Notes