Our Betters | |
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Directed by | George Cukor |
Screenplay by | Jane Murfin Harry Wagstaff Gribble |
Based on | Our Betters 1917 play by Somerset Maugham |
Produced by | David O. Selznick |
Starring | Constance Bennett Anita Louise Gilbert Roland |
Cinematography | Charles Rosher |
Edited by | Jack Kitchin |
Music by | Bernhard Kaun Roy Webb |
Production company | RKO Radio Pictures |
Distributed by | RKO Radio Pictures |
Release date |
|
Running time | 83 minutes |
Country | United States |
Language | English |
Our Betters is a 1933 American pre-Code satirical comedy film directed by George Cukor and starring Constance Bennett, Anita Louise and Gilbert Roland. The screenplay by Jane Murfin and Harry Wagstaff Gribble is based on the 1917 play of the same title by Somerset Maugham. Tommy Atkins worked as assistant director, while the sets were designed by the art director Van Nest Polglase.
Just after her wedding, American hardware heiress Pearl Saunders overhears her husband, Lord George Grayston, telling his mistress that he only married her for her money. Disillusioned, she grows hard and cynical.
Five years later, she has made herself a force among the British upper class with her parties. Among her friends are divorced Duchess Minnie, gossip-loving Thornton Clay, philanthropic Princess Flora, and Arthur Fenwick, her wealthy and adoring lover. Arthur discreetly provides her with a much-needed regular allowance, as her now absent husband has squandered most of her fortune.
Pearl introduces her younger sister Bessie to English aristocracy and especially to eligible young bachelor Lord Harry Bleane. The glamour of high society seduces Bessie. When her former fiancé, Fleming Harvey, comes to see her, it becomes clear to him that she no longer loves him. Harry proposes to Bessie; she accepts, though she tells him only that she likes him very much.
Pearl's social circle spends a weekend at the Grayston country estate. There, Minnie's gigolo, Pepi D'Costa, privately woos Pearl. Eventually, she has a rendezvous with him in the detached teahouse. However, this is detected by Minnie. She maliciously sends an unsuspecting Bessie to fetch her purse, whereupon Bessie sees too much. Her suspicions confirmed, Minnie denounces Pearl before the others. Arthur is furious and disheartened. Pearl's feelings are not hurt; she is more concerned about it becoming known.
Pearl delays Minnie's departure for London and, through her wiles, manages to make up with both Minnie and Arthur. Minnie even forgives Pepi, finally agreeing to marry him. She then persuades Minnie to stay another night and learn the latest tango steps from effete dance instructor Ernest. When Bessie expresses her disgust with her sister's behavior, however, Pearl is truly hurt. She has second thoughts and persuades Harry to break the engagement. Bessie asks a delighted Fleming to take her away.
Producer David O. Selznick enlisted Elsa Maxwell, a gossip columnist whose reputation as a hostess of successful society parties was widely known, to serve as a consultant for the film's general tone and its costumes, which were designed by Hattie Carnegie. [1]
The film premiered at Radio City Music Hall in New York City. [2]
Mordaunt Hall, film critic for The New York Times in 1933, called the film "a highly praiseworthy pictorial interpretation of the stage work" and added the following about Cukor's direction and Rosher's cinematography:
It is an intelligently worked out film, thanks to the director, George Cukor, and while it does not bother much about cinematic art, the scenes are always beautifully photographed and nicely staged. It has heaps of amusement and some hearty laughter, and Mr. Maugham's fine hand still is apparent notwithstanding certain tactful studio changes." [2]
George Dewey Cukor was an American film director and producer. He mainly concentrated on comedies and literary adaptations. His career flourished at RKO when David O. Selznick, the studio's Head of Production, assigned Cukor to direct several of RKO's major films, including What Price Hollywood? (1932), A Bill of Divorcement (1932), Our Betters (1933), and Little Women (1933). When Selznick moved to Metro-Goldwyn-Mayer in 1933, Cukor followed and directed Dinner at Eight (1933) and David Copperfield (1935) for Selznick, and Romeo and Juliet (1936) and Camille (1936) for Irving Thalberg.
Constance Campbell Bennett was an American stage, film, radio, and television actress and producer. She was a major Hollywood star during the 1920s and 1930s; during the early 1930s, she was the highest-paid actress in Hollywood. Bennett frequently played society women, focusing on melodramas in the early 1930s and then taking more comedic roles in the late 1930s and 1940s. She is best remembered for her leading roles in What Price Hollywood? (1932), Bed of Roses (1933), Topper (1937), Topper Takes a Trip (1938), and had a prominent supporting role in Greta Garbo's last film, Two-Faced Woman (1941).
Luis Antonio Dámaso de Alonso, known professionally as Gilbert Roland, was a Mexican-born American film and television actor whose career spanned seven decades from the 1920s until the 1980s. He was twice nominated for the Golden Globe Award in 1952 and 1964 and inducted into the Hollywood Walk of Fame in 1960.
Little Women is a 1933 American pre-Code drama film directed by George Cukor, and starring Katharine Hepburn, Joan Bennett, Frances Dee, and Jean Parker. The screenplay, written by Sarah Y. Mason and Victor Heerman, is based on the 1868-1869 two-volume novel of the same name by Louisa May Alcott.
What Price Hollywood? is a 1932 American pre-Code drama film directed by George Cukor and starring Constance Bennett with Lowell Sherman. The screenplay by Gene Fowler, Rowland Brown, Jane Murfin and Ben Markson is based on a story by Adela Rogers St. Johns and Louis Stevens. The supporting cast features Neil Hamilton, Gregory Ratoff, Brooks Benedict, Louise Beavers and Eddie "Rochester" Anderson.
Bed of Roses is a 1933 pre-Code romantic comedy film co-written and directed by Gregory La Cava and starring Constance Bennett. The picture was released by RKO Radio Pictures with a supporting cast featuring Joel McCrea and Pert Kelton.
Ina Claire was an American stage and film actress.
Two-Faced Woman is a 1941 American romantic comedy film directed by George Cukor and starring Greta Garbo in her final film role, Melvyn Douglas, Constance Bennett, and Roland Young. The movie was distributed by Metro-Goldwyn-Mayer.
Hugh Sinclair was a British actor. He trained for the stage at the Royal Academy of Dramatic Art in London and had a career spanning forty years in theatre, film and television. He worked in Britain and America with some of the 20th Century’s most highly regarded actors and directors, including Ray Milland, Elizabeth Bergner, George Cukor and Carol Reed. His principal work was made in the theatre and he headed the cast of two landmark plays in London, Noel Coward’s Private Lives in 1945 and the original London production of TS Eliot’s The Cocktail Party in 1950. However notable films include Escape Me Never, A Girl Must Live, The Rocking Horse Winner and Circle of Danger. He excelled in light comedy and was known for his comic timing, often playing handsome, debonair characters.
The Last of Mrs. Cheyney is a 1937 American comedy drama film adapted from the 1925 Frederick Lonsdale play The Last of Mrs. Cheyney. The film tells the story of a chic jewel thief in England, who falls in love with one of her marks.
After Tonight is a 1933 American pre-Code World War I spy film directed by George Archainbaud and starring Constance Bennett and Gilbert Roland. The studio considered firing Bennett after the film lost $100,000 at the box office.
Rockabye is a 1932 American pre-Code drama film starring Constance Bennett, Joel McCrea, and Paul Lukas. The final version was directed by George Cukor after studio executives decided that the original film as directed by George Fitzmaurice was unreleasable. The screenplay by Jane Murfin is based on an unpublished play written by Lucia Bronder, based on her original short story.
The Last of Mrs. Cheyney is a 1929 American Pre-Code comedy-drama film directed by Sidney Franklin. The screenplay by Hanns Kräly is based on the 1925 play of the same name by Frederick Lonsdale which ran on Broadway for 385 performances. The film was remade twice, with the same title in 1937 and as The Law and the Lady in 1951.
Jane Murfin, née Macklem was an American playwright and screenwriter. The author of several successful plays, she wrote some of them with actress Jane Cowl—most notably Smilin' Through (1919), which was adapted three times for motion pictures. In Hollywood Murfin became a popular screenwriter whose credits include What Price Hollywood? (1932), for which she received an Academy Award nomination. In the 1920s she lived with Laurence Trimble, writing and producing films for their dog Strongheart, the first major canine star.
Violet Kemble-Cooper was an English-American actress who appeared on stage and in Hollywood film.
Tyrell Davis (1902–1970) was a British film actor, Cambridge educated, who appeared on the West End and Broadway stage, as well as in British and American films.
This Week of Grace is a 1933 British comedy film directed by Maurice Elvey and starring Gracie Fields, Henry Kendall and John Stuart. The screenplay concerns a poor, unemployed woman who is made housekeeper at the estate of a wealthy duchess. It was promoted with the tagline "Cinderella in modern dress". It includes songs written by Harry Parr-Davies, including "My Lucky Day" and "Happy Ending".
Born to Love is a 1931 American pre-Code melodrama film, directed by Paul L. Stein from an original screenplay by Ernest Pascal. It starred Constance Bennett, Joel McCrea and Paul Cavanagh in a lovers' triangle set in London during World War I. It was only the second film produced by RKO Pathé after the merger of the two studios, and according to RKO records, it made a profit of $90,000.
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Our Betters is a comedy play by the British writer Somerset Maugham. Set in Mayfair and a country house in Suffolk, the plot revolves around the interaction between newly wealthy Americans and upper-class British society.