Dancing Lady

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Dancing Lady
Crawford gable astaire dancinglady poster.jpg
theatrical poster
Directed by Robert Z. Leonard
Written by Allen Rivkin
P.J. Wolfson
Uncredited:
Robert Benchley
Zelda Sears
Based onDancing Lady
1932 novel
by James Warner Bellah
Produced by John W. Considine Jr.
Starring Joan Crawford
Clark Gable
Cinematography Oliver T. Marsh
Edited by Margaret Booth
Music by Louis Silvers
Production
company
Distributed byMetro-Goldwyn-Mayer
Release date
  • November 24, 1933 (1933-11-24)
Running time
90 minutes
CountryUnited States
LanguageEnglish
Budget$923,000 [1]
Box office$2.4 million [1]

Dancing Lady is a 1933 American pre-Code musical film starring Joan Crawford and Clark Gable, and featuring Franchot Tone, Fred Astaire, Robert Benchley, and Ted Healy and His Stooges (Curly, Moe and Larry, who later became The Three Stooges). The picture was directed by Robert Z. Leonard, produced by John W. Considine Jr., and was based on the novel of the same name by James Warner Bellah, published the previous year. The movie had a hit song in "Everything I Have Is Yours" by Burton Lane and Harold Adamson.

Contents

The film features the screen debut of dancer Fred Astaire, who appears as himself, as well as the first credited film appearance of Nelson Eddy, and an early feature film appearance of the Three Stooges Moe Howard, Curly Howard, and Larry Fine in support of the leader of their act at the time, Ted Healy, whose role in the film is considerably larger than theirs. The Algonquin Round Table humorist Robert Benchley plays a supporting role.

In the original film, Larry Fine completes a jigsaw puzzle only to discover to his disgust that it's a picture of Adolf Hitler. This was ordered removed by the Production Code censors before the film was released to theaters, because they claimed it was an insult to a foreign head of state. The scene was restored to the TV release but not to the video release.

Plot

Franchot Tone and Joan Crawford in Dancing Lady Joan Crawford and Franchot Tone in 'Dancing Lady'.jpg
Franchot Tone and Joan Crawford in Dancing Lady

Janie Barlow is a young dancer who is reduced to stripping in a burlesque show. Arrested for indecent exposure, she is bailed out by millionaire playboy Tod Newton who was attracted to her while slumming at the theatre with his society pals. When she tries to get a part in a Broadway musical, Tod intercedes with director Patch Gallagher to get her the job: he will put his money into the show, if Janie is given a part in the chorus. Even though he needs the money, Patch is resistant, until he sees Janie dance and realizes her talent.

When, after hard work and perseverance, Janie is elevated to the star's part replacing Vivian Warner Tod is afraid he will lose any chance of gaining her affection if she becomes a star, so he closes the show, and Janie, out of work, goes away with him. Patch starts rehearsals up again using his own money, and when Janie returns and finds out that Tod has deceived her and manipulated things behind the scenes, she dumps him and joins up with her new sweetheart, Patch, to put on the show, which is a smash hit. [2]

Cast

Reception

Dancing Lady was a box office hit upon its release and drew mostly positive reviews from critics. Mordaunt Hall in The New York Times wrote, "It is for the most part quite a lively affair.... The dancing of Fred Astaire and Miss Crawford is most graceful and charming. The photographic effects of their scenes are an impressive achievement....Miss Crawford takes her role with no little seriousness." [3]

Box office
According to MGM records the film earned $1,490,000 in the US and Canada and $916,000 elsewhere, resulting in a profit of $744,000. [1]

See also

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References

  1. 1 2 3 The Eddie Mannix Ledger, Los Angeles, California: Margaret Herrick Library, Center for Motion Picture Study.
  2. Green, Stanley (1999) Hollywood Musicals Year by Year (2nd ed.), pub. Hal Leonard Corporation ISBN   0-634-00765-3 page 26
  3. Hall, Mordaunt. "Joan Crawford, Clark Gable and Franchot Tone in the Capitol's New Pictorial Offering" The New York Times (December 1, 1933)