Mademoiselle Modiste | |
---|---|
Directed by | Robert Z. Leonard |
Written by | Adelaide Heilbron (scenario) Ralph Spence (intertitles) |
Based on | Mlle. Modiste by Victor Herbert and Henry Martyn Blossom |
Produced by | Corinne Griffith |
Starring | Corinne Griffith |
Cinematography | George Barnes |
Edited by | Cyril Gardner |
Distributed by | First National Pictures |
Release date |
|
Running time | 70 minutes |
Country | United States |
Language | Silent (English intertitles) |
Mademoiselle Modiste is a 1926 American silent romantic comedy film produced by and starring Corinne Griffith and distributed by First National Pictures. Robert Z. Leonard directed Griffith in a story based on a popular 1905 Victor Herbert operetta on Broadway, Mlle. Modiste , [1] with a libretto by Henry Martyn Blossom, which was similar to the MGM film The Merry Widow . It is now considered a lost film. [2] [3]
The story was refilmed in 1931 as the talkie Kiss Me Again . [2] [4] [5]
As described in a film magazine, [6] Hiram Bent, impressed with the sales ability of Fifi, opens a fashionable establishment, and exploits her beauty and capabilities to advantage. Cavalry officer Etienne, her fiancé, is shocked by the seeming lack of modesty of Fifi, who is now known as Mademoiselle Modiste, becomes disillusioned and leaves her. Disheartened, Fifi asks Hiram to take her to Deauville, where she meets Etienne. Enraged with jealousy, Etienne challenges Hiram to a duel. Fifi says that Hiram is her husband, but the truth is later revealed. Etienne proposes and Fifi accepts.
Mlle. Modiste is an operetta in two acts composed by Victor Herbert with a libretto by Henry Blossom. It concerns hat shop girl Fifi, who longs to be an opera singer, but who is such a good hat seller that her employer, Mme. Cecil, discourages her in her ambitions and exploits her commercial talents. Also, Fifi loves Etienne de Bouvray, who returns her love, but his uncle, Count Henri, opposes their union. The operetta features the song "Kiss Me Again".
Fritzi Scheff was an American actress and singer.
Henry Martyn Blossom Jr. was an American writer, playwright, novelist, opera librettist, and lyricist. He first gained wide attention for his second novel, Checkers: A Hard Luck Story (1896), which was successfully adapted by Blossom into a 1903 Broadway play, Checkers. It was Blossom's first stage work and his first critical success in the theatre. The play in turn was adapted by others creatives into two silent films, one in 1913 and the other in 1919, and the play was the basis for the 1920 Broadway musical Honey Girl. Checkers was soon followed by Blossom's first critical success as a lyricist, the comic opera The Yankee Consul (1903), on which he collaborated with fellow Saint Louis resident and composer Alfred G. Robyn. This work was also adapted into a silent film in 1921. He later collaborated with Robyn again; writing the book and lyrics for their 1912 musical All for the Ladies.
Kiss Me Again is a 1931 American pre-Code musical operetta film filmed entirely in Technicolor. It was originally released in the United States as Toast of the Legion late in 1930, but was quickly withdrawn when Warner Bros. realized that the public had grown weary of musicals. The Warner Bros. believed that this attitude would only last for a few months, but, when the public proved obstinate, they reluctantly re-released the film early in 1931 after making a few cuts to the film.
That Royle Girl is a 1925 American silent comedy film directed by D. W. Griffith and released by Paramount Pictures. The film was based on the novel of the same name by Edwin Balmer, and starred Carol Dempster, W. C. Fields and Harrison Ford. It is now considered lost.
Outcast is a 1922 American silent drama film directed by Chester Withey. The film starred Elsie Ferguson and David Powell. William Powell has a small supporting part in this which was his third film.
Déclassée, listed as Déclassé on some posters, is a 1925 American silent drama film of manners produced and released by First National Pictures in association with Corinne Griffith as executive producer. Griffith also stars in the production which was directed by Robert G. Vignola and based on the 1919 play by Zoë Akins that starred Ethel Barrymore.
The Lady in Ermine is a 1927 American silent romantic drama film directed by James Flood and produced by and starring Corinne Griffith, and distributed by First National Pictures. The film is now considered a lost film.
Polly of the Circus is a 1917 American silent drama film notable as the first film produced by Samuel Goldwyn after founding his studio Goldwyn Pictures. This film starred Mae Marsh, usually an actress for D.W. Griffith, but now under contract to Goldwyn for a series of films. The film was based on the 1907 Broadway play Polly of the Circus by Margaret Mayo which starred Mabel Taliaferro. Presumably when MGM remade Polly of the Circus in 1932 with Marion Davies, they still owned the screen rights inherited from the 1924 merger by Marcus Loew of the Metro, Goldwyn, and Louis B. Mayer studios. This film marks the first appearance of Slats, the lion mascot of Goldwyn Pictures and Metro-Goldwyn-Mayer. Prints and/or fragments were found in the Dawson Film Find in 1978.
The World's Applause is a 1923 American silent drama film starring Bebe Daniels. It was produced by Famous Players–Lasky and distributed by Paramount Pictures. William C. deMille directed the film and it was written and scripted by his wife Clara Beranger.
Outcast is a 1928 American synchronized sound drama film produced and distributed by First National Pictures. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. It was directed by William A. Seiter and stars Corinne Griffith, often considered one of the most beautiful women in film. This story had been filmed in 1917 as The World and the Woman with Jeanne Eagels. In 1922 a Paramount film of the same name with Elsie Ferguson reprising her stage role was released. Both films were based on a 1914 play, Outcast, by Hubert Henry Davies which starred Ferguson. The Seiter/Griffith film was an all silent with Vitaphone music and sound effects. In the sound era the story was filmed once again as The Girl from 10th Avenue starring Bette Davis. According to the Library of Congress database shows a print surviving complete at Cineteca Italiana in Milan.
Lilies of the Field is a 1924 American silent drama film directed by John Francis Dillon, produced by and starring actress Corinne Griffith, and distributed by Associated First National Pictures. It is based on a 1921 play, Lilies of the Field, by William J. Hurlbut. The film was remade by Griffith as an early sound film in 1930.
The Lady Who Lied is a 1925 American silent melodrama film produced and distributed by First National Pictures and based on a novel by Robert Hichens. Edwin Carewe directed, and Nita Naldi, and Lewis Stone star. The film has the distinction of being the feature attraction of the gala opening of the Uptown Theatre in Chicago, Illinois, on August 18, 1925.
Madame la Presidente is a surviving 1916 American silent comedy film produced by Oliver Morosco and directed by Frank Lloyd. It was distributed by Paramount Pictures and stars Broadway legend and musical comedy star Anna Held in what would be her final and only feature-length film. The film is based on a play, Madame Presidente, that starred Fannie Ward on Broadway.
Peck's Bad Girl is a 1918 comedy film directed by Charles Giblyn, written by Tex Charwate, produced by Samuel Goldwyn, and starring Mabel Normand and Earle Foxe. The black and white silent film, in the style of the Peck's Bad Boy stories, was released by the Goldwyn Pictures Corporation in 35mm on September 2, 1918. The picture's running time is 50 minutes.
Wet Paint is a 1926 American silent comedy film directed by Arthur Rosson and starring Raymond Griffith, Helene Costello, Bryant Washburn, Natalie Kingston, and Henry Kolker. Written by Lloyd Corrigan and Reggie Morris, the film was released on May 3, 1926, by Paramount Pictures.
Love Watches is a lost 1918 American silent feature comedy-drama film directed by Henry Houry and starring Corinne Griffith. It was produced and distributed by the Vitagraph Company of America. A Broadway play produced by Charles Frohman starred Billie Burke in 1908.
Syncopating Sue is a 1926 American silent romantic comedy film directed by Richard Wallace and starring Corinne Griffith and Tom Moore. It is based on a 1924 Broadway play, Ashes by Reginald Goode.
The Broadway Bubble is a lost 1920 American silent drama film directed by George L. Sargent and starring Corinne Griffith in a dual role as twin sisters. It was produced and distributed by the Vitagraph Company of America.
Classified is a 1925 American silent drama film directed by Alfred Santell and produced by and starring Corinne Griffith. It was based on a novel by Edna Ferber and distributed through First National Pictures.