Anchors Aweigh is a 1945 American musical comedy film starring Frank Sinatra, Kathryn Grayson, and Gene Kelly, with songs by Jule Styne and Sammy Cahn. Directed by George Sidney, the film also features José Iturbi, Pamela Britton, and Dean Stockwell.
Kathryn Grayson was an American actress and coloratura soprano.
Night of Dark Shadows is a 1971 horror film by Dan Curtis. It is the sequel to House of Dark Shadows. It centers on the story of Quentin Collins and his bride Tracy at the Collinwood Mansion in Collinsport, Maine.
Emmett Evan "Van" Heflin Jr. was an American theatre, radio, and film actor. He played mostly character parts over the course of his film career, but during the 1940s had a string of roles as a leading man. Heflin won the Academy Award for Best Supporting Actor for his performance in Johnny Eager (1942). He also had memorable roles in westerns such as Shane (1953), 3:10 to Yuma (1957), and Gunman's Walk (1958), and as a bomb man in the disaster film Airport (1970), his last screen role.
Charles Van Dell Johnson was an American actor and dancer. He had a prolific career in film, television, theatre and radio, which spanned over 50 years, between 1940 and 1992. He was a major star at Metro-Goldwyn-Mayer during and after World War II, known for his upbeat and "all-American" screen persona, often playing young military servicemen, or in musicals.
Gail Davis was an American actress and singer, best known for her starring role as Annie Oakley in the 1950s television series Annie Oakley.
Joseph Herman Pasternak was a Hungarian-American film producer in Hollywood. Pasternak spent the Hollywood "Golden Age" of musicals at Metro-Goldwyn-Mayer, producing many successful musicals with female singing stars like Deanna Durbin, Kathryn Grayson and Jane Powell, as well as swimmer/bathing beauty Esther Williams' films. He produced Judy Garland's final MGM film, Summer Stock, which was released in 1950, and some of Gene Kelly’s early breakthrough roles. Pasternak worked in the film industry for 45 years, from the later silent era until shortly past the end of the classical Hollywood cinema in the early 1960s.
House of Dark Shadows is a 1970 American feature-length horror film produced and directed by Dan Curtis, based on his Dark Shadows television series. In this film expansion, vampire Barnabas Collins searches for a cure for vampirism so he can marry a woman who resembles his long-lost fiancée Josette.
In the Good Old Summertime is a 1949 American Technicolor musical romantic comedy film directed by Robert Z. Leonard. It stars Judy Garland, Van Johnson, S. Z. Sakall, Spring Byington, Clinton Sundberg, and Buster Keaton in his first featured film role at MGM since 1933.
Till The Clouds Roll By is a 1946 American Technicolor musical film produced by Metro-Goldwyn-Mayer and a fictionalized biopic of composer Jerome Kern, portrayed by Robert Walker. Kern was involved with the production, but died before its completion. It was the first in a series of MGM biopics about Broadway composers.
Joy in the Morning is a 1965 American romance film starring Richard Chamberlain and Yvette Mimieux and directed by Alex Segal. Adapted from the 1963 novel of the same name by Betty Smith, the film tells the story of a young newlywed couple, Carl and Annie Brown, who marry against their parents' wishes while Carl is still in law school and struggle to maintain their relationship.
Week-End at the Waldorf, an American comedy drama film starring Ginger Rogers, Lana Turner, Walter Pidgeon, and Van Johnson. Directed by Robert Z. Leonard, its Samuel and Bella Spewack screenplay is based on playwright Guy Bolton's stage adaptation of the 1929 Vicki Baum novel Grand Hotel, which had been filmed as a straight drama as Grand Hotel in 1932.
Show Boat is a 1951 American musical romantic drama film, based on the 1927 stage musical of the same name by Jerome Kern (music) and Oscar Hammerstein II, and the 1926 novel by Edna Ferber. It was made by MGM, adapted for the screen by John Lee Mahin, produced by Arthur Freed and directed by George Sidney.
Invitation is a 1952 American melodrama film directed by Gottfried Reinhardt and starring Van Johnson, Dorothy McGuire and Ruth Roman. Johnson and McGuire play a happily married couple, until the wife learns a secret about her husband. The film was based on the short story "R.S.V.P." by Jerome Weidman. The theme song "Invitation" has since become a jazz standard.
Thrill of a Romance is an American Technicolor romance film released by Metro-Goldwyn-Mayer in 1945, starring Van Johnson, Esther Williams and Carleton G. Young, with musical performances by Tommy Dorsey & his Orchestra and opera singer Lauritz Melchior. The film was directed by Richard Thorpe and written by Richard Connell and Gladys Lehman.
Easy to Wed is a 1946 Technicolor American musical comedy film directed by Edward Buzzell, and starring Van Johnson, Esther Williams, Lucille Ball, and Keenan Wynn. The screenplay by Dorothy Kingsley is an adaptation of the screenplay of the 1936 film Libeled Lady by Maurine Dallas Watkins, Howard Emmett Rogers, and George Oppenheimer.
The War Against Mrs. Hadley is a 1942 American drama film directed by Harold S. Bucquet and starring Fay Bainter and Edward Arnold. The plot depicts how wealthy society matron Stella Hadley selfishly refuses to sacrifice her family or material comforts during World War II, until tragedy strikes an old rival. The script by George Oppenheimer was nominated for an Academy Award for Best Original Screenplay.
The Kissing Bandit is a 1948 American comedy musical Western film directed by László Benedek. It stars Frank Sinatra and Kathryn Grayson, with J. Carrol Naish in a supporting role, and Ricardo Montalbán, Ann Miller and Cyd Charisse in cameo roles.
Dr. Gillespie's New Assistant is a 1942 feature film from MGM in their long-running Dr. Kildare series. Directed by Willis Goldbeck, it introduced two new doctors, Dr. Randall Adams and Dr. Lee Wong How.
Week-End Marriage is a 1932 American pre-Code comedy film directed by Thornton Freeland and starring Loretta Young. It was produced by First National Pictures and distributed by Warner Bros. It is based on the 1932 novel, Week-End Marriage, by Faith Baldwin. The film is preserved at the Library of Congress.
