San Francisco is a 1936 musical-drama disaster film directed by W. S. Van Dyke, based on the April 18, 1906 San Francisco earthquake. The film stars Clark Gable, Jeanette MacDonald and Spencer Tracy. MacDonald's singing helped make this film a major hit, coming on the heels of her other 1936 blockbuster, Rose Marie.
The Love Parade is a 1929 American pre-Code musical comedy film, directed by Ernst Lubitsch and starring Maurice Chevalier and Jeanette MacDonald, involving the marital difficulties of Queen Louise of Sylvania (MacDonald) and her consort, Count Alfred Renard (Chevalier). Despite his love for Louise and his promise to be an obedient husband, Count Alfred finds his role as a figurehead unbearable. The supporting cast features Lupino Lane, Lillian Roth and Eugene Pallette.
Sigmund Romberg was a Hungarian-born American composer. He is best known for his musicals and operettas, particularly The Student Prince (1924), The Desert Song (1926) and The New Moon (1928).
Jeanette Anna MacDonald was an American singer and actress best remembered for her musical films of the 1930s with Maurice Chevalier and Nelson Eddy. During the 1930s and 1940s she starred in 29 feature films, four nominated for Best Picture Oscars, and recorded extensively, earning three gold records. She later appeared in opera, concerts, radio, and television. MacDonald was one of the most influential sopranos of the 20th century, introducing opera to film-going audiences and inspiring a generation of singers.
The Desert Song is an operetta with music by Sigmund Romberg and book and lyrics by Oscar Hammerstein II, Otto Harbach and Frank Mandel. It was inspired by the 1925 uprising of the Riffs, a group of Moroccan fighters, against French colonial rule. It was also inspired by stories of Lawrence of Arabia aiding native guerrillas. Many tales romanticizing Arab North Africa were in vogue, including Beau Geste and The Son of the Sheik.
Nelson Ackerman Eddy was an American actor and baritone singer who appeared in 19 musical films during the 1930s and 1940s, as well as in opera and on the concert stage, radio, television, and in nightclubs. A classically trained baritone, he is best remembered for the eight films in which he costarred with soprano Jeanette MacDonald. He was one of the first "crossover" stars, a superstar appealing both to shrieking bobby soxers and opera purists, and in his heyday, he was the highest paid singer in the world.
The New Moon is an operetta with music by Sigmund Romberg and book and lyrics by Oscar Hammerstein II, Frank Mandel, and Laurence Schwab. The show was the third in a string of Broadway hits for Romberg written in the style of Viennese operetta. Set in 1792, shortly before the French Revolution, the story centers on a young French aristocrat in disguise, who has fled his country and falls in love with the daughter of a prominent New Orleans planter.
Phantom of the Opera is a 1943 American romantic horror film directed by Arthur Lubin, loosely based on Gaston Leroux's 1910 novel The Phantom of the Opera and its 1925 film adaptation starring Lon Chaney. Produced and distributed by Universal Pictures, the film stars Nelson Eddy, Susanna Foster and Claude Rains, and was composed by Edward Ward.
Sharon Rich is an American author and film historian, best known for the biography Sweethearts about 1930s singing stars Jeanette MacDonald and Nelson Eddy.
New Moon is a 1940 American musical film released by Metro-Goldwyn-Mayer and directed by Robert Z. Leonard, with uncredited direction by W. S. Van Dyke.
Maytime is a musical with music by Sigmund Romberg and lyrics and book by Rida Johnson Young, and with additional lyrics by Cyrus Wood. The story is based on the 1913 German operetta Wie einst im Mai, composed by Walter Kollo, with words by Rudolf Bernauer and Rudolph Schanzer. The story, set in New York, is told in episodes covering a long period, from 1840 to the 20th century. Wealthy young Ottillie is in love with Dick, but they are kept apart by family and circumstance. Years later, their descendants marry. Maytime introduced songs such as "The Road to Paradise", "Will You Remember?" and "Jump Jim Crow".
Monte Carlo is a 1930 American pre-Code musical comedy film, directed by Ernst Lubitsch. It co-stars Jack Buchanan as a French Count Rudolph Falliere masquerading as a hairdresser and Jeanette MacDonald as Countess Helene Mara. The film is notable for introducing the song "Beyond the Blue Horizon", which was written for the film and is first performed by MacDonald and a chorus on the soundtrack as she escapes on the train through he countryside. Monte Carlo was hailed by critics as a masterpiece of the newly emerging musical film genre. The screenplay was based on the Booth Tarkington novel Monsieur Beaucaire.
The Girl of the Golden West is a 1938 American musical Western film adapted from the 1905 play of the same name by David Belasco, better known for providing the plot of the opera La fanciulla del West by Giacomo Puccini. A frontier woman falls in love with an outlaw.
Rose Marie is a 1936 American musical film starring Jeanette MacDonald, Nelson Eddy, and Reginald Owen that was directed by W. S. Van Dyke. It was the second of three movie adaptations from Metro-Goldwyn-Mayer of the 1924 Broadway musical of the same name. A silent version was released in 1928 and a color film in 1954. All three versions are set in the Canadian wilderness. Portions of Rudolf Friml and Herbert Stothart's original score for the Broadway musical are utilized in both the 1936 and 1954 films.
The Firefly is a 1937 musical film starring Jeanette MacDonald and Allan Jones. The film is an adaptation of the operetta of the same name by composer Rudolf Friml and librettist Otto A. Harbach that premiered on Broadway in 1912. The film used nearly all of the music from the operetta but jettisoned the plot in favor of a new storyline set in Spain during the time of the Emperor Napoleon I. It added a new song, "The Donkey Serenade", which became extremely popular, as was one of the Friml songs, "Giannina Mia". The original release prints of the film were elaborately tinted with Sepia-Blue, Sepia-Orange and Sepia-Blue-Pink.
Bitter Sweet is a 1940 American Technicolor musical film directed by W. S. Van Dyke, based on the operetta Bitter Sweet by Noël Coward. It was nominated for two Academy Awards, one for Best Cinematography and the other for Best Art Direction by Cedric Gibbons and John S. Detlie.
I Married an Angel is a 1942 American musical film based on the 1938 musical comedy of the same name by Rodgers and Hart. The film was directed by W. S. Van Dyke and starred Jeanette MacDonald and Nelson Eddy, who were then a popular onscreen couple. Supporting cast members included Edward Everett Horton, Binnie Barnes, Reginald Owen, Douglass Dumbrille, Mona Maris, and Odette Myrtil.
Lover Come Back may refer to:
American actress/singer Jeanette MacDonald recorded over 50 songs during her film career for RCA Victor and its foreign counterparts. Due to the limited statistics released to the public, it is not certain how many songs and singles she has released or their exact popularity in music charts, although she has officially recorded eight studio albums and released seven compilation albums. Despite soundtracks for musical films not becoming a concept until the 1940s, many of her singles were re-recordings of songs she had performed in the movies ; her first "album" was the single "Dream Lover"/"March of the Grenadiers" (1930) on 78 rpm discs for The Love Parade. She also recorded a cover album of songs featured in Sigmund Romberg's Up in Central Park in 1945 with Robert Merrill, as well as non-English records during her 1931 European tour.
The following features lists of the film, television and stage performances of actress and singer Jeanette MacDonald. She is best remembered for her musical films of the 1930s with Maurice Chevalier and Nelson Eddy, but she starred in 29 feature films between 1929 and 1950, from operas to dramas to romantic comedies.
