The Divorcee is a 1930 American pre-Code drama film written by Nick Grindé, John Meehan, and Zelda Sears, based on the 1929 novel Ex-Wife by Ursula Parrott. It was directed by Robert Z. Leonard, who was nominated for the Academy Award for Best Director. The film was also nominated for Best Picture, and won Best Actress for its star Norma Shearer.
A Free Soul is a 1931 American pre-Code drama film directed by Clarence Brown and starring Norma Shearer, Leslie Howard, Lionel Barrymore and Clark Gable.
Gloria Josephine Mae Swanson was an American actress. She first achieved fame acting in dozens of silent films in the 1920s and was nominated three times for the Academy Award for Best Actress, most famously for her 1950 turn in Billy Wilder's Sunset Boulevard, which also earned her a Golden Globe Award.
Their Own Desire is a 1929 American pre-Code romantic drama film directed by E. Mason Hopper and starring Norma Shearer, Belle Bennett, Lewis Stone, Robert Montgomery, and Helene Millard. The film was adapted by James Forbes and Frances Marion from the novel by Sarita Fuller; Lucille Newmark wrote the titles. It is also the last MGM film in the 1920s. Shearer was nominated for the Academy Award for Best Actress, but lost to herself for The Divorcee.
Marie Antoinette is a 1938 American historical drama film produced by Metro-Goldwyn-Mayer. It was directed by W. S. Van Dyke and starred Norma Shearer as Marie Antoinette. Based upon the 1932 biography of the ill-fated Queen of France by the Austrian writer Stefan Zweig, it had its Los Angeles premiere at the legendary Carthay Circle Theatre, where the landscaping was specially decorated for the event.
Herbert Brough Falcon Marshall was an English stage, screen, and radio actor who starred in many popular and well-regarded Hollywood films in the 1930s and 1940s. After a successful theatrical career in the United Kingdom and North America, he became an in-demand Hollywood leading man, frequently appearing in romantic melodramas and occasional comedies. In his later years, he turned to character acting.
I'll Be Seeing You is a 1944 American drama film made by Selznick International Pictures, Dore Schary Productions, and Vanguard Pictures, and distributed by United Artists. It stars Joseph Cotten, Ginger Rogers, and Shirley Temple, with Spring Byington, Tom Tully, and John Derek. It was produced by Dore Schary, with David O. Selznick as executive producer. The screenplay was by Marion Parsonnet, based on a radio play by Charles Martin (1910-1983).
Lady of the Night is a 1925 American silent romantic drama film directed by Monta Bell. The film stars Norma Shearer in a dual role.
Strange Interlude is a 1932 American pre-Code drama film directed by Robert Z. Leonard and released by Metro-Goldwyn-Mayer. The film stars Norma Shearer and Clark Gable, and is based on the 1928 play Strange Interlude by Eugene O'Neill. It is greatly shortened from the play: the stage production lasts six hours and is sometimes performed over two evenings, while the film runs for two hours.
Tell It to the Marines is a 1926 American silent romantic drama film directed by George W. Hill and starring Lon Chaney, William Haines, and Eleanor Boardman. The film follows a Marine recruit and the sergeant who trains him. It was the biggest box office success of Chaney's career and the second biggest moneymaker of 1926/1927.
Norma Shearer (1902–1983) was a Canadian American film actress who was nominated five times for an Academy Award. She and her sister Athole were assisted in their pursuit of show business careers by their mother Edith Fisher Shearer. After amassing numerous letters of introduction from a variety of show business-related people in Canada, the trio relocated to New York, hoping to get into musical theatre.
The Last of Mrs. Cheyney is a 1937 American comedy drama film adapted from the 1925 Frederick Lonsdale play The Last of Mrs. Cheyney. The film tells the story of a chic jewel thief in England, who falls in love with one of her marks.
If You Could Only Cook (1935) is a screwball comedy of mistaken identity starring Herbert Marshall as a frustrated automobile executive and Jean Arthur as a young woman who talks him into posing as her husband so they can land jobs as a butler and a cook.
Private Lives is a 1931 American pre-Code comedy film directed by Sidney Franklin. The screenplay by Hanns Kräly and Richard Schayer is based on the 1930 play Private Lives by Noël Coward.
Smilin' Through is a 1922 American silent drama film based on the 1919 play of the same name, written by Jane Cowl and Jane Murfin. The film starred Norma Talmadge, Harrison Ford, and Wyndham Standing. It was co-written and directed by Sidney Franklin, who also directed the more famous 1932 remake at MGM. The film was produced by Talmadge and her husband Joseph M. Schenck for her company, the Norma Talmadge Film Corporation. It was released by First National Pictures. Popular character actor Gene Lockhart made his screen debut in this film.
Smilin' Through is a 1932 American pre-Code MGM romantic drama film based on the 1919 play of the same name written by Jane Cowl and Jane Murfin under the pseudonym of Allan Langdon Martin. It was adapted from the play by James Bernard Fagan, Donald Ogden Stewart, Ernest Vajda and Claudine West. The film was directed by Sidney Franklin and stars Norma Shearer, Fredric March, Leslie Howard and Ralph Forbes.
The Law and the Lady is a 1951 American comedy film directed by Edwin H. Knopf and starring Greer Garson, Michael Wilding and Fernando Lamas. It is not related to the Wilkie Collins novel The Law and the Lady. Very loosely based on the 1925 play The Last of Mrs. Cheyney by Frederick Lonsdale, the action is transferred to the turn of the century, the names are all changed, and the first half of the film shows the history of the two thieves. Previous film versions of the story, made in 1929, starring Norma Shearer, and 1937, starring Joan Crawford, retained the play's contemporary setting, included a crew of confederates, and opened with Mrs. Cheyney as an established figure in society. This film also ends differently from the play, with the partners in crime ending as romantic partners but going back to England to face the music for their very first swindle. In the play and in the two other films, Charles leaves and Mrs. Cheyney accepts Lord Dilling, who kisses her and declares: “That's the Last of Mrs. Cheyney!”
Let Us Be Gay is a 1930 American pre-Code romantic comedy-drama film produced and distributed by MGM. It was directed by Robert Z. Leonard and stars Norma Shearer. It was based on and filmed concurrently with the 1929 play by Rachel Crothers which starred Tallulah Bankhead and ran for 128 performances at London's Lyric Theater. Critics generally preferred Tallulah's rendition to Shearer's.
Strangers May Kiss is a 1931 American pre-Code drama film produced and released by Metro-Goldwyn-Mayer and noncredit-directed by George Fitzmaurice. The movie stars Norma Shearer, Robert Montgomery and Neil Hamilton. The movie was an adaptation of the book Strangers May Kiss, which was written by Ursula Parrott.
The Wild Man of Borneo is a 1941 American period comedy film directed by Robert B. Sinclair and written by Waldo Salt and John McClain, based on the 1927 Broadway play by Marc Connelly and Herman J. Mankiewicz. The film stars Frank Morgan and features Mary Howard, Billie Burke, Donald Meek, Marjorie Main, Connie Gilchrist, Bonita Granville and Dan Dailey. The film was released on January 24, 1941 by Metro-Goldwyn-Mayer.
