Joan de Beauvoir de Havilland, known professionally as Joan Fontaine, was an English-American actress who is best known for her starring roles in Hollywood films during the Golden Age of Hollywood. Fontaine appeared in more than 45 films in a career that spanned five decades. She was the younger sister of actress Olivia de Havilland. Their rivalry was well-documented in the media at the height of Fontaine's career.
The Constant Nymph is a 1924 novel by Margaret Kennedy. It tells how a teenage girl, Tessa Sanger, falls in love with a family friend, who eventually marries her cousin. It explores the protagonists' complex family histories, focusing on class, education and creativity.
Margaret Alexis Smith was a Canadian-born American actress, pin-up girl and singer. She appeared in several major Hollywood films in the 1940s and had a notable career on Broadway in the 1970s, winning a Tony Award in 1972 for the Stephen Sondheim-James Goldman musical Follies.
Joan Leslie was an American actress and vaudevillian, who during the Hollywood Golden Age, appeared in such films as High Sierra (1941), Sergeant York (1941), and Yankee Doodle Dandy (1942).
Edmund Goulding was a British screenwriter and film director. As an actor early in his career he was one of the 'Ghosts' in the 1922 silent film Three Live Ghosts alongside Norman Kerry and Cyril Chadwick. Also in the early 1920s he wrote several screenplays for star Mae Murray for films directed by her then husband Robert Z. Leonard. Goulding is best remembered for directing cultured dramas such as Love (1927), Grand Hotel (1932) with Greta Garbo and Joan Crawford, Dark Victory (1939) with Bette Davis, The Constant Nymph (1943) with Joan Fontaine, and The Razor's Edge (1946) with Gene Tierney and Tyrone Power. He also directed the classic film noir Nightmare Alley (1947) with Tyrone Power and Joan Blondell, and the action drama The Dawn Patrol. He was also a successful songwriter, composer, and producer.
The Stud is a 1978 British drama film directed by Quentin Masters and starring Joan Collins and Oliver Tobias. It is based on the 1969 novel of the same name by Collins's younger sister Jackie Collins.
Richard Ryen was a Hungarian-born actor who was expelled from Germany by the Nazis prior to World War II.
Forsaking All Others is a 1934 American romantic comedy-drama film directed by W.S. Van Dyke, and starring Robert Montgomery, Joan Crawford and Clark Gable. The screenplay was written by Joseph L. Mankiewicz, which was based upon a 1933 play by Edward Barry Roberts and Frank Morgan Cavett starring Tallulah Bankhead.
Margaret Kennedy was an English novelist and playwright. Her most successful work, as a novel and as a play, was The Constant Nymph. She was a productive writer and several of her works were filmed. Three of her novels were reprinted in 2011.
I Met My Love Again is a 1938 American romantic drama film distributed by United Artists, directed by Joshua Logan, Arthur Ripley and George Cukor. The screenplay was written by David Hertz, based on the novel Summer Lightning by Allene Corliss. The film stars Joan Bennett and Henry Fonda.
The Constant Nymph is a 1928 British silent film drama, directed by Adrian Brunel and starring Ivor Novello and Mabel Poulton. This was the first film adaptation of the 1924 best-selling and controversial novel The Constant Nymph by Margaret Kennedy and the 1926 stage play version written by Kennedy and Basil Dean. The theme of adolescent sexuality reportedly discomfited the British film censors, until they were reassured that lead actress Poulton was in fact in her 20s.
September Affair is a 1950 American romantic drama film directed by William Dieterle and starring Joan Fontaine, Joseph Cotten, and Jessica Tandy. It was produced by Hal B. Wallis.
I Love My Wife, stylized as I Love My...Wife, is a 1970 American comedy film directed by Mel Stuart. It stars Elliott Gould and Brenda Vaccaro.
The Constant Nymph may refer to:
The Constant Nymph is a 1933 British drama film directed by Basil Dean and starring Victoria Hopper, Brian Aherne and Leonora Corbett. It is an adaptation of the 1924 novel The Constant Nymph by Margaret Kennedy and the 1926 stage play adaptation written by Kennedy and Dean. Dean tried to persuade Novello to reprise his appearance from the 1928 silent version The Constant Nymph but was turned down and cast Aherne in the part instead. The film is set in Tyrol, western Austria. Previously filmed in 1928, the sentimental Margaret Kennedy novel The Constant Nymph was sumptuously remade by Gaumont-British Picture Corporation in 1933.
Escape Me Never is a 1947 American melodrama film directed by Peter Godfrey, and starring Errol Flynn, Ida Lupino, Eleanor Parker, and Gig Young.
Escape Me Never is a 1935 British drama film directed by Paul Czinner, produced by Herbert Wilcox, and starring Elisabeth Bergner, Hugh Sinclair and Griffith Jones. The score is by William Walton with orchestration by Hyam Greenbaum. Bergner was nominated for the Oscar for Best Actress for her performance, but lost to Bette Davis. British readers of Film Weekly magazine voted the 1935 Best Performance in a British Movie to her. The film is an adaptation of the play Escape Me Never by Margaret Kennedy, which was based upon her 1930 novel The Fool of the Family. That book was a sequel to The Constant Nymph, which was also about the Sanger family of musical geniuses, but there is a disjunct among the books and the films: the Sanger brothers are never mentioned in the 1943 film version of The Constant Nymph. Another film adaptation of Escape Me Never was made in 1947 by Warner Bros.
Sally Sweetland was an American soprano singer and teacher. She was active in the film and recording industry during the 1940s and 50s, before moving into teaching.
One More Tomorrow is a 1946 American drama film directed by Peter Godfrey and written by Charles Hoffman and Catherine Turney from the play The Animal Kingdom by Philip Barry. The film, starring Ann Sheridan, Dennis Morgan, Jack Carson, Alexis Smith, Jane Wyman and Reginald Gardiner. It was released by Warner Bros. on June 1, 1946. A pre-code 1932 film, The Animal Kingdom, is also based on the play.
The Constant Nymph is a play based on the 1924 novel of the same name by Margaret Kennedy. The stage version, adapted by Kennedy and the director Basil Dean, was first performed in London in 1926, starring Noël Coward, Edna Best and Cathleen Nesbitt. It portrays the love of two women for a young composer, and the conflicts that arise. The tragic ending has the younger of the two – a teenager – die of heart failure.
